Pam Webb

a writer's journey as a reader

Archive for the category “Literature”

Fifty Shades of Greatness


The particulars: 1,311 voters. 1,200 suggested books. The result: the top 50 books which reflect great reads, great choices–nothing shady about good taste (BookRiot). Though I didn’t vote in the first round I shall add in my votes.

  1. To Kill A Mockingbird by Harper Lee (126 votes)
  2. Pride and Prejudice by Jane Austen
  3. Jane Eyre by Charlotte Bronte
  4. The Harry Potter series by J.K. Rowling
  5. The Great Gatsby by F. Scott Fitzgerald
  6. The Lord of the Rings series by J.R.R. Tolkien
  7. Gone With the Wind by Margaret Mitchell
  8. Wuthering Heights by Emily Bronte
  9. The Book Thief by Markus Zusak
  10. The Catcher in the Rye by J.D. Salinger
  11. One Hundred Years of Solitude by Gabriel Garcia Marquez
  12. The Secret History by Donna Tartt
  13. Catch-22 by Joseph Heller
  14. A Tree Grows in Brooklyn by Betty Smith
  15. Slaughterhouse-Five by Kurt Vonnegut
  16. A Prayer for Owen Meany by John Irving
  17. The Stand by Stephen King
  18. The Hobbit by J.R.R. Tolkien
  19. Anna Karenina by Leo Tolstoy
  20. Infinite Jest by David Foster Wallace
  21. Persuasion by Jane Austen
  22. The Picture of Dorian Gray by Oscar Wilde
  23. The Brothers Karamozov by Fyodor Dostoevsky
  24. The Outlander series by Diana Gabaldon
  25. East of Eden by John Steinbeck
  26. The Shadow of the Wind by Carlos Ruiz Zafon
  27. The Time Traveler’s Wife by Audrey Niffenegger
  28. American Gods by Neil Gaiman
  29. The Count of Monte Cristo by Alexandre Dumas
  30. Fahrenheit 451 by Ray Bradbury
  31. 1984 by George Orwell
  32. Crime and Punishment by Fyodor Dostoevsky
  33. Little Women by Louisa May Alcott
  34. Moby-Dick by Herman Melville
  35. The Grapes of Wrath by John Steinbeck
  36. The Handmaid’s Tale by Margaret Atwood
  37. The Hitchhiker’s Guide to the Galaxy series by Douglas Adams
  38. Lolita by Vladimir Nabokov
  39. Rebecca by Daphne du Maurier
  40. Ulysses by James Joyce
  41. Cloud Atlas by David Mitchell
  42. The Perks of Being a Wallflower by Stephen Chbosky
  43. Ender’s Game by Orson Scott Card
  44. Middlesex by Jeffrey Eugenides
  45. The Amazing Adventures of Kavalier and Clay by Michael Chabon
  46. Dune by Frank Herbert
  47. Gilead by Marilynne Robinson
  48. Les Miserables by Victor Hugo
  49. The Night Circus by Erin Morgenstern
  50. The Poisonwood Bible by Barbara Kingsolver (13 votes)

I would have put in votes for The Alchemist and a few of Shakespeare’s plays, like Hamlet, Much Ado About Nothing, Othello. Come to think of it I’ve yet to come across a Greats list for plays.

Now, your turn. What votes would you cast off the 50 Greats?  And then–what plays would you vote for? Because aren’t plays stories to be acted out?

Children’s Books for Forever


I don’t think I will ever outgrow my liking of children’s books. At one point I began collecting them as I came across them in yard sales, thrift stores, and the cast offs from the public library. I probably would have done better to start my collection after I had done my college moving days. Carting crates of books during a year of several moves created in me to appreciate children’s books in a different fashion. I no longer have my collection, and I don’t terribly regret the decision to dissemble it. I still am a confirmed reader, promoter, and writer of children’s stories. They remain my fave.  Here’s a hint–if you are feeling somewhat blue about the edges, go grab a kid’s book and read it. Better yet, grab a kid and a book and read the book to the kid. No more blues.

With all that being said it gives me great smiles to present the New York Public Libraries first ever 100 Top Children’s Books of the Last 100 Years. First posted on School Library Journal’s site September 30, 2013 (I am a bit behind in my inbox readings).

