Pam Webb

a writer's journey as a reader

Archive for the tag “writing”

Nifty Fifty


Ta-dah! This marks my fiftieth post and to commemorate the event here are some random fifty trivia bits.

1.  This weekend my community celebrates Lost in the Fifties.  It’s a weekend where people dress up in poodle skirts and 501’s and saddle shoes and watch a parade of old-time cars go by.  There’s a street dance and a big dance at the fairgrounds with bands that are mock-fifty era sounding.  Doesn’t sound like much, but it’s a biggie for tourist bucks.  We even showed American Graffiti at the local stage theatre.

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2.  Of the fifty United States I’ve only been to about seven.  Does airport transfers count?  Then make it about a dozen.

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3.  I don’t like weather colder than the fifties.  Forty-five is pushing my comfort zone.

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4.  If I could name my top favorite fifty books I would have to say To Kill a Mockingbird remains close to the top as my favorite reread.  Which is saying something since I teach just about every year to ninth graders.

5.  Should I set out to gather fifty quotes about reading, writing, and books I would include these gems:

  • The best time for planning a book is while you’re doing the dishes. Agatha Christie
  • The desire to write grows with writing. Desiderius Erasmus
  •  My ideas usually come not at my desk writing but in the midst of living. Anais Nin
  •  If the writing is honest it cannot be separated from the man who wrote it.Tennessee Williams
  •  The first step in blogging is not writing them but reading them. Jeff Jarvis
  •  I’m writing a book. I’ve got the page numbers done. Steven Wright
  •  Dreams are illustrations from the book your soul is writing about you.Marsha Norman
  •  Be obscure clearly.E.B. White
  • The art of writing is the art of discovering what you believe.Gustave Flaubert
  •  Writing, to me, is simply thinking through my fingers. Isaac Asimov

6.  Fifty Ways to Leave Your Lover is one of Paul Simon’s songs that tends to loop in my brain now and then.Image Detail
7.  I figure I read over fifty books a year, between reviewing them, teaching them, and pleasure-reading them.  I dunno–is that average for a Book Booster?
Oh, hey–this also counts for my seven facts about me as part of the Versatile Blogger Award requirements.  Thanks Literary Tiger!
And a thanks also to merlinspielen.com for the One Lovely Blog Award.  Who knew turning Fifty could be so fulfilling?

#3: Picture Books Are for Any Age!


“What do you write?” is a question often traded at a writer’s conference.  My answer is usually an embarrassed “everything.” It’s true.  I write middle grade, YA, adult, poems, non-fiction, plays, book reviews–I like to write!  My favorite genre, the one I no doubt have spent the most time on, is picture books.

There is something incandescently, transcendentally, most amazingly wonderful  when it comes to experiencing a picture book.  They are even better when shared with a child.  I don’t mind reading them on my own.  Oh, picture books are only for kids?  Is that a bona fide rule?

Moving on with my Cricket List: Musings of a Voracious Reader, I decided to tackle my #3: Picture Books.This is a tough one because it could go on from here until next Tuesday because I have so many favorites.  I could probably start entire blog about picture books.  So instead of a list I am posting thumbnail covers of picture books read, admired, reread, find timeless, find amazing, and want to share with the world. Barnes and Noble supplied the images.

Enjoy!

Click, Clack, Moo Tacky The Penguin If You Give A Mouse A Cookie The Day Jimmy's Boa Ate The Wash The Stinky Cheese Man and Other Fairly Stupid Tales Sheep In A Jeep Book Cover Image. Title: On the Night You Were Born, Author: by Nancy  Tillman Book Cover Image. Title: The Story of Ferdinand, Author: by Munro  Leaf Book Cover Image. Title: Make Way for Ducklings, Author: by Robert  McCloskey Book Cover Image. Title: The Very Hungry Caterpillar, Author: by Eric  Carle Book Cover Image. Title: Alexander and the Terrible, Horrible, No Good, Very Bad Day, Author: by Judith  Viorst Book Cover Image. Title: The Quiet Book, Author: by Deborah  Underwood

