Pam Webb

a writer's journey as a reader

Archive for the category “writers”

Take Your Next Poem to Lunch


poetry

Silently mulling over the words, she reflected in her repose as she drank deeply of the healing verse before her….

Stop–cut–

Really, poetry doesn’t have to be all artsy, angsty to be enjoyed. The reflective part is okay, but honestly, poetry can be much more rewarding as an outward expression through sharing. During Poetry Month try some of these verse interactivities:

1.  Randomly leave a poem around the office or break room.

2.  Pack poems in your lunch for at least a week–you know, a read ’em and eat kind of thing

3. Sign off your signature with a line from a favorite poem

4. Use a poem for a bookmark

5. Memorize a poem–one you don’t know (Robert Frost won’t mind this time)

6. Read up about a poet–most have led amazing lives

7.Watch a movie with poems–I suggest Dead Poets Society

8. Chalk poems on the sidewalk

9. Attach a poem to a balloon and release it

10. Revisit a poem–has it changed in meaning for you?

A Quiver of Quotes


perusing through a recently acquired preview AP textbook, I couldn’t help but appreciate the assortment of writerly quotes sprinkled throughout the book.  A collector of words, I knew I had to gather them, and words, like arrows, fly straight, cleaving the mark true and fair when the marksman is skilled and the aim is practiced.  (ooh, maybe that will end up in a textbook someday…)

Never mistake motion for action–Ernest Hemingway

 

 It is not necessary to portray many characters. The center of gravity should be in two persons:  him and her. —Anton Chekov

Anton Chekhov

Anton Chekhov (Photo credit: blue_paper_cranium)

To produce a mighty book, you must choose a mighty theme.–Herman Melville

It is the writer’s privilege to help man endure by lifting his heart.–William Faulkner

For me, fiction is life transformed and fueled by imagination.–Dagoberto Gilb

A ration of failures is built into the process of writing. The wastebasket has evolved for a reason.–Margaret Atwood

When I’m asked what made me into a writer, I point to the watershed experience of coming to this country. Not understanding the language, I had to pay close attention to each word–great training for a writer. —Julia Alvarez

English: Photo of Julia Alvarez from Interview...

English: Photo of Julia Alvarez from Interview with LaBloga. (Photo credit: Wikipedia)

Not all things are to be discovered; many are better concealed.–Sophocles

Great literature is simply language charged with meaning to the utmost possible degree.–Ezra Pound

You must write.  It’s not enough to start by thinking. You become a writer by writing.–R.K. Narayan

Between my finger and my thumb
The squat pen rests.
I’ll dig with it.
Seamus Heaney

 

 

Wives and Daughters


One of the final pages from the manuscript for...

One of the final pages from the manuscript for Wives and Daughters (The Works of Mrs. Gaskell, Knutsford Edition) (Photo credit: Wikipedia)

Have you ever eagerly brought a movie home only to discover you’ve watched it before?

When that happens I either slip it out and chastise myself for my negligent memory or shrug and go for it anyway.  Such was the case with BBC’s production of Gaskell’s Wives and Daughters.

 

Lovely.  I watched the whole thing in one sitting.  I would not do well with the weekly installment watch plan anymore.  I tend to eat all my Haagen-Daaz in one sitting too.

As for Wives and Daughters I think Gaskell should have actually named the series, The Doctor’s Daughter because it all centered on Molly, who was the doctor’s daughter.  I didn’t see much about wives and only a couple of daughters were the focus.  Maybe I will have to read the book.  And right now I am trying to do so.  It’s not working.

One problem I am finding out with watching really wonderful BBC adaptations is that they quench my desire to dig into the book.  I really should stick to my book first policy.

 

If you should hunger after a character driven historical plot that is reminiscent of Jane Austen’s complicated romance plots, then do look up Gaskell and her Wives and Daughters–watching or reading it is too personal of a decision for me to actually recommend. Umm-I did really like, really like the BBC more than I have Gaskell’s flowery writing.  But don’t let me influence you.

