Pam Webb

a writer's journey as a reader

Archive for the category “reviews”

YAy for Dystopian


Once upon time when writers wrote about the world going wrong and trying to make a go of it in the aftermath the novels usually found its way on the college reading list. Ruined landscapes, fragmented governments, odd creatures mucking about, abundance of shortages and the like just wasn’t fit for kiddos. Think about the titles: Brave New World, 1984, Time Machine, Fahrenheit 451, A Clockwork Orange. Right. Yes. Some of them do end up on high school lists, but not when they first came out. There is a reason for that.

Lately, the shelves are full of dystopian novels and those shelves are usually in the YA section.  There is a reason for that too.

Back in the once upon a time, the world wasn’t that scary, even with the Cold War, we still had a pretty good idea of feeling on top of the world, so we could poke a bit around the edges of the “what ifs.” Then the world did get scary. AIDS, a couple of wars in a few out-of-the-way places, recession, terrorists, weather disasters, recalls–dystopian became popular among YA because the future is not looking so bright anymore. I’m just saying.

In fact, the adults are now reading the YA list (even though some don’t admit it): The Giver, Hunger Games, Maze Runner, Divergent are some names that pop to the surface.

Is Dystopian bad for teens? I don’t think so.  I didn’t get ruined from reading Brave New World in college, although 1984 and Clockwork Orange had me thinking hard at times. 

What do you think? Is there a difference between YA dystopian fiction and adult dystopian? Or is a bad world after the fact good reading for both adults and teens?

 

Fifty Shades of Greatness


The particulars: 1,311 voters. 1,200 suggested books. The result: the top 50 books which reflect great reads, great choices–nothing shady about good taste (BookRiot). Though I didn’t vote in the first round I shall add in my votes.

  1. To Kill A Mockingbird by Harper Lee (126 votes)
  2. Pride and Prejudice by Jane Austen
  3. Jane Eyre by Charlotte Bronte
  4. The Harry Potter series by J.K. Rowling
  5. The Great Gatsby by F. Scott Fitzgerald
  6. The Lord of the Rings series by J.R.R. Tolkien
  7. Gone With the Wind by Margaret Mitchell
  8. Wuthering Heights by Emily Bronte
  9. The Book Thief by Markus Zusak
  10. The Catcher in the Rye by J.D. Salinger
  11. One Hundred Years of Solitude by Gabriel Garcia Marquez
  12. The Secret History by Donna Tartt
  13. Catch-22 by Joseph Heller
  14. A Tree Grows in Brooklyn by Betty Smith
  15. Slaughterhouse-Five by Kurt Vonnegut
  16. A Prayer for Owen Meany by John Irving
  17. The Stand by Stephen King
  18. The Hobbit by J.R.R. Tolkien
  19. Anna Karenina by Leo Tolstoy
  20. Infinite Jest by David Foster Wallace
  21. Persuasion by Jane Austen
  22. The Picture of Dorian Gray by Oscar Wilde
  23. The Brothers Karamozov by Fyodor Dostoevsky
  24. The Outlander series by Diana Gabaldon
  25. East of Eden by John Steinbeck
  26. The Shadow of the Wind by Carlos Ruiz Zafon
  27. The Time Traveler’s Wife by Audrey Niffenegger
  28. American Gods by Neil Gaiman
  29. The Count of Monte Cristo by Alexandre Dumas
  30. Fahrenheit 451 by Ray Bradbury
  31. 1984 by George Orwell
  32. Crime and Punishment by Fyodor Dostoevsky
  33. Little Women by Louisa May Alcott
  34. Moby-Dick by Herman Melville
  35. The Grapes of Wrath by John Steinbeck
  36. The Handmaid’s Tale by Margaret Atwood
  37. The Hitchhiker’s Guide to the Galaxy series by Douglas Adams
  38. Lolita by Vladimir Nabokov
  39. Rebecca by Daphne du Maurier
  40. Ulysses by James Joyce
  41. Cloud Atlas by David Mitchell
  42. The Perks of Being a Wallflower by Stephen Chbosky
  43. Ender’s Game by Orson Scott Card
  44. Middlesex by Jeffrey Eugenides
  45. The Amazing Adventures of Kavalier and Clay by Michael Chabon
  46. Dune by Frank Herbert
  47. Gilead by Marilynne Robinson
  48. Les Miserables by Victor Hugo
  49. The Night Circus by Erin Morgenstern
  50. The Poisonwood Bible by Barbara Kingsolver (13 votes)

I would have put in votes for The Alchemist and a few of Shakespeare’s plays, like Hamlet, Much Ado About Nothing, Othello. Come to think of it I’ve yet to come across a Greats list for plays.