 Goodnight Moon (Board Book) Mr. Brown Can Moo! Can You? Happy Birthday to You! Caps for Sale: A Tale of a Peddler, Some Monkeys and Their Monkey Business Chicka Chicka Boom BoomOpposites Frog and Toad All Year (I Can Read Book Series: Level 2) One Fish, Two Fish, Red Fish, Blue Fish Harold and the Purple Crayon (50th Anniversary Edition) The Runaway Bunny   Mike Mulligan and His Steam Shovel  Corduroy  Guess How Much I Love You Moo, Baa, La La La! The Little Engine That Could Mouse Paint I Am a Bunny It Looked Like Spilt Milk Little Bear's Friend (I Can Read Book Series: A Level 1 Book) Leo the Late Bloomer Jesse Bear, What Will You Wear? Blueberries for Sal (Picture Puffin Books Series) Stone Soup Little Gorilla Lap Board Book Harry the Dirty Dog Good Dog, Carl (Classic Board Books Series) Prayer for a Child Whistle for Willie

Tree Is Nice Andy and the Lion Windows with Birds The Snowy Day

This is only a thimble’s worth in the sea of picture book reads.  I stopped at page 15 of Barnes and Noble’s picture book list.  Feel free to browse on your own.  And  make sure to pop a couple of picture books in your basket when shopping at your local library or bookstore.  Picture books are forever.

Chilling about my Frenzy


Script Frenzy 

In the beginning of April I blithely announced I would be participating in ScriptFrenzy, that annual craziness involving writing 100 pages in 30 days.  So here it is April 23 and I have finished ScriptFrenzy.  No, I did not type 100 pages. I did type 37 and ended up with a one-act play which I am quite satisfied with. I know I won’t receive my nifty little completion certificate, and I will end up as one of those sideline statistics who did not complete the goal.  However, I must protest.  The intent was to write a play and I did.  I cannot see the point of overwriting a play just to meet the page requirements.  The logic sounds like something from Alice in Wonderland.

Speaking of Alice in Wonderland–that’s what my play is–an adaptation of Lewis Carroll’s most marvelous classic of comedy logic.  My play is actually part of the NaNoWriMo novel I wrote two years ago.  Initially it was supposed to be a short story, yet it slipped into a play bit by bit .  You can see why I like Alice; I seem to dwell in the land of illogicals.

The play is a mix of Hamlet, Alice in Wonderlandwith a smidgen of Wizard of Oz. If you read the entire play the mix makes sense.  I shall not bog you down with all the details.  The short and quick: there two Alices–one is the narrator who is in a chair moderating her “dream” which what we watch on the stage.  “Stage Alice”  is the dream Alice and she has this terrible problem of speaking only in couplets (a bit of the Hamlet influence).  This portion is from the courtroom scene:

The Knave of Hearts, from a 1901 edition of Mo...

Stage lights open to a courtroom scene.  The King and Queen of Hearts sit on thrones. Stage right is a table with the KNAVE who is handcuffed next to a LAWYER.  Across at stage left is two rows of chairs, three in front and two in back, filled with an array of ANIMALS. The end chair is empty. Center stage is a small table with a plate of tarts. Stage Alice enters stage left and sits in the empty chair. Each animal is holding a DRY ERASE BOARD AND MARKER.  Stage Alice finds hers under her chair.

BAILIFF:  All rise.

The entire courtroom rises, except King and Queen.  Stage Alice reluctantly rises only at prodding from animal next to her.

We are gathered here today to hear the confession of the Knave, whom we know to have stolen the hearts, and we all know he will be sentenced accordingly.

STAGE ALICE: Well, that’s hardly fair and certainly not just,
I’d say this court room scene is most certainly a bust.

ANIMAL in front row turns around and hushes Stage Alice.  Stage Alice sticks tongue out when it turns around.  The ANIMAL besides her snickers.  The Bailiff(White Rabbit) walks over and bops snickering Animal on head with a BOPPER, a long-stick with a soft endpiece which could emit a funny noise for more comic relief.  The Animal winces and rubs head, even though bopper does not hurt.

QUEEN: And what has the defendant have to say for himself?

BAILIFF: (walks over to Knave) That’s you.  (whispers loudly) Stand up.

KNAVE: Well, your Majesty…

QUEEN: Thank you, that’s quite enough.  I find him guilty.

KING: Yes, I find him guilty too.

QUEEN: Then off with his head.