The Little Write Lies We Tell


I think the best writing advice I have taken to heart lately comes from one of my latest reads, A Tree Grows in Brooklyn by Betty Smith.  Francie, the protagonist, is a girl of poverty and determination. She begins writing stories that please her teacher, ones that are about butterflies and happiness, receiving praise and the coveted “A” grade mark.  She then switches to tell life how it really is, the heartache of tenement living, and this alienates her teacher.  Fortunately, her teacher sees the struggle Francie is faced with: the write truth does not mean the right truth.

Here is the advice she gives Francie:

“You know, Francie, a lot of people would think that these stories that you’re making up all the time were terrible lies because they are not the truth as people see the truth.  In the future, when something comes up, you tell exactly how it happened but write down for yourself the way you think it should have happened. Tell the truth and write the story. Then you won’t get mixed up.”

 

Another author who swerves  from truthtelling into storytelling is Tim O’Brien, well known for his The Things They Carried.  I found a fascinating article from the United States Naval Academy, of all places, in which there is discussion concerning future military leaders and their discernment of what is truth.  The article relates this need of truth in leaders with a literary course with O’Brien’s novel as the text: (highlights are mine)

Fiction proves the golden means between absolute truth and absolute dream. It is impossible to ascertain the absolute truth of an experience, but it is nevertheless critical that one try to ascertain the multiple truths, to be “in uncertainties, Mysteries, doubts, without any irritable reaching after fact & reason,” and this challenge marks the human condition. Fiction is neither counter to nor identical with the truth, though given the exigencies of war, fiction often provides the best approximation of reality; as O’Brien writes in “How to Tell a True War Story,” “In war you lose your sense of the definite, hence your sense of truth itself, and therefore it’s safe to say that in a true war story nothing is ever absolutely true” (TTTC, 82). O’Brien claims that “My role is not to solve mysteries, but to expand them… To ultimately make readers think of their lives in terms of ambiguity. It’s the human condition and we’re uncertain about almost everything” (Hicks, 89-90). The storyteller takes the facts of experience and embellishes or even alters them in order to get at a closer experience of truth; O’Brien finds in fiction the possibility of expressing “that surreal seemingness, which makes the story seem untrue, but which in fact represents the hard and exact truth as it seemed” (TTTC, 71). Thus, the capacity to tell a story, to make a factual account that leaves out the subjective experience into a fictional but seemingly more truthful account, is essential to understanding the experience of war for all involved and to beginning the long process of recovering from its damages and of correcting its failures.

A US Serviceman reading an Armed Services Edit...

A US Serviceman reading an Armed Services Edition of A Tree Grows in Brooklyn (Photo credit: Wikipedia)

 

Tell the truth. Write the story.

Anyone know if a poster of this ideal exists out there?  It would go well on my office wall.

Jane’s First Novel Makes Much Sense


Mention Jane Austen and people go “Pride and Prejudice.“Why don’t they go, “Sense and Sensibility?”  It was, after all, her first novel, and it has much going for it.  Okay, okay, Edward isn’t exactly Darcy, but all the other elements are there:

  • close sisters (Marianne and Elinor meet Elizabeth and Jane)
  • an annoying mother (not Mrs Dashwood–Mrs Jennings)
  • an insufferable matriarch (boo Mrs Ferrars)
  • mixed up romances (just hang in there, Marianne/Elinor/Lizzie/Jane)
  • a charming cad (yo whazzup, Willoughby–yah, itz good, Wickham)
  • wealth (30,000 a year!)
  • poverty (250 a year!)
  • sex without marriage (tsk tsk Kitty, poor Eliza)
  • catty women (meow Fanny)
  • happy endings after waiting and waiting for things to get sorted out
English: "I saw him cut it off" - Ma...