 

100YearsChildBks strip1 NYPL Unveils 100 Top Children’s Books of the Last 100 YearsIn alphabetical order by title, this list is as follows:

Alexander and the Terrible, Horrible, No Good, Very Bad Day. Judith Viorst. Illus. by Ray Cruz. (1972)
All-of-a-Kind Family. Sydney Taylor, illustrated by Helen John. (1951)
Amelia Bedelia. Peggy Parish, illustrated by Fritz Siebel. (1963)
The Arrival. Shaun Tan. (2007) Bark, George. Jules Feiffer. (1999)
Because of Winn-Dixie. Kate DiCamillo. (2000)
Ben’s Trumpet. Rachel Isadora. (1979)
Big Red Lollipop. Rukhsana Khan. Illus. by Sophie Blackall. (2010)
The Birchbark House. Louise Erdrich. (1999)
The Book of Three. Lloyd Alexander. (1964)
The Borrowers. Mary Norton. Illus. by Beth Krush and Joe Krush. (1953)
El Gallo De Bodas: A Traditional Cuban Folktale. Lucía M. González. Illus. by Lulu Delacre. (1994)
Bread and Jam for Frances.
Russell Hoban. illustrated by Lillian Hoban. (1964)
Bridge to Terabithia. Katherine Paterson. (1977)
Brown Bear, Brown Bear, What Do You See? Bill Martin, Jr. Illus. by Eric Carle. (1967)
Caps for Sale. Esphyr Slobodkina. (1938)
The Cat in the Hat. Dr. Seuss. (1957)
Chains. Laurie Halse Anderson. (2008)
A Chair For My Mother. Vera B. Williams. (1982)
Charlotte’s Web. E.B. White. Illus. by Garth Williams. (1952)
Chato’s Kitchen. Gary Soto. Illus. by Susan Guevara. (1995)
Chicka Chicka Boom Boom. Bill Martin, Jr. and John Archambault. Illus. by Lois Ehlert. (1989)
Corduroy. Don Freeman. (1976) Curious George. H.A. Rey. (1941)
D’Aulaires’ Book of Greek Myths. Ingri D’Aulaire and Edgar Parin D’Aulaire. (1962)
Don’t Let the Pigeon Drive the Bus! Mo Willems. (2003)
Esperanza Rising. Pam Muñoz Ryan. (2000)
Freight Train. Donald Crews. (1978)
Frog and Toad Are Friends. Arnold Lobel. (1970)
From the Mixed-Up Files of Mrs. Basil E. Frankweiler. E.L. Konigsburg. (1967)
George and Martha. James Marshall. (1972)
The Giver. Lois Lowry. (1993)
Go, Dog. Go! P.D. Eastman. (1961)
Goodnight Moon. Margaret Wise Brown. Illus. by Clement Hurd. (1947)
Grandfather’s Journey. Allen Say. (1993)
The Graveyard Book. Neil Gaiman. Illus. by Dave McKean. (2008)
Green Eggs and Ham. Dr. Seuss. (1960)
Harold and the Purple Crayon. Crockett Johnson. (1955)
Harriet the Spy. Louise Fitzhugh. (1964)
Harry Potter and the Sorcerer’s Stone. J.K. Rowling. (1998)
Hatchet. Gary Paulsen. (1989)
The Hobbit. J.R.R. Tolkien. (1937)
Holes. Louis Sachar. (1998)
The Invention of Hugo Cabret. Brian Selznick. (2007)
Joseph Had a Little Overcoat. Simms Taback. (1999)
Jumanji.
 Chris Van Allsburg. (1981)
Just a Minute: A Trickster Tale and Counting Book. Yuyi Morales. (2003)
Lilly’s Purple Plastic Purse. Kevin Henkes. (1996)
The Lion and the Mouse.
Jerry Pinkney. (2009)
The Lion, the Witch and the Wardrobe. C.S. Lewis. (1950)
The Little House. Virginia Lee Burton. (1942)
The Little Prince. Antoine de Saint-Exupéry. (1943)
Locomotion. Jacqueline Woodson. (2003)
Lon Po Po: A Red-Riding Hood Story From China. Ed Young. (1989) 100YearsChildBks strip2 NYPL Unveils 100 Top Children’s Books of the Last 100 YearsMadeline. Ludwig Bemelmans. (1939)
Make Way for Ducklings. Robert McCloskey. (1941)
Matilda. Roald Dahl. Illus. by Quentin Blake. (1988)
Meet Danitra Brown. Nikki Grimes. Illus. by Floyd Cooper. (1994)
Millions of Cats. Wanda Gág. (1928)
Miss Nelson is Missing!
Harry Allard. Illus. by James Marshall. (1977)
Mr. Popper’s Penguins.
Richard and Florence Atwater. Illus. by Robert Lawson. (1938)
Mrs. Frisby and the Rats of NIMH.
Robert C. O’Brien. (1971)
Mufaro’s Beautiful Daughters: An African Tale.
John Steptoe. (1987)
My Father’s Dragon.
 Ruth Stiles Gannett. Illus. by Ruth Chrisman Gannett (1948)
My Name is Yoon.
 Helen Recorvits. Illus. by Gabi Swiatkowska. (2003)
Olivia.
Ian Falconer. (2000)
One Crazy Summer
. Rita Williams-Garcia. (2010)
The People Could Fly: American Black Folktales.
Virginia Hamilton. Illus. by Leo/Diane Dillon. (1985)
The Phantom Tollbooth. Norton Juster. Illus. by Jules Feiffer. (1961)
Pierre: A Cautionary Tale in Five Chapters and a Prologue. Maurice Sendak. (1962)
Pink and Say. Patricia Polacco.  (1994)
Pippi Longstocking. Astrid Lindgren. (1950)
Ramona the Pest. Beverly Cleary. (1968)
Rickshaw Girl. Mitali Perkins. Illus. by Jamie Hogan. (2007)
Roll of Thunder, Hear My Cry. Mildred D. Taylor. (1976)
Rumpelstiltskin. Paul O. Zelinsky. (1986)
A Sick Day for Amos MCGee. Philip Stead. Illus. by Erin E. Stead. (2010)
The Snowy Day. Ezra Jack Keats. (1962)
Starry River of the Sky. Grace Lin. (2012)
The Stories Julian Tells. Ann Cameron. Illus. by Ann Strugnell. (1981)
The Story of Ferdinand. Munro Leaf. Illus. by Robert Lawson. (1936)
Strega Nona. Tomie dePaola. (1975)
Swimmy. Leo Lionni. (1963)
Sylvester and the Magic Pebble.
William Steig. (1969)
Tales of a Fourth Grade Nothing. Judy Blume. (1972)
The Tales of Uncle Remus: The Adventures of Brer Rabbit. Julius Lester. Illus. by Jerry Pinkney. (1987)
Tar Beach. Faith Ringgold. (1991)
Ten, Nine, Eight. Molly Bang. (1983)
Tomie dePaola’s Mother Goose. Tomie dePaola. (1985)
The True Story of the Three Little Pigs. Jon Scieszka. Illus. by Lane Smith. (1989)
Tuesday. David Wiesner. (1991)
The Very Hungry Caterpillar. Eric Carle. (1969)
The Watsons Go to Birmingham—1963. Christopher Paul Curtis. (1995)
The Westing Game. Ellen Raskin. (1978)
When You Reach Me. Rebecca Stead. (2009)
Where Is the Green Sheep? Mem Fox. Illus. by Judy Horacek. (2004)
Where the Wild Things Are. Maurice Sendak. (1963)
Why Mosquitoes Buzz in People’s Ears. Verna Aardema. Illus. by Leo/Diane Dillon. (1975)
Winnie-the-Pooh. A.A. Milne. Illus. by Ernest H. Shepard. (1926)
A Wrinkle in Time. Madeleine L’Engle. (1962)

