Pam Webb

a writer's journey as a reader

Archive for the category “reflections”

Do Rah Mean Reviews


I started reviewing books about twenty years ago, mainly because I wanted a steady supply of books to read since at that time we lived out in the toolieloops, about an hour from town, and with three kids in tow this involved a spirit of adventure and a rousing case of cabin fever to shake me into organizing a “going to town” outing.

A book reviewer I became.

One thing learned about book reviewing is the art of the “do rah” as in do be a cheerleader of sorts and Thumperize a book–find something nice to say. As a writer, I can’t imagine reading a review and having to bear any slicing and dicing of my creative endeavour.

Yet, there are those who skip the do rah and just go for mean. You know what I’m talking about. Those vitriolic reviewers that pen scorn and derision that practically blame the tree for providing the pulp that provided the paper for the book.

Tsk.

Not long ago I felt compelled to comment on such a review found on Goodreads addressing a book I recently finished. I mentioned the importance of setting aside 21st century expectations when reading historical fiction. Whoa! A personal tirade was my reply. I didn’t see that one coming. Fortunately, another reader rebuffed that reply saying the writer was out of line and should be warned. Are there Goodread police who hand out “play nice” tickets?

“Don’t be a meanie, be a do rah-er when reviewing books.” morguefile.com/JessicaGale

That little episode provided the epiphany that mean reviews perhaps stem from mean-spirited people, and I try even harder to offer more positive than negative comments in my reviewing. After all, that some day of getting my cow joke book published might actually arrive and I wouldn’t want my bovine humor butchered unfairly by unfriendly reviewers.

What thoughts on mean reviews? Do they dissuade or persuade you to read the book?

Bookstore or Library


I am a Frequent Flyer of the literary miles category. I inter-library loan, grab stuff off the FREE shelf, donate back, check out DVDs, CDs, books, audios, magazines–if it has a bar code I find a way to get it checked out and get it home. I have yet to check out their seed catalog *make note*. I even joined the Library Board of Trustees for a year and a half. That could be a blog post in the making.

image: morguefiles.com/kieransmiles Libraries. Sigh. Wait, shouldn’t that “l” be an “L”? Aren’t libraries proper nouns, words of significant importance?

Now–with all my Book Boostering, you would think I would buy more books. My bookshelf at home is actually rather anemic. Somewhere in the post collection I have photos and details. Here’s the deal: I don’t buy them because the library has already done that. Plus, books need dusting, and bookshelves take up a LOT of space. Teeny house. Hate dusting.

SO–

I don’t go to bookstores. I just don’t. I don’t want to spend the money. I just want to read the book. Occasionally I will buy a book as a gift. I usually review books because they are free and then I give them away. I prefer the word “frugal”, thankyouverymuch.

Yesterday I broke the pattern. I actually stepped into a bookstore and actually bought a book. Ours is a smallish town and box stores consist of the ubiquitious Wal-Mart, a half-hearted Penney’s, one Hallmark, the usual fast food five, and a handful of motels that are in everywhere anytown. No Barnes ever so Noble, only three private bookstores. One smells like the dusty, mildew-ish haunts I avoid, one is bright and serves up new books (and I’m glad they offer discounts to teachers), and the other is an anomaly. This is the one I popped in to visit.

It smelled of new books, was brightly lit up, organized well, had reasonable prices, and an eclectic assortment of titles, plus it had the quirky owner esconced behind the counter. After my purchase of a gift book (no spoilers), I learned the no-funky smell is due to the painstaking care of each book being sanitized and being given a new cello cover. Lovely.

I still prefer libraries, but should I ever develop that urge to squander my occasional windfall on books instead of the usual dinner out or garden plants or gifties on the progeny, I now know a place where I can meander and come away with a treasure.

So–

Bookstore or Library: preference?

The Book Is Better (maybe)


I’m in the “Book First, Book Better” camp when it comes to film adaptations. Of course, whenever we are adamant about something our paradigm gets firmly nudged to reevaluate our ideas. This happened not only once, but twice this month.