Now, your turn. What votes would you cast off the 50 Greats?  And then–what plays would you vote for? Because aren’t plays stories to be acted out?

Children’s Books for Forever


I don’t think I will ever outgrow my liking of children’s books. At one point I began collecting them as I came across them in yard sales, thrift stores, and the cast offs from the public library. I probably would have done better to start my collection after I had done my college moving days. Carting crates of books during a year of several moves created in me to appreciate children’s books in a different fashion. I no longer have my collection, and I don’t terribly regret the decision to dissemble it. I still am a confirmed reader, promoter, and writer of children’s stories. They remain my fave.  Here’s a hint–if you are feeling somewhat blue about the edges, go grab a kid’s book and read it. Better yet, grab a kid and a book and read the book to the kid. No more blues.

With all that being said it gives me great smiles to present the New York Public Libraries first ever 100 Top Children’s Books of the Last 100 Years. First posted on School Library Journal’s site September 30, 2013 (I am a bit behind in my inbox readings).

 

100YearsChildBks strip1 NYPL Unveils 100 Top Children’s Books of the Last 100 YearsIn alphabetical order by title, this list is as follows:

Alexander and the Terrible, Horrible, No Good, Very Bad Day. Judith Viorst. Illus. by Ray Cruz. (1972)
All-of-a-Kind Family. Sydney Taylor, illustrated by Helen John. (1951)
Amelia Bedelia. Peggy Parish, illustrated by Fritz Siebel. (1963)
The Arrival. Shaun Tan. (2007) Bark, George. Jules Feiffer. (1999)
Because of Winn-Dixie. Kate DiCamillo. (2000)
Ben’s Trumpet. Rachel Isadora. (1979)
Big Red Lollipop. Rukhsana Khan. Illus. by Sophie Blackall. (2010)
The Birchbark House. Louise Erdrich. (1999)
The Book of Three. Lloyd Alexander. (1964)
The Borrowers. Mary Norton. Illus. by Beth Krush and Joe Krush. (1953)
El Gallo De Bodas: A Traditional Cuban Folktale. Lucía M. González. Illus. by Lulu Delacre. (1994)
Bread and Jam for Frances.
Russell Hoban. illustrated by Lillian Hoban. (1964)
Bridge to Terabithia. Katherine Paterson. (1977)
Brown Bear, Brown Bear, What Do You See? Bill Martin, Jr. Illus. by Eric Carle. (1967)
Caps for Sale. Esphyr Slobodkina. (1938)
The Cat in the Hat. Dr. Seuss. (1957)
Chains. Laurie Halse Anderson. (2008)
A Chair For My Mother. Vera B. Williams. (1982)
Charlotte’s Web. E.B. White. Illus. by Garth Williams. (1952)
Chato’s Kitchen. Gary Soto. Illus. by Susan Guevara. (1995)
Chicka Chicka Boom Boom. Bill Martin, Jr. and John Archambault. Illus. by Lois Ehlert. (1989)
Corduroy. Don Freeman. (1976) Curious George. H.A. Rey. (1941)
D’Aulaires’ Book of Greek Myths. Ingri D’Aulaire and Edgar Parin D’Aulaire. (1962)
Don’t Let the Pigeon Drive the Bus! Mo Willems. (2003)
Esperanza Rising. Pam Muñoz Ryan. (2000)
Freight Train. Donald Crews. (1978)
Frog and Toad Are Friends. Arnold Lobel. (1970)
From the Mixed-Up Files of Mrs. Basil E. Frankweiler. E.L. Konigsburg. (1967)
George and Martha. James Marshall. (1972)
The Giver. Lois Lowry. (1993)
Go, Dog. Go! P.D. Eastman. (1961)
Goodnight Moon. Margaret Wise Brown. Illus. by Clement Hurd. (1947)
Grandfather’s Journey. Allen Say. (1993)
The Graveyard Book. Neil Gaiman. Illus. by Dave McKean. (2008)
Green Eggs and Ham. Dr. Seuss. (1960)
Harold and the Purple Crayon. Crockett Johnson. (1955)