While the Bailiff begins to haul away the sobbing Knave, the courtroom is suddenly interrupted by the entrance of the WICKED WITCH

WICKED WITCH: Dorothy. You can’t escape me. I’ll get you yet, my pretty.  And your little dog, too.

She walks over to each of the jurors and inspects them one by one. They shiver and cower.

QUEEN: Off with her head!

WICKED WITCH: (turns around to Queen) Excuse me?  Whose head are you referring to?

QUEEN: (nervously) Her head (points to Stage Alice)

WICKED WITCH: Aha! Think you can hide out with all your little friends? Well I’ll show you. (cackles)

STAGE ALICE: No, I’ll show you (pulls out SQUIRT GUN and squirts Wicked Witch) You’re all wet, and your bullying is too.

Wicked Witch begins to shriek and runs out of courtroom, dropping off pieces of her costume on the floor.

WICKED WITCH: I’m melting! I’m melting!

BAILIFF : (Calls in on shirt cuff)Clean up on aisle three

WORKERS ONE AND TWO scurry in from stage left with MOPS AND BROOMS and clean up witch debri and quickly exit stage right

QUEEN: Now where were we?

KING: Before we go much further. I want to know why she (points to Stage Alice)knows a witch and a witch knows her.

The entire courtroom stares at Stage Alice who crosses her arms in defiance.

STAGE ALICE: Which witch I may ask of whom you inquire?
Press me further and a lawyer I shall hire.

KING: No need for that, my dear.  Just curious is all. (to Queen).  It looked like the witch knew her. (the Queen pats him in reassurance).  Bring on the next case.

BAILIFF: (calls out from a scroll) The Case of the Stolen Tarts by the Knave of Hearts

STAGE ALICE:But we just heard this case.
I cannot abide the ill-logic of this place.

ANIMAL NEXT  TO stage ALICE (whispers)Oh, there is perfect logic. What you saw first was the mock trial. We have to practice to get it write (points to whiteboard)so we can’t get it wrong.

STAGE ALICE: Getting it right is important indeed,
To practice justice, I understand; I see.

ANIMAL NEXT TO STAGE ALICE: (holds up whiteboard)No, no. Not “right”.  “Write” (makes writing motion)It takes us all such a long time to spell, that we have one or two trials before we get all our notes down.

Animal in fronts turns around and hushes Stage Alice.  She hushes Animal back.  Animal is shocked and turns around quickly.  Bailiff comes over and bops the hushing Animal.

KING: Read the case, Bailiff

BALIFF: (clears throat, reads from scroll)

The Queen of Hearts
She bought some tarts
On sale it was last Thursday

The Queen jumps up

QUEEN: I made those tarts from scratch, I’ll have you know

Bailiff clears throat and continues

BAILIFF:The Queen of Hearts
Says she baked some tarts
Perhaps it was last Thursday
The Queen nods her satisfaction, waves for him to continue

The Knave of Hearts he stole those tarts
And he ate them all on Friday

DEFENSE LAWYER: Objection!

KING: Proceed

DEFENSE LAWYER: My client could not have possibly taken those tarts and eaten them

KING: He must have–why else would he be here?

DEFENSE LAWYER: My client has a gluten allergy. He could not have eaten the tarts.

The King and Queen confer

KING: In that case he is dismissed.

BAILIFF: Mistrial.

The jury animals busily erase their whiteboard. Stage Alice stands up and clears her throat.

STAGE ALICE: Your honors, may I address the court?

QUEEN: No, you may not.

Stage Alice sits down with arms folded in a huff

KING: Bring on the witnesses.

STAGE ALICE: If the case is dismissed, then why are they calling for witnesses?They start one case, but it never finishes.

ANIMAL NEXT TO STAGE ALICE: (whispers loudly) If they like the witnesses they will create a case.

Animal in front row turns around to hush Stage Alice and she hushes him first

BAILIFF: (loudly calls out) First Witness!

The Hatter comes out sipping from a Starbucks container and eating a croissant

BAILIFF:No eating in the court!

The Hatter looks around and realizes the Bailiff is addressing him.  He lifts up top hat and puts cup and croissant on head and puts hat back on.

KING: Take your hat off in court!

HATTER: So many rules, my goodness! Besides, it’s not my hat.

KING: Aha! You stole it, didn’t you!

HATTER: Of course not.  I make hats.  If I make them how can I steal them?