English: “I saw him cut it off” – Margaret tells Elinor that she saw Willoughby cut a lock of Marianne’s hair off. Austen, Jane. Sense and Sensibility. London: George Allen, 1899. (Photo credit: Wikipedia)

So, why doesn’t Sense and Sensibility make the connection with JA word association?  It might be because we relate to “pride” and “prejudice” more than we do “sense” and “sensibility.”  What the snuffbox is “sensibility” anyhow?

According to the old Wikipedster it relates to sentimentality or the emotional response, which JA wasn’t too keen on, and hoped her novel would point out the need to have rationalism rather than emotionalism. I think we moderns can respond and relate to the emotional response idea but we don’t necessarily live there.  Instead I think we counter react by not not reacting and create characters known for not having emotions, like House or  siccing out zombies as a means of coping with sensory overload.  Hysterics are in vogue right now it seems; on the other hand we do recognize everybody or every creature isn’t all bad. Maybe that’s why monsters these days have feelings.  Unlike the original Barnabas Collins modern vampires twinkle or is that sparkle? Perhaps that explains the odd coupling of monsters with Regency mavens such as Elizabeth and Elinor. Could it be Regency meets Modernism?  An odd ying yang match? Give me the old-fashioned classic sans monsters, please.

Another theory about the second novel surpassing the first is Jane’s choice of title. I’ve been trying them out:

1. Practical and Passion–still has that alliteration and ideology
2. Sedate and Sensitive–nope, sounds like a Saturday Night Live skit
3. Reason and Raison d’être–or is that the same thing?
4. Sensible and Silly–that’s being rather harsh on Marianne, I suppose
5. No-nonsense and Neurotic–maybe too modern

Pride and Prejudice is definitely a great read, after all it’s a classic; personally I believe it makes for better films than a novel.  Of all the JA novels I’ve been revisiting, Sense and Sensibility is the only one I’ve snuck to school in hopes of reading on my lunch break (two pages before students found me).  Maybe it’s because I “watched” while I read since I had just come off a three film S&S film fest (1981, 1995, 2008) and had each major scene indelibly imprinted in my mind as I scoured the chapters comparing and assessing the plot.

So far in my rediscovering reading of JA Sense and Sensibility leads.  I’m off to reread Persuasion. I’ll let you know the score after I turn the last page.

REad ThiS                                                                                                   NOT ThiS

 

  • Sense and Sensibility and Sea Monsters

    image: Barnes and Noble

 

Literary Library Love Posts


Oh my I love libraries.  Even when I am on vacation I go visit the library.  Some people hit the shops, others browse the galleries, most play, but I go check out the library.  I am so fortunate to have the library that I do.  Have I mentioned this before?

  • image from hofstra.edu

I am not the only one who has a real life love affair with libraries.  I know some great characters who love their libraries as well.  I came across this love letter to a library the other day:

The library was a little old shabby place.  Francie thought it was beautiful.  The feeling she had about it was as good as the feeling she had about church.  She pushed open the door and went in. She liked the combined smell of worn leather bindings, library paste and freshly inked stamping pads better than she liked the smell of burning incense at high mass.
                                             –beginning of chapter two from A Tree Grows in Brooklyn

Francie Nolan loved libraries.  The librarian wasn’t the greatest, but Francie persevered her weekly visits because  Francie had long ago dedicated every Saturday as her library day in order to work her way through all the collection, even though she usually ended up reading the same book.

What an amazing undertaking!  To walk into the local library and take down a book, read it, and move on to the next one until all is read.  A lifetime of literary adventure.

There are other literary library mentions.  For instance, Elizabeth Bennett comments about Mr. Bingely’s library, how fine she hears it is, and then he sheepishly admits he doesn’t read much, being he would rather be outside.  Lizzie’s father, Mr. Bennett, is well-known for hiding in his library.  They sadly are the only Bennetts who bothered with books. In fact, most of Austen’s books have a mention of libraries.  Emma’s father usually hid out in his library, avoiding the world. I’m pretty sure JA would be registered on my Book Boosters page had WordPress been around in her day.