The first book was North and South by Gaskell. She’s been compared to Austen, but I would say she is a bit more outspoken and verbose in her approach to the romantic historical. Having watched the BBC miniseries when it first came out in 2004, I decided I had to read the book. I finally got around to doing so this year. Then I watched the series again. Yup, the film adap is better.

Actors: Richard Armitage is John Thornton, just as Colin Firth defined Darcy. The balance of brooding strength and vulnerability made each scene with Armitage riveting. This wasn’t as apparent in the book simply because Armitage made Thornton so vibrant.

Setting: the grime, noise, and poverty of a mill town is evident and doesn’t need pages of constant reminder of the deplorable conditions. A scene can speak pages of description.

Dross: all that extra writing emphasizing beliefs is neatly trimmed into edited significant scenes. More meat, less gravy.

Ending: much more satisfying than the book and much more telling than that would rate a spoiler alert.

The second book is a more recent connection. As a Sherlock fan, Doyle and Jeremy Brett (BBC series), I was curious of the chatter about Mitch Cullin’s A Slight Trick of the Mind, especially when I learned Sir Ian would play an aging Sherlock. I can imagine him channeling his Gandalf into the role. Devoured the book, mesmerized by the movie. The book is excellent, yes, you should read it. Yet, the adap, which is not 100% faithful to the text, is actually a stand   alone. It’s Cullin’s outline, his premise, of an aging Sherlock, but the story on screen is so poignant, the interpersonal interactions so much deeper, I’m going to reread the book and see if I missed it all the first time.

Characters: all the actors are steller and they play off one another in such a way that awards are surely going to be handed out. Sir Ian proves once again his depth and versatility. The young actor who is Roger holds his own–I’m hoping great acting parts for him.

Setting: England after two wars–Holmes would have been old enough to see both at 93. There is still the sense of loss, yet a rekindling of hope as life goes on. Brits are a tough lot. Never give up, never surrender. This Sherlock captures his country’s motto in his fight against dementia.

Ending: a radical change from the book, but it was so perfect, that even an absolutist like myself, who dislikes mucking about with the text when it comes to transferring the text to screen, left the theatre oh so satisfied.

I am thinking I should ease up on my penchant for purity of transfer and sit back and enjoy the show. The  book doesn’t have to be the movie–pardon me, that noise was my paradigm shifting.

Reading Challenge Met!


2015 Reading Challenge

I signed on with GoodReads mainly to keep track of my books. I so enjoy being spared of the agonizing “Okay, it had a yellow cover and the author only published this one novel…” or some such scenario of “which one and who wrote it.” GR has become my tidy little techno Rolodex of titles.

While keeping track of my books is indeed a boon for this Book Booster, I realized after reading other people’s blogs I was missing out on one other amazing feature (there are still quite a few I’m discovering): The Reading Challenge.

This feature has completely revved up my reading habits. Even though I am voracious reader, I am usually unaware of my volume. Not that it matters, but I would like to know how many books I go through in the course of a year, just because. It’s not that I’m addicted to reading, yet I notice when I don’t have a book to read I’m not feeling quite aligned. For instance, I paced myself and read a long book on my trip (North and Southt) and on Sunday found myself book less because I hadn’t gone to the library to stock up for my return reading afterwards. The reason? I do this odd thing of returning all library books, whether or not I’ve read them, before going on a trip. Even if it’s a just for a few days. I suppose my imagination believes I will fall into a black hole before my return and I don’t want to inconvenience the library of harboring missing books. As a result of my odd ritual of travel preps, I ended up with no book for my usual Sunday nap and read session. Ghastly, I know. On the positive side, it did free up some reflection time for books I have read this year because…

I have met my reading challenge of 50 books way before expected. 

Going through the list I created these stats for myself-I wonder if WordPress would consider loaning their stat monkeys out to GoodReads…

Total pages read:14, 288–I’m not sure if that is profound or pathetic

Average pages: 285–this balances fairly well, since I eclectically read books like The Little Prince, which is 11 pages, and then sit down with books like North and South, weighing in at around 500.