KING: Where were you when the tarts were stolen?

HATTER: The tarts were stolen?

KING: Yes, that’s why you brought in as a witness. Who stole the tarts?

HATTER: How should I know?  I never touch them.  Croissants yes, tarts no.

KING: Avoiding the question, are you?

HATTER: Yes, I would like to avoid the question.  I never associate myself with questions I don’t have the answer to.  Do you have a question I might have the answer to?

Silly stuff, I know.  Carroll’s Alice is wonderful and punderfull, just like I like it.  I like Alice for its silliness, odd logic, and madcap tomfoolery.  If I caught but a twisp of it my day has been made.

So for those of you who are freaking about it being April 23 and knowing you won’t finish your ScriptFrenzy commitment–chillax.  The ScriptoFrenzo Police squad won’t take you out and publicly humiliate you.  That’s only a rumor.  They are only a figment of your writer’s block.  If you haven’t completed your writing goal don’t worry, be happy.

Have you hugged a librarian lately?


Well, National Library Week is about done

To end it out, let’s have some fun.

Click on the link for a Famous First Lines quiz.

Have no worries–Book Boosters are a literary whiz.

Famous First Lines

(Rats, I missed three)

Drop a line why you love your library…

Happy Pages,

CricketMuse

A Little Frenzied About Writing


Contests.  Oh yeah, that challenge to produce something, be it a bit of athletic prowess or artistic flair, it is that little voice that queries: “Got what it takes?  Willing to try and show it?”

Not being much an athlete I mainly gravitate towards the artistic endeavors, especially writing contests.  While people meditate, fret, and procrastinate their taxes in April I am contemplating and playing with words.  Hello, Script Frenzy.

What I like about Script Frenzy (actually there is a lot I like about Script Frenzy) is that I am competing with no one but myself and that the real prize is meeting the set goal. Plus, the finished product is something tangible, something I can maybe even turn around and share with others.  Heck, I might even get a coin or two for it.  Script Frenzy is all about producing 100 pages within 30 days.  I like it.

If you aren’t familiar with Script Frenzy here you go:

Script Frenzy in a Nutshell

The Challenge
Write 100 pages of original scripted material in the 30 days of April. (Screenplays, stage plays, web series, TV shows, short films, and graphic novels are all welcome.)
When
April 1-30
Cost
Free. We run on donations.
Who
Everyone (worldwide) is welcome. No experience required.
Prizes
Happiness. Creative juices. Pride. Laughter. Bragging rights. A brand-new script.
How 
Sign up! Tell everyone that you are in the Frenzy. Get ready to start writing on April 1.

And you will be in good company:

Stats

Annual participant/winner totals

2011: 19,123 participants and 2,204 winners

2010: 21,008 participants and 2,078 winners

2009: 12,048 participants and 1,271 winners

2008: 8,526 participants and 968 winners

2007: 7,876 participants and 1,072 winners

You can see many participate, yet few actually “win”, meaning finish, which increases the motivation to be included in that final tally statistic number.

Two years I ago I participated in NaNoWriMo (National Novel Write Month) which is mungo craziness.  NaNo is writing a novel, 50,000 words in ONE month.  Basically, the calculations come down to producing about 1,700 words a day.  And it’s a bonus if they make sense.  It was tough because (tad bit of whine here) November is parent/teacher conferences as well as Thanksgiving, on top of the usual craziness of teaching high school English.  Yet, I persevered and got ‘er done.  Two years later I am still editing.  One can not take the time to write and edit a novel in 30 days.  It’s tippity-tappity, finger-flying for 30 days.  Produce in a hurry, edit at leisure.  When my novel, which turned out to be a teen girl writing a novel for NaNo (smacks of Escher, I know), is done I will let you know.  I am hoping to be done by summer and will try Smashwords.

Anyway, back to Script Frenzy.  This year I decided to get going on another stage play since I so enjoyed writing an adaptation of Julius Caesar last summer.  I’m making my creative writing students participate in Script Frenzy as well, or they need to produce some poetry.  April is National Poetry Month as well, you know.  Hmm, gotta get a post going to celebrate that as well.  What’s that? What am I writing?  It’s a spin-off of Alice in Wonderland

Jessie Willcox Smith's illustration of Alice s...