So many wonderful friends. I love a great list filled with great books. I hope you found some good old friends as well.

Continuing the Love for LOC


Cover of "The Legend of Sleepy Hollow (Pi...

Cover via Amazon

Visiting the Library of Congress is high on my BIG list, yet that one wish won’t be actualized until time and funding match up. For now I continue visiting it on-line for research and serendipity surprises. For instance, as I browsed for Idaho pioneer entries my screen popped up their Books that Shaped America entry. I’m thinking somewhere there is a book about pioneers in Idaho? It didn’t matter because I became lost through the eras as I browsed, read, and absorbed.  Fascinating, illuminating, and enlightening how the books reflected the times and influenced future reading. For the entire link go to Books That Shaped America.

Here are some titles to ponder:

Benjamin Franklin, Poor Richard Improved (1732) and The Way to Wealth (1785)

Washington Irving, The Legend of Sleepy Hollow (1820)

L. Frank Baum, The Wonderful Wizard of Oz (1900)

Upton Sinclair, The Jungle (1906)

Dale Carnegie, How to Win Friends and Influence People (1936)

Ralph Ellison, Invisible Man (1952)

Dr. Seuss, The Cat in the Hat (1957)

Harper Lee, To Kill a Mockingbird (1960)

Ralph Nader, Unsafe at Any Speed (1965)

César Chávez, The Words of César Chávez (2002)

I know, I know–I’m hearing the “what about _______!” I was surprised at what made the list and what didn’t. I hope you check it out and let me know what you think should have made it.