Most popular genre: this surprised me–I consider myself one who favors fiction and read non-fiction sparingly, yet I came up 11 non-fiction books! That’s getting upwards on my list. Gobstoppers! The other genres are 16 historical fiction/classics; Juvie/YA 13; and 12 for contemporary/popular. The numbers add up to 52, so obviously I counted one for two categories–no doubt those Darcy-type books snuck into the historical popular categories.

Fastest cover-to-cover: Little Prince–yet it’s not really a quick read, especially when I stop to investigate and reference all the lovely information found on so many LP dedicated sites.

Longest to read: those 500 page books do drag a bit, yet if they can keep the pace they go by quickly. Ink heart needed a firm editing in parts, considering it’s a Juvie, the pace moored down to boots in molasses at times–don’t kids prefer snap, crackle, action?

Most attractive cover:this is a toughie because attractive is so subjective, and there is that emotional aspect of expectancy involved–for now I’ll say Go Set a Watchman, due to it hearkening back to the original cover of TKAM, of which I am so fond.

Best jacket blurb: Slight Trick of the Mind–what would Sherlock be like in his waning years? I had to know.

Worst jacket blurb: this is actually my 51st book but it should have been the 50th (I won’t bother you with the details). The Guersney Literary and Potato Pie Society sounded like a quaint, character-driven epistolary novel about a quirky group of book boosters. However, as I became more involved in it, it became clear it was more of a historical reference on the Nazi occupation of Guernsey. I tend to shy away from these books having helped edit my mother’s own wartime memoir, and am now over-saturated with the destruction and sadness of this war. Light-hearted is what seemed promised, and what I really needed at that point in my schedule, and I end up crying upon learning about the further cruelty of WWII victims. It had lighter moments, but became too heavy in horrendous wartime details for my comfort.

Top five favorites:

  • The Great Gatsby–a reread and I truly appreciate the symbols and metaphors so much more now that I teach AP Literature. This time around it was on audio tape, although a newer version is needed (pops and skips *grr*)
  • A Slight Trick of the Mind (Mr Holmes)–Cullin truly treated Sherlock with dignity and the plot is quite plausible
  • The Bookseller–not a raging favorite read, but the premise is fascinating and a page-flipper
  • My Salinger Year–a lovely memoir of the yesteryear of publishing
  • The Little Prince–so charming, so profoundly simple

Anyone else in the midst of a Reading Challenge?

A Trio of Shakespeare 


Considering I had no exposure or any real knowledge of Shakespeare until I began teaching his works in high school, I’ve certainly made up for lost time.

In the twelve years of morphing from a displaced school librarian to an AP teacher I’ve developed an appreciation for Wm. Sh. to the point of labeling myself a Bardinator. *

“Yo, thou intensely doeth Bard if thy be a Bardinator.” image: flickr.com

Bardinator /n./ a person who goes beyond face value knowledge of Shakespearean works and dives in to study, appreciate, and revel in the works of William Shakespeare to the point of total commitment. Simply put–a dedication to the Bard’s works beyond what is considered sufficiently normal. 

This summer I have reveled in more Bard than usual. It began, appropriately enough on July 4th* when I landed in Washington DC to study Hamlet for a week at the Folger Shakespeare Library.

Later that month I finally got around to Anonymous, which is actually anti-Bard, as it is a ridiculous conjecture that William Shakespeare was not a brilliant playwright but actually a drunken sot of an actor fronting for some earl who was a closet playwright. The only takeaway was how stunningly the time period and the theater was portrayed. I squirmed through this insulting and terrible premise to absorb the glory of the Elizabethean stage snippets. One star of note was Mark Rylance. This observation led me to–

Twelfth Night starring Mark Rylance in the role of Olivia. Yes, finally. A Shakespearen production as it might have been presented because of the all male cast. The play was filmed at The Globe with a live audience (groundlings included) in sharp, glorious HD. Mark Rylance and his troupe superceded expectations. It was unprecedented theater. I will have problems readjusting to women playing women now in Bard dramas because Shakespeare wrote the parts knowing men/boys would be playing women. Or in the case of Viola/Caesario-, a youth playing a woman disguised as a youth. The lines and meaning take on a whole new dimension with the knowledge it’s two men playing they are attracted to each other but the manly man doesn’t want to admit to it . But thr audience knows the fair youth is really supposed to be a woman since it’s a boy playing a woman dressed as a boy. The confusion is intentional, as is the jovial mistaken engendered double meanings.