Harriet the Spy. Louise Fitzhugh. (1964)
Harry Potter and the Sorcerer’s Stone. J.K. Rowling. (1998)
Hatchet. Gary Paulsen. (1989)
The Hobbit. J.R.R. Tolkien. (1937)
Holes. Louis Sachar. (1998)
The Invention of Hugo Cabret. Brian Selznick. (2007)
Joseph Had a Little Overcoat. Simms Taback. (1999)
Jumanji.
 Chris Van Allsburg. (1981)
Just a Minute: A Trickster Tale and Counting Book. Yuyi Morales. (2003)
Lilly’s Purple Plastic Purse. Kevin Henkes. (1996)
The Lion and the Mouse.
Jerry Pinkney. (2009)
The Lion, the Witch and the Wardrobe. C.S. Lewis. (1950)
The Little House. Virginia Lee Burton. (1942)
The Little Prince. Antoine de Saint-Exupéry. (1943)
Locomotion. Jacqueline Woodson. (2003)
Lon Po Po: A Red-Riding Hood Story From China. Ed Young. (1989) 100YearsChildBks strip2 NYPL Unveils 100 Top Children’s Books of the Last 100 YearsMadeline. Ludwig Bemelmans. (1939)
Make Way for Ducklings. Robert McCloskey. (1941)
Matilda. Roald Dahl. Illus. by Quentin Blake. (1988)
Meet Danitra Brown. Nikki Grimes. Illus. by Floyd Cooper. (1994)
Millions of Cats. Wanda Gág. (1928)
Miss Nelson is Missing!
Harry Allard. Illus. by James Marshall. (1977)
Mr. Popper’s Penguins.
Richard and Florence Atwater. Illus. by Robert Lawson. (1938)
Mrs. Frisby and the Rats of NIMH.
Robert C. O’Brien. (1971)
Mufaro’s Beautiful Daughters: An African Tale.
John Steptoe. (1987)
My Father’s Dragon.
 Ruth Stiles Gannett. Illus. by Ruth Chrisman Gannett (1948)
My Name is Yoon.
 Helen Recorvits. Illus. by Gabi Swiatkowska. (2003)
Olivia.
Ian Falconer. (2000)
One Crazy Summer
. Rita Williams-Garcia. (2010)
The People Could Fly: American Black Folktales.
Virginia Hamilton. Illus. by Leo/Diane Dillon. (1985)
The Phantom Tollbooth. Norton Juster. Illus. by Jules Feiffer. (1961)
Pierre: A Cautionary Tale in Five Chapters and a Prologue. Maurice Sendak. (1962)
Pink and Say. Patricia Polacco.  (1994)
Pippi Longstocking. Astrid Lindgren. (1950)
Ramona the Pest. Beverly Cleary. (1968)
Rickshaw Girl. Mitali Perkins. Illus. by Jamie Hogan. (2007)
Roll of Thunder, Hear My Cry. Mildred D. Taylor. (1976)
Rumpelstiltskin. Paul O. Zelinsky. (1986)
A Sick Day for Amos MCGee. Philip Stead. Illus. by Erin E. Stead. (2010)
The Snowy Day. Ezra Jack Keats. (1962)
Starry River of the Sky. Grace Lin. (2012)
The Stories Julian Tells. Ann Cameron. Illus. by Ann Strugnell. (1981)
The Story of Ferdinand. Munro Leaf. Illus. by Robert Lawson. (1936)
Strega Nona. Tomie dePaola. (1975)
Swimmy. Leo Lionni. (1963)
Sylvester and the Magic Pebble.
William Steig. (1969)
Tales of a Fourth Grade Nothing. Judy Blume. (1972)
The Tales of Uncle Remus: The Adventures of Brer Rabbit. Julius Lester. Illus. by Jerry Pinkney. (1987)
Tar Beach. Faith Ringgold. (1991)
Ten, Nine, Eight. Molly Bang. (1983)
Tomie dePaola’s Mother Goose. Tomie dePaola. (1985)
The True Story of the Three Little Pigs. Jon Scieszka. Illus. by Lane Smith. (1989)
Tuesday. David Wiesner. (1991)
The Very Hungry Caterpillar. Eric Carle. (1969)
The Watsons Go to Birmingham—1963. Christopher Paul Curtis. (1995)
The Westing Game. Ellen Raskin. (1978)
When You Reach Me. Rebecca Stead. (2009)
Where Is the Green Sheep? Mem Fox. Illus. by Judy Horacek. (2004)
Where the Wild Things Are. Maurice Sendak. (1963)
Why Mosquitoes Buzz in People’s Ears. Verna Aardema. Illus. by Leo/Diane Dillon. (1975)
Winnie-the-Pooh. A.A. Milne. Illus. by Ernest H. Shepard. (1926)
A Wrinkle in Time. Madeleine L’Engle. (1962)