What about you?  What aspects of the library do you love?

  • Is it the sheer volume of knowledge available at your fingertips?
  • What about the amazing amount of FREE reading waiting to jump into your book bag?
  • Are there special librarians or staff who make you feel welcome? (I think Francie’s librarian was an anomaly–all the librarians I have known have been absolutely wonderful)
  • Does the library have a special place where you sit and read or work?

I’m also interested if you have come across libraries mentioned in the books you have read or are reading.

Happy Pages!

Mean Girls Go South


Mean girls.  They make our lives miserable if we end up on the wrong end of their like-you-meter.

I’m not much for mean girl novels or movies because I watch to reach out and smack the snottiness right out of them.  The other night I wanted to smack Fanny Dashwood from Sense and Sensibility–that goes ditto for Edward’s mother.  Remember Bingley’s two sisters and Lady Catherine Pride and Prejudice? They needed a good smacking as well. Jane Austen definitely knew how to get her mean girl quota into her plots.

JA, we all know, is celebrating her 200th anniversary of Pride and Prejudice, but she’s not who I’m writing about. I’m letting Vera handle that, if you are interested.

This post is about a grab-off-the-shelf-new-to-me read:

The Ladies Auxiliary (Ballantine Reader's Circle)

From Amazon.com

When free-spirited Batsheva moves into the close-knit Orthodox community of Memphis, Tennessee, the already precarious relationship between the Ladies Auxiliary and their teenage daughters is shaken to the core. In this extraordinary novel, Tova Mirvis takes us into the fascinating and insular world of the Memphis Orthodox Jews, one ripe with tradition and contradiction. Warm and wise, enchanting and funny, The Ladies Auxiliary brilliantly illuminates the timeless struggle between mothers and daughters, family and self, religious freedom and personal revelation, honoring the past and facing the future. An unforgettable story of uncommon atmosphere, profound insight, and winning humor, The Ladies Auxiliary is a triumphant work of fiction.

Okay, it’s all that.  What I found fascinating was the use of the omniscient narrator voice which came out in plural, like a group of women (a Southern Greek chorus?)was constantly in on the action. It seemed almost voyeuristic, but not really, because after all these are nice Orthodox ladies of the South, y’all. And Bless Their Hearts, they wouldn’t trash anybody.  Just wouldn’t be ladylike.  If you know what I mean.

Before I knew what had happened I found myself much involved in a mean girl novel.  I couldn’t quit it because I was rooting for Batsheva.  I needed to know how she would win all those Memphis ladies over again.  Also, in the back of my mind I realized the reason I liked The Ladies Auxiliary so much is because it reminded me of Stargirl by Jerry Spinelli.

image: amazon.com

I have to admit I liked Stargirl much better simply because the ending had a stronger, more satisfying ending. Stargirl absolutely triumphed over the mean girl in her life and won everyone over once again.  Now that’s a happy ending.

Mean girl literature–who is the mean girl who makes your teeth grit when she appears in the plot?

Those Tough Lit Chicks


I can’t resist those tough chicks of our favorite classic lit reads.

What are the qualifications for a tough chick of lit? Well, how about capable, quick of wit, common sense, a set of skills, determination, fudging the lines of feminine acceptability for the time period, and not necessarily physically a beauty contestant in looks but going for lots of personality?

Here is a grocery list of chicks of lit likables: (all images from GoodReads)

Pippi Longstocking

Scout Finch

To Kill a Mockingbird

Jo March

Little Women

Laura Ingalls

Little House on the Prairie (Little House, #2)

Jane Eyre

Jane Eyre

Elizabeth Bennett

Pride and Prejudice

Janie Crawford

Their Eyes Were Watching God

Shakespeare’s Beatrice and Kate

Much Ado About NothingThe Taming of the Shrew

Lucy Honeychurch

A Room with a View / Howards End

Thursday Next

The Eyre Affair (Thursday Next #1)

Katniss Everdeen

The Hunger Games (The Hunger Games #1)

The Heart is a Lonely Hunter

Mick Kelly

Francie Nolan

A Tree Grows in Brooklyn

That’s just a start. I’m working on round two. Any nominations? Who is on your list for literature’s tough chicks?