“Yonder sun doth the moon, y’all.” Image: YouTube.com

To round out the summer I watched my first ever Shakespeare in the Park or more precisely, on the grass at the local fairgrounds.  A group of thespians out of Montana traversing five states presenting either Cyrano or Taming of the Shrew graced our fare (or fair) town. And what a turn out. Beginning at three o’clock people arrived to claim their patch of grass and browsed the various booths ranging from spun wool goods to sword play. A lively Renaissance trio added appropriate musical ambiance. At six o’clock the western-themed show begun and the audience whistled and hooted out their appreciation at all the puns and ribaldry. The best bit was unplanned when a wee little lass wandered onto the stage at just the moment when Petruchio instructs Kate to speak to the “maiden” (Vincentio).

“Speak to yonder maiden, Kate. Not that one–the other one.”

Not missing a beat, Vincentio grabs up the sweet interloper and announces: “This is my granddaughter” and managed to return her to an embarrassed audience mother.

A truly fun community event to commemorate the closing of summer. Soon I will be bringing Shakespeare to the classroom, but perhaps we’ll Bard out on the lawn. BOOC–bring our own chairs.

Did anyone else have a bit of Bard along with their beach and BBQ days this summer?

—————————-

*yes, there is a connection of studying Shakespeare during America’s independence week–Wm. Sh. became our nation’s first playwright when his plays sailed over from England. In fact, the Folger has the first Elizabethean stage. A regular Tudor de force (upon which I played a hammy Horatio).

*I just spent an hour hopscotching about the Net trying to find that nifty definition I stumbled across years ago. No luck. I did find a new blog concerning Shakespeare. I have created my own definition. This will be a work in progress and I am quite open to other interpretations.

August POMs


The subtle theme that ties these three poems together is the intertwining of nature as the speaker reflects upon his or her circumstance.

Summer Rain

Amy Lowell

All night our room was outer-walled with rain.
Drops fell and flattened on the tin roof,
And rang like little disks of metal.
Ping!—Ping!—and there was not a pin-point of silence between them.
The rain rattled and clashed,
And the slats of the shutters danced and glittered.
But to me the darkness was red-gold and crocus-colored
With your brightness,
And the words you whispered to me
Sprang up and flamed—orange torches against the rain.
Torches against the wall of cool, silver rain!
——

The Thaw by Henry David Thoreau
I saw the civil sun drying earth’s tears —

Her tears of joy that only faster flowed,

 Fain would I stretch me by the highway side,

To thaw and trickle with the melting snow,

That mingled soul and body with the tide,

I too may through the pores of nature flow.

 But I alas nor tinkle can nor fume,

One jot to forward the great work of Time,

‘Tis mine to hearken while these ply the loom,

So shall my silence with their music chime.
———–

Summer Morn in New Hampshire

 by Claude McKay

All yesterday it poured, and all night long
I could not sleep; the rain unceasing beat

Upon the shingled roof like a weird song,

    Upon the grass like running children’s feet.

And down the mountains by the dark cloud kissed,

    Like a strange shape in filmy veiling dressed,

Slid slowly, silently, the wraith-like mist,

    And nestled soft against the earth’s wet breast.

But lo, there was a miracle at dawn!

    The still air stirred at touch of the faint breeze,

The sun a sheet of gold bequeathed the lawn,

    The songsters twittered in the rustling trees.

And all things were transfigured in the day,

    But me whom radiant beauty could not move;

For you, more wonderful, were far away,

    And I was blind with hunger for your love.

—–

Fantastical Realms 


I shall always harbor a bit of fascination for worlds of make believe; however, my reading choices sometimes perplexes my family. It’s as if I’m not willing to accept this present planet, or my head is in the clouds, or maybe I just refuse to grow up. Most of my reading is solid enough with my Austen-like tendencies towards classics.  I do like a dip into fantasy from time to time. 