So many wonderful friends. I love a great list filled with great books. I hope you found some good old friends as well.

Rating the Underrated


Thank you for tuning in for another round of lists. This one again comes from BookRiot, being posted by Rebecca Joines Schinsky. She shares the results of reader poll for underrated books from the 576 who decided to voice their opinion. Usually I find these findings rather dubious.  Stanford and Gallup were not involved so how do we really know how legit the findings are?  Since you are here take a look at the list.  Any surprises?  I am only familiar with a couple of the votes. Sigh, my illiteracy is showing again, I suppose.

       Posted by   Rebecca Joines Schinsky     

Are These the 13 Most Underrated Books?

<!—->
  1. I Capture the Castle by Dodie Smith (9 votes)
  2. The Shadow of the Wind by Carlos Ruiz Zafon (6)
  3. Shantaram by Gregory David Roberts (6)
  4. The Sparrow by Mary Doria Russell (5)
  5. Stoner by John Williams (5)
  6. The Fionavar Tapestry Trilogy by Guy Gavriel Kay (4)
  7. if on a winter’s night a traveler by Italo Calvino (4)
  8. Lamb by Christopher Moore (4)
  9. North and South by Elizabeth Gaskell (4)
  10. Pale Fire by Vladimir Nabokov (4)
  11. The Phantom Tollbooth by Norton Juster (4)
  12. The Princess Bride by William Goldman (4)
  13. The Neverending Story by Michael Ende (4)

I adored The Phantom Tollbooth in elementary school, grooved on The Princess Bride in college, and skipped The Neverending Story, both the book and the movie. Nothing else on the list rings a bell. I’m not seeing how Tollbooth or Princess Bride could be underrated since both became film adaptations.

Anyone read any of these? Are they underrated?

Check out other Riot polls:

The 25 Most-Hated Books (by Book Riot Readers)

19 Books You’ve Been Meaning to Read FOREVER

20 Books You Pretend to Have Read

Top 10 Books You’re Embarrassed to Admit You’ve Read

20 Most-Loved Literary Characters

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Publisher’s Weekly 2013 List


Cover of November 6, 2006.

Cover of November 6, 2006. (Photo credit: Wikipedia)

 

A bit behind in getting out the best of the year posties, but my procrastination has a purpose: now it’s a reminder instead of a glut of wrap up info. Good old fashioned method-in-my-madness stuff going on here.

 

I am always curious as to what is popular in book reads. The New York Times is one popular measuring tool, and another one is Publisher’s Weekly. These are excerpts from their yearly best 20 books of the year. I found some head-scratching “Really, that was popular?” selections to “Well, that’s no surprise” entries. Here are some pull outs with their summaries. One thing I noticed is that I haven’t heard any of these titles. I’ve not even seen them on the new book offerings shelves at the library.  Is this something I should be concerned about?  Also, most of these titles are not very cheery, interesting, yes–cheery no.  Somehow, I am not as concerned about that issue.  After all, people tend to flock towards the sad and mad instead of the glad. Or is that just my view?

 

The People in the Trees by Hanya Yanagihara (Doubleday)

 

 

Add Norton Perina to the pantheon of literature’s best unreliable narrators. Perina is a scientist who, after graduating Harvard medical school in the 1940s, travels to a remote Pacific island chain where he may or may not have stumbled upon the key to immortality. The book is composed of his memoirs, which he is writing from prison in the U.S. after being convicted of a heinous crime. The truth behind Perina’s story is both riveting and chilling.