Interior Library of Congress, by G. D. Wakely

Interior Library of Congress, by G. D. Wakely (Photo credit: Wikipedia)

Lit One-Liners


BookRiot became another 2013 discovery, and I am hooked. How could I resist posts delivered free to my mailbox which concern all things books? I definitely found this one by Rachel Cordasco a saver. It will be incorporated into my AP warm-ups where I have students create micro-précis  statements as a ready-set-go for the May exam. Here are some pull-outs from Cardasco’s post:

    Posted by   Rachel Cordasco   from BookRiot            

30 One-Sentence Lessons from Literature

1. Hamlet by William Shakespeare: Just make up your mind already, dude.

2. Anything by Stephen Crane: It doesn’t matter what you do- the Universe still thinks you’re super lame.

3. Don Quixote by Miguel de Cervantes: You can never read too many novels…oh wait, maybe you can…

4. Sister Carrie by Theodore Dreiser: Cluelessness is not something you want to broadcast when you’re a young woman in strange new city, for you’ll just become a skeevy-guy magnet.

5. Dracula by Bram Stoker: If you have a choice between Count Dracula’s castle and the Holiday Inn, stay at the Holiday Inn.

6. Frankenstein by Mary Shelley: If you absolutely must create a freakish monster thing, be sure to make a girlfriend for it, cause if you don’t, he’ll be really, really mad.

7. The Metamorphosis by Franz Kafka: Sucks to be a bug.

8. Macbeth by William Shakespeare: You should treat your guests well by, you know, not murdering them in their beds.

9. Huckleberry Finn by Mark Twain: When you travel around in a boat with a friend, away from human civilization, when you do run in to people you realize just how crazy they all are.

10. Sense and Sensibility by Jane Austen: When it comes down to choosing between the hot guy who treats you like crap and the not-as- hot guy who treats you like a queen, it’s really not a choice at all.

11. Heart of Darkness by Joseph Conrad: Don’t frighten the natives.

12. The War of the Worlds by H. G. Wells: When the freaky alien things come swooping down on Earth and shooting lasers or whatever at everyone, run as fast as you can cause those aliens are mean.

13. The Great Gatsby by F. Scott Fitzgerald: Yeah, yeah, money can’t buy happiness- check.

14. Anything by e. e. cummings:

capital

letters

are for

losers.

15. King Lear by William Shakespeare: Don’t bother arguing with your parents. Or your children. Just don’t bother.

_________________________

My own contributions:

Beowulf by John Gardner: growing up in a cave with a fiendish mother definitely changes your perspective

Daisy Miller by Henry James: It’s true, when in Rome, or at least in Italy, as a single American girl, who should do as the Romans–Italians do–then again, maybe not.

Room with a View by E.M. Forester: what is about Italy and young women anyway?

“The Lovesong of Alfred J. Prufrock” T.S. Eliot: What if, What if, What if Hamlet hadn’t been your poster boy of decision-making?

The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson: getting in touch with your inner feelings definitely deserves a second thought

Trio of Tomboys


Is it just me or do the more popular female lit protagonists share this particular trait in common: they tend to step outside of the expected norms of behavior. Here is a quick lit list:

Katniss Everdeen: hunter
Elizabeth Bennett: outspoken
Antonia: ran the farm
Hattie Inez: homesteader; journalist
Pippi Longstocking: indefatigable personality
Thursday Next: amazing skills
Jo March: independent spirit (psst–a writer when it wasn’t in vogue)

Hmm, most of these ladies might be under the broad category of tomboy (I rather liked than unintentional pun, thank you)

Tomboy

image: kidzworld.com

Tomboy. Is it a label of distinction or derision? What is a tomboy? According to one source (TVTrope.org), it’s a derivative of tomcat, which is odd because a tomcat is all out male. I’m trying to catch on to the logic here–cats usually associated with female and by designating a girl as tomboy it’s saying she’s a boy cat instead of a girl cat? I’ll put a pause on that line of thought and jump right in the learned fact that there are different categories of tomboy. TVTropes.org lists over a dozen types of tomboys. I had no idea.