Though it’s been awhile, I do relish a really fun fantasy, one without the usual overindulgence in magic, drugs, sex, and rock n roll. Yes, I am that discerning. Picky is acceptable, but I prefer discerning.

C.S. Lewis and his Narnia series remains a favorite, and I look forward to passing my Lion, Witch, and the Wardrobe on to the grandkiddo when the appropriate time arrives. I was introduced to the series in high school and found Perelanda in college.

One childhood remembrance is Wrinkle in Time, although I really need to finish the series because I recently discovered there was more beyond the first one, just as I realized there was more to The Giver. These two fall more closely into science fiction. Lately, I haven’t find a (grown up)novel that features a world that is relatively different enough for my particular tastes in fantasy.

My search for fantastical realms is hit or miss. I have developed a penchant for Jasper Fforde and his Thursday Next series, but didn’t care much for his Nursery Crimes books. His Last Dragonslayer series is quite engaging, and I am patiently awaiting the sequel to his Grey series (*amended title do to that other “gray” book out there–one of the prodigy was duly shocked upon seeing the cover thinking I had grievously lapsed in my usual conservative reading selection).

  image: amazon.com


image: wikipedia

I haven’t been too impressed with Terry Pratchett’s Disc World, although I understand it’s a matter of finding the right one. I did enjoy the Going Postal film adaptation.

I have yet to really give Douglas Adams and his Hitchhiker series a dedicated run. I might have to be satisfied with the movie instead.

Just recently I gave Walter Boer a try. Not knowing exactly where to start I began with The City of Dreaming Books, which turns out to be #4 in the series, but it actually stood well on its own. His books, from what other reviewers are saying, tend to  be large in scope, pagewise and content. I had a difficult time warming up to a lizardish dinosaur for a protagonist, though there were moments of appreciation for a creature desirous of becoming a great author.

image: amazon

Any other fantasical readers out there? What am I missing that I should look up?

Getting a Handle on Hamlet


Now that there is a little distance between my journey to DC for Hamlet Academy, I am in a very good place to reflect upon just how I will present the play to my students.

I have discovered exploring scenes through various reading techniques, paired with a cinematic clip, helps with clarity. But which film version to use? There is such a range.

For instance, when we study Hamlet’s quintessential  “To Be” speech, I can show the minimal setting of the stage with either Richard Burton or Kevin Kline. Then again, I might show it as the singular contemporary soliloquy of Ethan Hawke as he internalizes his inaction while walking through the action movie aisles of Blockbuster. There is also Branagh’s stylized mirrored reflection which contrasts with David Tennant’s sedate approach. I primarily feature Mel Gibson’s version because of its Renaissance setting. I am patiently waiting for Jude Law’s Broadway version to come out as a DVD. And then there is Benedict C’s London stage version, which I anticipate to be more than marvelous and hope it makes it onto DVD in the future. Because taking my students to London to see it, well–that would be an involved field trip request. For fun, I show Ahnold delivering the lines with swagger and CGI.

Yet with all these versions to select from, each has its own set of considerations when it comes which one to showcase in its entirety. Sir Larry’s is BW and my students aren’t keen on arcane classic. Tennant is clever, yet the juxtaposition of modern setting and classic Bard doesn’t always find favor. Ethan Hawk’s has a couple of awkward-in-the-classroom scenes. Branagh’s is way too long, and that leaves Mel, the popular choice, but with that problematic mother and son chat in her closet.

Every year I wrestle with the “which one” question. This year there is one more option. I recently discovered an amazing version I had no idea existed. A big thanks to LoMo, super Hamlet Academy mentor teacher, for the heads up on this new-to-me Hamlet.

Campbell Scott, son of George C. Scott, of Patton fame, might not be on everyone’s radar of well-known actors, but he definitely should be. I am looking into his other films, as I was quite impressed with his performance. In his version of Hamlet, which he co-directed, he sets the play in an Edwardian era that could either be east coast upper crust or Reconstruction South. This Hamlet family is one of tradition, power, wealth, and of course, one that has definite family issues.