A Mistaken Tree


Have you ever avoided something because of a developed perception?  Foods, movies, places, and unfortunately at times, books, can get slighted because of mistaken notion of what it is all about.

Take A Tree Grows in Brooklyn by Betty Smith, for example.  I’ve known about this novel for years, and even tried reading it once. I started reading with a formed bias that  the plot focused on a poor family living in New York with an alcoholic father who kept them back from success. I didn’t want to read yet another sad story about poor people (I might have just finished The Jungle) and I put the book down after a few pages and did not return to it until recently.

A Tree Grows in Brooklyn (novel)

A Tree Grows in Brooklyn (novel) (Photo credit: Wikipedia)

I’m not sure why I decided to try the novel again.  I’m not one who seeks out what I call “downer” reads–those books where reality gets too real and somebody dies or there is a tragic accident or there is unmitigated loss.  I’m not much of a reader of Dickens for those reasons. Yet, in my quest to read all the old classics and the touted contemporary ones I checked out ATGiB once again.  As I began reading  I found out what the plot really was about: it centers on a poor family living in New York with an alcoholic father who keeps them back from success.

Discriminating Voice: Umm, excuse me–wasn’t that what kept you reading the book the first time?

CM: Yes, actually.

DV: The difference this time?

CM: I kept reading.

That’s right the reason that stopped me reading it the first time got set aside and I plunged on, despite my preconceived bias.  I don’t know why I listened to that squeamish inner reader voice  the first time.  I liken that inner reader voice  to the fussy eater voice I had as a kid. Especially when it came to eating broccoli.  When young I didn’t appreciate it until I had tried other vegetables over the years and decided it was actually pretty tasty.  So it can be with a read.

I think I stopped reading ATGiB because the opening involved description and a bit of poem about how the sadness, yet homeyness of Brooklyn.  Being a West Coast gal I could not a)relate to New York at all and b)I was not into poetry at the time.  Now having sampled, nibbled, and devoured poetry over the years I appreciated what Smith had established–setting.

A Tree Grows in Brooklyn does center around a family (the Nolans) who live in New York (Brooklyn) in which the father is an alcoholic, and his alcoholism does create hardship for the family.  It also centers around Brooklyn in the early to mid 1900’s. The tree serves as a metaphor throughout the story.

p. 6:
The one tree in Francie’s yard was neither a pine nor a hemlock.  It had pointed leaves which grew along green switches which radiated from the bough and made a tree which looked like a lot of opened green umbrellas  Some people called it the Tree of Heaven. No matter where its seed fell, it made a tree which struggled to reach the sky.  It grew in boarded-up lots and out of neglected rubbish heaps and it was the only tree that grew out of cement. It grew lushly, but only in the tenements districts.

image Wikipedia

That’s the story right there in that paragraph.

The Nolan family consisting of Francie, her younger brother Neeley and her parents, Johnny and Katie, struggled throughout the novel, barely surviving the trials of their poverty. Contrary to the harsh aspects of their tenement life was the slice of heaven they called Brooklyn.  The omniscient narrator takes the readers on the life journey of the Nolans, with Francie as our guide.

Francie is as tough and irrepressible as Scout Finch (To Kill a Mockingbird) and Mick Kelly (The Heart is a Lonely Hunter). I do have a fondness for those tough chicks of literature.