My favorite reads usually involve spunky heroines and among my childhood reads are a trio of tomboys. I think I appreciated them so much because we shared so many characteristics:

Scout: overalls are indeed comfortable, I have two sets in my closet
Laura Ingalls: playing ball at recess beats the snot out of gossiping with the girls at lunch
Caddie Woodlawn: running around outside having adventures is a much better way of growing up

I have settled down somewhat, although I would still be playing church softball league if I hadn’t messed up my shoulder, and I have a difficult time passing up a playground, let alone skipping rocks. and climbing trees. And yeah, I would prefer watching Red Dawn II instead of Legally Blonde II. The male progeny are realizing theirs is not a normal, or at least expected mum. Is that a problem? I can make brownies or meat loaf when needed, but I’d rather be up to bat.

Maybe that’s why my character, Rebecca, in my historical novel is a tomboy–often a little of “me” goes into the “who” I create on the pages in my stories.

What are your thoughts on tomboys? Who can I add to my lit list of fave tomboys in the annals of literary girls who just can conform to the expected norm?

Vacuous Vocabulary?


The wonders of iPhonology have allowed me to copy and collect words throughout. I have a tidy little word zoo in my notes files and some words remain oddities to be gaped at, while others become part my lexicon. This year I have collected a list of vocabulary words that range from antiquated to techno lingual. Are these etymological critters known to you?
syllogism
Salmagundi
detritus
ameliorate
penury
tyros
averred
panegyric
chimera
dilatoriness
salubrious
ignominy
sophisms
opprobrium
insouciant
nepenthe
internecine
probity
chiasmus
insouciant
ineffable
eschatological
palimpsest
vitriol
frisson
perjorative
gentian
perspicuity
parousia
demotic
pellucid
obeisance
pelf
elegiac
ineluctable
effulgently
nimbus

These came from hither and thither through my lexiconic ramblings ranging from children’s books to devotional studies to contemporary and classic reads. Is it mindless (my title reference) to collect words? My hopes are to incorporate, refresh, and enfuse my personal dictionary with items from the collection. In actuality, I periodically scroll through the list and gloryosky at them. I like their looks, their sound, and some I like their meaning.

Any of you collect words? Any sharsies?

Monkeying Around


I usually don’t follow the trend, yet those monkeys got me smiling with their extra effort this year. Plus I wanted to do some shout outs to the main commenters throughout the year: LazyCoffees, Literary Tiger, Stehothej, Letizia, and Eagle-Eyed Editor. Thanks guys!
A couple of reflections–I had no idea concrete poetry was such a popular search item! Perhaps it’s time to boost ratings with another round. Also, Sparky Sweets continues to get hits. Hmmm, respark another post?
So, the tts are a bit of a report card. I’m not much for checking my stats, although I do get a kick from how those little monkeys put together the end of the year prez.
Off to another year–gee it would be grand to get Freshly Pressed this year (wee hint).
Happy New Year, One and All!
m

The WordPress.com stats helper monkeys prepared a 2013 annual report for this blog.

Here’s an excerpt:

The concert hall at the Sydney Opera House holds 2,700 people. This blog was viewed about 8,200 times in 2013. If it were a concert at Sydney Opera House, it would take about 3 sold-out performances for that many people to see it.

Click here to see the complete report.

Revisits and Rereads


Cover of "To Kill a Mockingbird: 50th Ann...

Cover via Amazon

It’s 5:45 a.m. and I’ve just finished re-reading Mockingjay. I checked it out a couple of days ago partly because I was surprised to see not one, but two copies on the shelf. I cancelled my hold request for Catching Fire as I reached the last chapter of the last book in this series.. How could I return to the middle after witnessing the end of Katniss’s journey?
I usually don’t reread books unless a long interval takes place–at least five years or more. To Kill a Mockingbird is the exception–then again, I teach that one and is less of a re-read than a re-visit at this point.

But let us turn from Mockingbirds back to Mockingjays:

As I eased the last page over and closed the book and suffer from that post traumatic feeling of “book done” I’m glad I’ve reread Mockingjay. The first time through was a done in a frenzy of page turning, and I missed so much. This time I have faces for the characters having watched the movies and the tangled relationships of Katniss take on a deeper meaning now.

It’s much the same when I revisit Scout —Mary Badham‘s freckled pageboy face is superimposed upon Harper Lee’s Scout, as she bildungsromans her way through childhood and racial injustice, let alone Southern discomforts of the 193os.