There are many pluses to this version. For one, Scott’s Hamlet is of the appropriate age, many Hamlets are often pushing the 40 mark, which about 10 years older than the play age. The setting also lends credibility with the historical grandeur complementing the eloquence of the Bard’s language. Scott plays his Hamlet with intelligence without having to be eccentric, although there are moments that oddities pop up, such as wearing his mourning band as head band. His introspective interpretation helps the audience to feel the pain of indecision, as he flirts with madness, as he works out the conundrum of his avenge task: how crazy should crazy go?

Here’s a clip. What are your thoughts on Scott’s version? And while we are at it, which Hamlet version is your favorite?

BookMarks 


You know you are a book nerd when you start collecting photos and misc tidbits about books. Here a few I found cluttering up my files:

  Do you know the French have a word specific to their country addressing booksellers? I came across the word Bouquinistes in a review and became intrigued. The photo and info are both from Wikipedia.
Bouquinistes are small bookstores in Paris, on each side of the River Seine. They are green boxes made ​​of wood. They were classified as a World Heritage Site in 1991. The word bouquinistes is used only in Paris. The word comes from bouquin, book in French slang.

Gluten-free is the new buzz in product promotion. I spotted a sign signifying a snack as being gluten-free: an apple? Really. I did have to stop and click when I came across this sign in a used books store display window: 

 
Another slice of book interest, a Kindle ad in a magazine: 

 
Have you come across a free library tucked away somewhere expected? I discovered this one situated in a quiet little neighborhood. It looked child-centered. How fun it would to be a kid and check for new books or exchange ones out! 

   
What about you, dear readers–any fun, interesting, wonderful noteworthy bookish bits to share?

‘Tis No Place Like Home


I learned through my Washington DC trip that seven days of Hamlet makes one weak. *ka-boom* Seriously, between the humidity, challenging schedule, walking briskly everywhere, and trying to eat healthily on a restaurant diet, I was glad to return home. I am ever so glad to have experienced Summer Academy, yet Dorothy got it right when she told Auntie Em, “Oh, there’s no place like home.” I freely admit to being a creature of known comforts such as my closet, refrigerator, and favorite health food store. 

Before I move on to my next big event of this summer–an AP Conference (no planes or time zones involved), I want to close out my Hamlet KWL chart: my What I Know, What I Want to Know, What I Learned.

What I Know

  • I already knew Hamlet was my favorite Shakespeare play, hence the  incentive to apply to the Folger Summer Academy.
  • Once I accepted, I knew there was going to be some personal discomfort ranging from dipping into the savings account to flying all by my lonesome and finding my way around megatropolis east coast city.
  • I knew I would would be pushed out of my social comfort zone. Gregarious hermits tend to exhibit coping problems at intensive social events.

What I Still Need To a Know

  • I still need to figure out how to assimilate all the wealth of information into my curriculum.
  • I need to know how I can return to the Folger Institute without having to fly there.
  • I would like to know how I can express my enthusiasm and wonder of Shakespeare to not only my students, but also to my friends and family, without appearing as a crazy English teacher. I am terming myself as a Bardinator, someone who appreciates Shakespeare to the point of edginess.

What I Learned–that’s a blog entry unto itself

  • I learned I get crazy before a big trip, worrying and anticipating about details that become trivial and insignificant in the grand plan.
  • I painfully learned when it comes to packing–go for the wheeled suitcase. The weight of a strapped bag increases significantly with each change of planes.
  • I can learn to adapt to most situations.
  • I also learned hotel pillows are never as comfortable as the ones at home.
  • I continually learn about selecting common sense over fashion sense, especially when walking in the rain.
  • I also continually learn that meeting new people and exchanging ideas is an integral component of a fulfilling life.

 For your viewing enjoyment–a wee bit of our Hamlet week: 
NOTE: thanks to the absolutely incredible staff at both the Folger Education Center and at the Folger Library for their hospitality, expertise, generosity, and impartation of how thrilling it is to live and breathe Shakespeare.

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