Pam Webb

a writer's journey as a reader

Archive for the tag “imagery”

April Reads of Note


from Pilgrim’s Inn by Elizabeth Goudge

 amazon.com

page 227:

Grand old place, he thought , pausing to look about him. It was a fine still day, with the sky faintly veiled in mist so that the suffused sunlight fell silverly. The cushions of moss were emerald between the cobbles, and the garnet-colored walls and the steep, crinkled, amber roofs of the outbuildings glowed with warmth. Beyond the silver trunks of the old apple trees there was a haze of shadow behind the bronze and gold of a few late chrysanthemums. There was a bonfire burning somewher, its pungent scent mixing with the smell of the wet chrysanthemums, the scent of the ironing from the kitchen, and the smell of a baking cake drifting down fromthe open door up there, the door that opened on the Malony’s balcony.

I tend to harken toward classic literary when filling up my basket for extended reading. Authors like Willa Cather, Daphne du Maurier, DE Stevenson, and Elizabeth Goudge are ones I easily grab and check out. There is a sense of unhurried eloquence of pacing, setting, and characterization that is difficult to find amongst contemporary reads. There is also the lean towards omniscient point of view, so that all is known about everybody in such a seamless manner the thread of plot is not lost, as it so often happens with the current practice of each chapter being a separate character’s perspective.

I am open to new literary classics in the making. One such author is the renowned Ishiguro. I became a fan after Remains of the Day. Admittedly, I have hung in there with his other offerings, yet I haven’t been as enamored. I did, however, give his latest novel a try: The Buried Giant.  I wanted to like it, but I ended up finishing it with more questions about the plot than satisfied resolve. I do think Ishiguro is an accomplished writer and I look forward to his next book.

amazon.com

Seeing as how I mainly write for children, it’s important for me to wade out there and see what exactly is catching g the eyes of readers  and publishers. I requested Pax from the library (that’s usually the sign of a good book if others have it checked out) and I would have read it in one sitting if I hadn’t started so late in the day. It’s difficult to resist a story of a boy and a fox, especially as they struggle to be reunited once again. I had a feeling I would cry at the end of the story. I did.

These were the top three reads of my spring break, and I am still tracking down as many DE Stevenson’s as I can. To keep up on my current reads, I have taken time to read my notices of new novels and have loaded up my “want to read” list. I hardly watched any movies over the last month. Nothing like a good book, actually lots of good books, to lessen the desire to plunk down in front of the screen and be bombarded for 90 minutes.

Anyone else find movies less desirable once the reading bug truly gets to biting?

NPM: #19–morning splendor


A Gift

Leonora Speyer (1872-1956)

I Woke: —
Night, lingering, poured upon the world
Of drowsy hill and wood and lake
Her moon-song,
And the breeze accompanied with hushed fingers
On the birches.

Gently the dawn held out to me
A golden handful of bird’s-notes.

 

There are so many lovely images resounding throughout. I envision summer–standing on a hill overlooking a grassy meadow, the sun slowly cresting the horizon and in that crystalline moment a trill of robin song adds to the joy of another morning, another day of promise.

Poet Appreciation #3: Robert Penn Warren


Better known as a novelist, and perhaps as a scholar, Robert Penn Warren did provide some formidable poetry to ponder. You might be more familiar with his All the King’s Men, which garnered him the Pulitzer Prize in 1947, then his Pulitzer Prize collection Now and Then: Poems, 1976-1978. In all, he was awarded three Pulitzer Prizes, two being for poetry.  His southern background influenced his writing, particularly leaning towards the agrarian appreciation of the land. Receiving accolades and honors throughout his career, Warren left a rich legacy of both prose and poetry.

Image of U.S. Poet Laureate Robert Penn Warren

Image of U.S. Poet Laureate Robert Penn Warren (Photo credit: Wikipedia)

Vision
by Robert Penn Warren

I shall build me a house shall build me a house where the larkspur blooms
In a narrow glade in an alder wood,

Where the sunset shadows make violet glooms,
And a whip-poor-will calls in eerie mood.

 
I shall lie on a bed of river sedge,
And listen to the glassy dark,
With a guttered light on my window ledge,
While an owl stares in at me white and stark.
I shall burn my house with the rising dawn,
And leave but the ashes and smoke behind,
And again give the glade to the owl and the fawn,
When the grey wood smoke drifts away with the wind.

Like Cather’s poetry about the prairie, Warren provides a strong connection to nature. His diction is amazing the way it influences the imagery: “violet glooms,” “guttered light,” “glassy dark”. I don’t even notice the rhyme, it’s so fluid. Whether they poem is taken for its metaphorical meaning or literal, it doesn’t matter to me–I simply want to savor it, rather than analyze it. Good writing is like a good sunset in that words aren’t always sufficient to explain why the beauty is so moving.

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