Someday I will return once again and reread the third and final adventure of Katniss. Although I definitely appreciated the Hunger Games trilogy, I doubt I will actually become as familiar with it as I have with To Kill a Mockingbird. Hmmm, I wonder if there is a connection between my fondness for these two lit ladies, one a Mockingbird and the other a Mockingjay.

Yes, there is: it’s called A Good Story.

So, Book Boosters–while you are dialed in–any novels or books you reread? Or perhaps revisit?

The Best of Books, The Worst of Books?


If  you are here, you are no doubt a Book Boosters. And in that case you may have checked out Book Riot. If you haven’t–I do declare, you truly should.  It’s all things books and then some.  I get a direct feed to my iPhone and love, love, love sorting through the various articles.  A recent article dealt with a poll Book Riot ran concerning the books readers most disliked (trying to not be hating on any book-remaining open to preference here). The interesting part? Many of the same books showed up on the most liked list.  What does that say about readership and perspective? Don’t know. But I do like this kind of meaning/ful/less kind of trivia.  Check out the entire post here:

Oh, yeah–this was out of 937 reader votes:

  1. Twilight by Stephenie Meyer (102 votes)
  2. Catcher in the Rye by J.D. Salinger (90)
  3. Fifty Shades of Grey by E.L. James (90)
  4. The Great Gatsby by F. Scott Fitzgerald (53)
  5. Moby-Dick by Herman Melville (41)
  6. Wuthering Heights by Emily Bronte (41)
  7. Lord of the Flies by William Golding (35)
  8. The Da Vinci Code by Dan Brown (33)
  9. Heart of Darkness by Joseph Conrad (31)
  10. Atlas Shrugged by Ayn Rand (30)
  11. Gone Girl by Gillian Flynn (28)
  12. Eat, Pray, Love by Elizabeth Gilbert (26)
  13. Great Expectations by Charles Dickens (26)
  14. The Old Man and the Sea by Ernest Hemingway (25)
  15. Pride and Prejudice by Jane Austen (24)
  16. The Scarlet Letter by Nathaniel Hawthorne (23)
  17. Life of Pi by Yann Martel (21)
  18. The Grapes of Wrath by John Steinbeck (18)
  19. The Corrections by Jonathan Franzen (17)
  20. On the Road by Jack Kerouac (14)
  21. The Alchemist by Paulo Coelho (14)
  22. Jane Eyre by Charlotte Bronte (14)
  23. The Lovely Bones by Alice Sebold (14)
  24. The Pearl by John Steinbeck (14)
  25. Ulysses by James Joyce (14)

See a pattern? Most of these books were foisted on us in school. Forced reading either produced favers or haters of the titles.  Jury is out.  What is your verdict?  Are these repeaters or leavers on your all-time list?

Titular Epiphanies


Foto einer Glühbirne (an),

(Photo credit: Wikipedia)

Sometimes I am embarrassed how lacking in literary enlightenment I really am. Here I am writer, reviewer, teacher, Book Booster extreme and I have to hang my head in embarrassment about my novel naiveté. Honestly, dunce cap time.

This has happened before, but really hit hard recently. Not once, but twice.

What do you notice about these two books?

  • author?
  • attractive illustration?
  • title?

All of these probably grab our attention. Granted there are different covers available, but the author and title remain the same.  Why then did it take me three or so reads, spread out over a few years, to finally get that light bulb-over-the-head moment of “OMY! This is what the title REALLY means?  Does it mean I’m dense or does it mean I’m getting my bearings as a reader finally?

With Room With a View I boldly (I mean in like SHaAZaM) I realized Lucy sees people as rooms, and how some people, like some rooms, provide a view or not. Views are important if you are going to spend time in them. Ditto for people.  It wasn’t about Italy. At least, not as much as I first thought. Silly, silly me.

Then we come to My Antonia. Such a magical book, how it transports me to the prairie pioneer era. Yes, it’s about Jim’s fond recollection of his childhood friend Antonia (that My part in the title)–but then the KA-TinK of the light chain which illuminates the additional meaning–Antonia is a metaphor for all those indomitable women of the prairie.  She is the collective My that Willa Cather so adeptly presented to readers in her trilogies and short stories.

Sigh. It’s a good thing I teach literature, because I still have a lot to learn. Because they so wisely say the best way to learn something is to teach it.  Now, I’m wondering how many other literary epiphanies are waiting for me on the shelf. I hope they aren’t giggling at me.  Maybe those are just giggles of anticipation as they await to pop up and say “SurPriSE!”

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