 

Miss Anne in Harlem: The White Women of the Black Renaissance by
Carla Kaplan (Harper)

 

 

In this beautifully written, empathetic, and valuable addition to the history of the Harlem Renaissance, scholar Kaplan (Zora Neale Hurston: A Life in Letters) presents the untold story of six notable white women (including Fannie Hurst and Nancy Cunard, members of a larger group known collectively as “Miss Anne”) who embraced black culture—and life—in Harlem in the 1920s and ’30s, serving as hostesses, patrons, activists, comrades, lovers, writers, and editors.

 

 

Sea of Hooks by Lindsay Hill (McPherson & Co.)

 

On a small scale, Hill, a onetime banker and now a poet with six published books, has written a fragmented portrait of a man’s troubled childhood and lost adulthood—a spiritual biography that’s both tragic and comic, and provides moments of pure reading pleasure on every single page, not to mention a wallop of pathos. On a larger scale, it’s a moving and unforgettable novel.

 

DISCLAIMER: covers and summaries are from the Publisher Weekly site. For the entire tamale go to: 2013 Publisher’s Weekly List

 

 

 

 

The People Factor


Relationships. They seem to make or break our happiness. Van Moody, a pastor serving the Worship Center in Birmingham, Alabama, understands the importance of relationships and provides a compact guide with his The People Factor.

The People Factor addresses the vertical (our relationship with God) and the horizontal (our relationship with others) aspects of relational skills. As a pastor he found a lack in ready resources when he counseled people. “There was nothing to put in the hands of people who left my office after sharing their deep pain over a relationship that would teach them beyond-the-basics lessons that could help them in highly practical ways.”

In each chapter, Pastor Moody weaves sound advice around his provided relatable examples, ending with “Relationship Reminders” and “Raising Your Relational IQ” which serve as personal checkpoints or could be used as discussion points in a group study.

The book is filled with points of reflection:

“We must realize that discrepancies between words and actions are serious warning signs.” (p.7)

“In relationships, commitment to integrity must take precedence over mutual comfort or shared enjoyment because integrity is the foundation of a person’s life.” (p. 47)

“You cannot erase your past. It will alwys be part of your personal history, but it does not have to define you.” (p.75)

Divided into three sections, the book explores the dynamics of relationship.

Part One: The Critical Laws of Relationships delves into the essentials of relationship such as agreement, understanding how the past influences relationships of today, and the importance of loyalty.

Part Two: How to Make the Most Difficult Choices, investigates unhealthy relationships–how to cope with them and how to let go of them.

Part Three: Essentials of Great Relationships promotes the understanding of the process of how healthy relationships work.

Finding happiness can come by losing weight, redecorating the house, or changing up the wardrobe, and there are plenty of books that help a person towards that measure of happiness. Yet, finding joy in relationships, that supercedes any temporal happiness.

The People Factor provides sound advice to promote sound relationships.

ChromeCast Conclusions


Over the holidays, as I solicited advice on buying a new laptop, my tech progeny convinced me to buy a ChromeCast. I did. Since then I have come to the following concusions:

  • It’s a great value for the inexpensive purchase price.
  • It’s easy to set up and even easier to use.
  • It’s versatile in use, ranging from music to videos to film clips to entire movies.
  • It’s portable and travels well, meaning it has possibilities of being set up on other screens.

And the best part?

  • There are no additional costs involved.

The progeny originally used the argument of my movie passion to convince me to buy it. “No more running to the library or grocery store for a nightly flick!”
However, I did balk at the idea of re-upping with NetFlix. Not so much a bad experience, just one more monthly payment to keep track of. Instead, I signed up for the free monthly trial, did the trial period, and cancelled by the deadline. I won’t be signing up for NetFlix? Why? They don’t carry the movie selections I primarily enjoy–namely classics and the odd oldie. Netflix is fine for the current box office run, but I can live with my dollar specials available at the local grocers.
Instead of movies I’m primarily using ChromeCast for Pandora.
Right, I’m playing music on our TV. The sound system is better than my iPhone, it’s soothing to watch the little pictures float across my screen, it’s lovely background to reading, and it’s commercial free. No kidding. For some reason when Pandora is ChromeCasted no commercials pop up.
I have on occasion YouTubed with ChromeCast. It is possible to find full-length flicks on there, you just have to know what to look for and where to look.
All in all, it’s been the best present to myself that the whole family enjoys.
Anyone use ChromeCast beyond movies and music?