Jessie Willcox Smith's illustration of Alice surrounded by the characters of Wonderland. (1923) (Photo credit: Wikipedia)

I adore the word play in Carroll’s classic and wanted to try an update.  I know, I know, Alice has been done and redone.  But this time Alice meets Hamlet and Dorothy as she wanders in Wonderland.  Gotta go…she’s about to play croquet with the Duchess and her cronies.

Writerly Wisdom II


For those of you who are site stat checkers (I confess I check once, maybe twice a day) you will notice certain types of posts get more hits than others.  Such is the case with my Writerly Wisdom post.  Dunno.  I thought visitors would be wooed by my own words.  Ehh (shrug of shoulders) “if the people like it, serve it up”–C. Muse  So, here is Writerly Wisdom part II:

I try to leave out the parts that people skip.  ~Elmore Leonard

The act of putting pen to paper encourages pause for thought, this in turn makes us think more deeply about life, which helps us regain our equilibrium.  ~Norbet Platt

I’m not a very good writer, but I’m an excellent rewriter.~James Michener

The time to begin writing an article is when you have finished it to your satisfaction.  By that time you begin to clearly and logically perceive what it is you really want to say.  ~Mark Twain

The wastebasket is a writer’s best friend.  ~Isaac Bashevis Singer

The pages are still blank, but there is a miraculous feeling of the words being there, written in invisible ink and clamoring to become visible.  ~Vladimir Nabakov

Easy reading is d*mn hard writing.  ~Nathaniel Hawthorne [*mine–liberties, I know]

And the best for last

Proofread carefully to see if you any words out.  ~Author Unknown

Happy Pages,

CricketMuse

Sources: http://www.quotegarden.com and googleimages galore

Spring Came on Forever


Spring Came on Forever by Bess Streeter Aldrich

From the book:

This is the story of two midwestern families and the starnge way in which their paths crossed. It begins in Illinois in the year 1866, and end in Nebraska in the present one [1935], severed from all that went before and all that will continue beyond a thing of incompleteness.

Aldrich blends together a portrait of the harshness of prairie pioneer life and that of an unconventional love story.  Amalia Holmsdorfer, a sweet young girl of seventeen, finds herself attracted to twenty-one year Matthias Meier, the young clerk who sold her stern German father the soap-making kettle.  Matthias also finds himself attracted to Amalia and begins secretly courting her–even though she has been pledged in marriage to a man of her father’s choosing.  Amalia and Matthias plan to run away together, yet their plans meet up with the fury of flooded roads and even though Matthias attempts to meet her in Nebraska before she marries, he again meets up with one of nature’s blockades.  Matthias and Amalia miss each other by mere hours and she marries the wrong man.

So goes the begins a love story that will span three and four generations.  Aldrich, writing in the style prevalent of her time, reveals the story in an omniscient narrator fashion.  It’s as if we are sitting in a cozy living room and listening to a tale of long ago.  While the “tell” style of yesteryear may not got over well with the current “show” method of today, I have to admit I became so involved in the plot that by the last chapter I clutched the book and actually cried.  And I am not a crier when it comes to literature.  Movies, on occasion can induce some sniffling, but rarely can a book get me to sob.

The story is mainly about Amalia; her hopes and dreams of romance are forever changed when she is forced to leave with the rest of her family and the other members of her German community to build a new settlement in Nebraska. Though she appears complacent on the outside, she keeps her inner thoughts and desires to herself.  Aldrich captures this wonderfully:

pp. 9 & 10

But thoughts are acrobats, agile and quite often untrustworthy.  So now, with impish disregard of the command, they hopped about quite easily.  They asked Amalia innocently why the nice young man wanted to know where she lived.  They suggested with subtle art the possibility that he would try to find out.  And then when the gruff person at her side questioned their activities they urged her quickly to answer, “Nein.”

My interest in pioneer started long ago with the Laura Ingalls Wilder’s Little House on the Prairie books. There is a fascination in reading about how people created homes and towns out of the rough lands of prairie and wilderness, and through all this tremendous effort they had their own personal stories.   For the last five years I have labored on a novel about a family who follows the Oregon trail to turn off and make their claim in Idaho.  Historical novels require plenty of research to make the time period, setting, and characters come alive.  Aldrich’s Spring Came on Forever reminded me how moving pioneer stories can be.   I am also encouraged to someday write something that induces tears.