Simply said, this time around I devoured the book, which proved difficult because I wanted to stop and savor it as well.  Betty Smith is a wordsmith and descriptive narrative is her forte.

p.165
These two visiting teacher were the gold and silver sun-splash in the great muddy river of school days, days made up of dreary hours in which Teacher made her pupils sit rigid with their hands folded behind their back while she read a novel hidden in her lap.  If all the teachers had been like Miss Bernstone and Mr. Morton, Francie would have known plain what heaven was.  But it was just as well. There had to be the dark and muddy waters so that the sun could have something to background its flashing glory.

The novel also is rich in detail, providing a living portrait of Brooklyn in the 1900’s, its sorrows, its hardships, its comedy, and its people.  I have a new RRS (re-read someday) favorite.

My takeaway transfer, from reader to writer is this: do not be stingy on the details.  Yes, yes–I’ve heard this writing advice many times.  Seeing it in actuality brings the lesson to reality.  Betty Smith recreated Brooklyn through the lives and eyes of the Nolans.  They survived and thrived just like that tree that grows in Brooklyn.

 

 

Writerly Wisdom IV


WordPress has that playful Pavlovian side in that every time we post a blog we are rewarded with a quote.  I liken it to the prize earned in my Crackjacks box.  The way notable and the everyman combines words to create a noteworthy thought is one of my happies in life and keeps me posting.

Even prior to joining the ranks of WordPress bloggers, I have delighted in gathering words. I save them and savor them. Like with many things in life, I have learned that the best way to enjoy something even more fully is to share it.  And so here–I am sharing my latest gathering of  various quotes, with the emphasis on writing. I hope you also savor their impact, their resonance, their form of sustenance as I harvest them from my hiding places and shake them to send them skittering across the page.  Enjoy!

 

I love being a writer. What I can’t stand is the paperwork. Peter De Vries

The best way to become acquainted with a subject is to write a book about it.Benjamin Disraeli

There are three rules for writing a novel. Unfortunately, no one knows what they are.W. Somerset Maugham

 

English: W. Somerset Maugham British writer

English: W. Somerset Maugham British writer (Photo credit: Wikipedia)

 

I loved words. I love to sing them and speak them and even now, I must admit, I have fallen into the joy of writing them.Anne Rice

 

A plot is two dogs and one bone. Robert Newton Peck

Prose…words in their best order.

Poetry…the best words in the best order.

                                                Samuel Taylor Coleridge

 

 Out of the quarrel with others we make rhetoric;

Out of the quarrel with ourselves we make poetry.

                                                                W.B. Yeats

 

 

 

A poem begins in delight and ends in wisdom.

                                                                Robert Frost

The only reason for being a professional writer is that you can’t help it. Leo Rosten

There is creative reading as well as creative writing.Ralph Waldo Emerson

Writing is the only profession where no one considers you ridiculous if you earn no money.Jules Renard

The scariest moment is always just before you start.Stephen King

Writing, to me, is simply thinking through my fingers. Isaac Asimov

Isaac Asimov Hails a Cab

Isaac Asimov Hails a Cab (Photo credit: zzazazz)

 

My ideas usually come not at my desk writing but in the midst of living. Anais Nin

The task of a writer consists of being able to make something out of an idea. Thomas Mann

Either write something worth reading or do something worth writing. Ben Franklin

The two most engaging powers of an author are to make new things familiar and familiar things new. Samuel Johnson

No tears in the writer, no tears in the reader. No surprise in the writer, no surprise in the reader. Robert Frost

Don’t tell me the moon is shining; show me the glint of light on broken glass. Anton Chekov

Go to the edge of the cliff and jump off.  Build your wings on the way down. Ray Bradbury

The beautiful part of writing is that you don’t have to get it right the first time, unlike, say, a brain surgeon. Robert Cormier

 

 Nothing’s a better cure for writer’s block than to eat ice cream right out of the carton. Don Roff

 

image from members virtualtourist.com

 

What writerly quotes of wisdom inspire you? Oh, and what ice cream is your choice to thaw out writer’s block?

Happy Pages,

CricketMuse

 

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