Cook Shack Commentary of the Clearwater


idaho!

idaho! (Photo credit: sandwichgirl)

As I continue researching my novel concerning the Idaho gold rush, I wade though promising volumes of background material. One particular book  centered on the right area of Idaho, yet proved to be about lumberjacks in the 1930s instead of gold miners of the 1800s. Since it arrived in my batch of research finds I decided to glance through it in hopes of finding a nugget (yes, an intended pun). I found a dandy story about a circus elephant and a lost poker bet, but not much else I could use. I did find these pithy bon mots of philosophy at the back of the book. Perhaps I will have various characters spout them at appropriate moments.
From Tales of the Clearwater by Sam Swayne:
1. Life is too short to shave with a dull razor.
 2. Half of success is trying, and if you half try, you will succeed.
3. Too many men think that when they bite off more than they chew, they can wash it down with alcohol.
4. A dog that has been to the carcass doesn’t need to confess to his master where he has been.
5. A lean man lives long; a hog on a diet is the last to market.
6. The most conspicuous guest is usually the most unwelcome; a pole cat though long remembered is not invited to return.
 7. Some wives are like varoom motors on tricycles. Lots of noise up front, but no help on the push.
8. Them that have nothing is them that don’t take care of what they have.
9. A whipped rooster runs from a rabbit, but the cock of the hen yard will fight the bull (which goes, I presume, with this last one):
10. He who is head of the house will go twice as far as the man who is shoved by his spouse.

Now I’m not saying I agree with the sayings; I’m thinking they catch the flavor of the setting invoked: both lumber camps and miner camps functioned without the company of women ( at least the marrying kind).

Any of these sayings still applicable to today?

Verse for Wear


1st edition

1st edition (Photo credit: Wikipedia)

First word purging and now onto verse wearing.

Throughout the year I also collected poems from my daily feeding from www.poets.org. Daily offerings are contemporary, while weekends focus on past classics. I began subscribing for a couple of reasons:

1. Poetry appreciation came into my life later than sooner and I’m making up for lost time.
2. Since becoming an AP teacher I figure it’s best practice to move beyond my basic knowledge of Frost–doctors must keep up on new practices, so as a practicing English literature teacher I should as well.

After a year of daily dosing of poems I have found I’m still drawn more to the classic poets, yet still appreciate the “now” of poetry today and listen, for the most part, what is being said.
So, here are the poems that I keep in my “save” file. I plan to wear these verse offerings by pulling them out for discussion in class. And here, as well. Any comments? Are you more contemporary or classic in your poetry choices?

All poems and bio information are from poets.org

Edgar Guest:
Guest has been called “the poet of the people.” Most often his poems were fourteen lines long and presented a deeply sentimental view of everyday life. When his father died, Guest was forced to drop out of high school and work full time at the Detroit Free Press, eventually considering himself “a newspaper man who wrote verses.” Of his poetry he said, “I take simple everyday things that happen to me and I figure it happens to a lot of other people and I make simple rhymes out of them.” 

Only A Dad
Edgar Guest 

Only a dad with a tired face,
Coming home from the daily race,
Bringing little of gold or fame
To show how well he has played the game;
But glad in his heart that his own rejoice
To see him come and to hear his voice.

Only a dad with a brood of four,
One of ten million men or more
Plodding along in the daily strife,
Bearing the whips and the scorns of life,
With never a whimper of pain or hate,
For the sake of those who at home await.

Only a dad, neither rich nor proud,
Merely one of the surging crowd,
Toiling, striving from day to day,
Facing whatever may come his way,
Silent whenever the harsh condemn,
And bearing it all for the love of them.

Only a dad but he gives his all,
To smooth the way for his children small,
Doing with courage stern and grim
The deeds that his father did for him.
This is the line that for him I pen:
Only a dad, but the best of men.