Sufficient Grace


Sufficient Grace by Darnell Arnoult

Listening to the voices in her head Gracie Hollman takes off her wedding ring, snips her credit cards, jumps in her car, and leaves everything behind.  Her husband Ed, a solid, everyday kind of guy who owns a tire shop, is at first concerned about her absence, thinking foul play at first, but the abandoned credit cards and wedding ring make him think she’s left him for another man.  He didn’t see that one coming, especially after thirty years of marriage

The story centers on Gracie and how her decision to leave everything behind causes a ripple through several families.  Each family, and each person will find that things have a way of working out because grace truly is sufficient.

Darnell Arnout has created a mesmerizing work which explores grief and healing with sensitivity, insight, and humor. Arnoult masterfully mixes together a variety of characters, who at first have separate stories, yet by the end of the book they are all connected.

One of Arnoult most distinguishable style attributes is taking the everyday and spotlighting it into something  of phenomenal clarity.    For instance, Mattie is becoming increasingly handicapped by her inability to get past her husband’s death. At her family’s insistence she begins to clean out his closet. During the process Mattie tries on her husband’s shoes, reminicsing about much she misses how their feet would lightly rest together at night when they slept.

p. 162:

Mattie will give up the clothes.  She can do that.  She’ll let Sammy put them in some bin and let some other needy soul have them.  but she needs to walk in Arty’s shoes for a while.  Feel her skin slide over the place where his feet have been.  Just for a while longer. She’s got to keep those feet.

This book gave me encouragement to take a batch of people and tumble them together to get a kaleidoscope of character mixing.  I also gained an insight on how levity lightens serious topics.  And food. Writing about food somehow makes painful stiuations like grief, discord, and mental duressl seem so much more palatable.

The Magic of Ordinary Days


The Magic of Ordinary Days by Ann Howard Creel

Olivia Dunne’s dreams of becoming an archaeologist are irrevocably changed after a brief interlude with a solider shipping out overseas. Her father arranges a marriage with a reputable bachelor farmer and Livvy accepts this arrangement. Leaving her married sisters behind in Denver, Livvy arrives in rural Colorado to become the wife of a man she does not know.

The book explores many topics: grief, betrayal, loneliness, trust, forgiveness, acceptance, and love. Livvy shows the readers her situation and how she adjusts to it in a voice full of angst. She mourns the recent passing of her mother, as well as the changes her mother’s death has brought her father. She stoically accepts the arranged marriage, for her baby needs a name. Ray, her new husband, knows Livvy carries another man’s child, yet he does not judge or resent Livvy for it. He patiently waits for Livvy to love him as he has come to love her.

Within this main plot is Livvy’s friendship with two Japanese-American sisters, Rose and Lorelei, who are residents of a local interment camp. Readers see the affects of WWII on Americans through Livvy’s eyes and through Rose’s and Lorelei’s.

As a reader I relished Creel’s use of imagery. I could feel the isolation Livvy suffered: the expanse of the fields, the lack of neighbors and family to break up the monotony, the need of useful purpose. Found on page 41: A clay-colored tumbleweed wedged between rows of green leaves caught my eye. Thorny, trapped, and out of place, it let me know the insignificance of any one, distinctive thing caught in a place so mapped with sameness. Aunt Eloise and Aunt Pearl had once accused me of hiding out in school. Instead Father had sent me into hiding here, where the openness of land and sky made hiding out about as unlikely as finding clover among the sage.

As a writer I appreciated Creel’s ability to use the first person narrator in such a way that all the characters were given dimension. The narration flowed so effortlessly that I often forgot the story was told from Livvy’s point of view. Another aspect of Creel’s writing is her use of prologue. Not being much of a prologue fan, I find myself inadvertently cringing whenever a book begins with one. Why not just start the story? Why the compunction to have extra exposition? However, Creel’s prologue is perfect; it reads as a visual movie trailer. It sets up the plot, the initial conflicts, the intrigue. It hooked me as a reader.

The Magic of Ordinary Days is far from ordinary. A compliment to Creel is that her book became an inspiration for a Hallmark Hall of Fame movie, which I had actually watched many years ago. As always, the book is better.

The Magic of Ordinary Days

The Magic of Ordinary Days (Photo credit: Wikipedia)

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