From the book "A Heap o' Livin'" ©1916



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I appreciate this poem because it gets a shout out to dads. There are so many poems that exult moms (which I don’t mind) and I think fathers get shorted on all they do and how we feel about them.
Radar Data #12
by Lytton Smith
 
It was in the absence of light
as when near new moon and 
no moonlight; as when a part 
of a picture is in shadow (as 
opposed to a light); as when 
in the condition of being 
hidden from view, obscure, 
or unknown–in concealment, 
or else without knowledge 
as regards to some particular; 
and of the weather, season, 
air, sky, sea, etc., characterized 
by tempest; in times, events, 
circumstances etc. subject to 
tempers; inflamed, indicative, predictive, or symbolical of 
strife (harbinger of coming 
trouble)-a period of darkness 

occurring between one day & 
the next during which a place 
receives no light from the sun, 

and what if it is all behind us? 
I no longer fear the rain will 
never end, but doubt our ability 

to return to what lies passed. 
On the radar, a photopresent 
scraggle of interference, as if 

the data is trying to pretend 
something’s out there where 
everything is lost.

About This Poem   
“People are always curious where a name like ‘Lytton’ comes from–and it’s not from modernist biographer Lytton Strachey, but gothic novelist Edward Bulwer-Lytton. He famously came up with the opening phrase (in Paul Clifford) ‘It was a dark and stormy night.’ But I’ve begun to feel guilty mentioning that; his opening sentence is actually pretty good, so I’ve begun writing a whole series of poems that try to translate, rework, recuperate it.”  Lytton Smith

This is My Life
by William Stanley Braithwaite
 To feed my soul with beauty till I die;
To give my hands a pleasant task to do;
To keep my heart forever filled anew
With dreams and wonders which the days supply;
To love all conscious living, and thereby
Respect the brute who renders up its due,
And know the world as planned is good and true-
And thus -because there chanced to be an I!

This is my life since things are as they are:
One half akin to flowers and the grass:
The rest a law unto the changeless star.
And I believe when I shall come to pass
Within the Door His hand shall hold ajar
I’ll leave no echoing whisper of Alas!

Over the course of his career, Braithwaite founded a publishing company and taught creative writing at Atlanta University. His poetic style was influenced by English Romantic poets John Keats, Percy Bysshe Shelley, and William Wordsworth.
This poem smacks of resolution for the New Year. It stirs a resolve to become better than I am and to leave no regrets at the passing of the day. Yup, that’s what a poem should do–get some soul stirring going.
My hopes are that your New Year will be filled with verse, be it created or found, and that the words will resonate in your life into others!

The Painted Table


The Painted Table, Suzanne Field

Debut author, Suzanne Field, explores the painful process of watching a loved one drift into insanity through omniscient narration, an unusual point-of-view for this type of story, yet one that effectively provides an appropriate disjointed aspect.

Summary:
Joann hides from her childhood fears under the family’s heirloom Norwegian table. Her older brothers and sisters tease her for her  need to seek solace under its protective aprons. As she grows into adulthood, her fears follow her and manifest into odd quirks that later develop into full-on madness. Her daughter Saffee suffers terribly, watching her mother slip away from her. Saffee craves having a relationship where she feels safe and worthwhile and cannot find this fulfillment through her dysfunctional family structure. As Saffee grows from child into teenager and finally into a young woman she realizes that God is always there for her and she begins to find solace in His presence; however she continues to have doubts about herself and wonders if she will inherit her mother’s condition.

Reflection:
I’m not sure why the author chose to present the story in an omniscient point-of-view. In some ways it allows for an impassive participation by lending a distance, as if we are watching a family unravel in almost a clinical mode of observation. On the other hand, without a definite point-of-view,  it is difficult to connect to the characters. This form of narrative involves more telling than showing, which leaves one  wanting more detail. Overall, the novel presents a fascinating topic: nature or nurture? Does Joann inherit her mother’s nervous condition and pass it on to her daughter Saffee or does Saffee learn her quirks watching her mother?

“Saffee’s heart thumps. Hysteria? Acute mania? Hospital for the insane? The words glare like neon lights. Her mother and her grandmother? Insane? What was the term she learned in psychology? Evolutionary lineage? For an instant, only an instant, her chest tightens.” (244)

Saffee finds fulfillment through the support of her husband Jack, who reassures her that she doesn’t have to become her mother. And she wants to believe God has promised her life will be different. The idea of breaking patterns through love’s redemption is the backbone of this debut novel and is one that provides a satisfying ending.

Disclaimer: BookSneeze provided this book in exchange for a fair review.

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