Pam Webb

a writer's journey as a reader

Archive for the tag “National Poetry Month”

NPM: #2–Wonder and Joy


image: flickr.com

Wonder and Joy

Robinson Jeffers, 18871962

The things that one grows tired of—O, be sure
They are only foolish artificial things!
Can a bird ever tire of having wings?
And I, so long as life and sense endure,
(Or brief be they!) shall nevermore inure
My heart to the recurrence of the springs,
Of gray dawns, the gracious evenings,
The infinite wheeling stars. A wonder pure
Must ever well within me to behold
Venus decline; or great Orion, whose belt
Is studded with three nails of burning gold,
Ascend the winter heaven. Who never felt
This wondering joy may yet be good or great:
But envy him not: he is not fortunate.

 

This particular poet focused his poetry around the Big Sur area. It would be easy to be inspired living in that region!

My fave stand out lines: “Of gray dawns, the gracious evenings…”

I do so appreciate the balance of these two images and the art of alliteration.

And let the muse sing out…


Aah, April begineth. Spring will dance away the last regrets of winter’s sorrows and soon a cascade of sunny skies, with the intermittent showers of replenishing, will replace snow and cold. Again….aah…

Another aah of April is National Poetry Month. This year my focus shall be a mix of poets known, but not so much the dusty “mustwe” reads required from school days. Tosh. I wouldn’t doit toyou. I shall endeavor to bring forth new-to-you poems, or at least freshen your memory with some choice versey morsels of rhyme and rhythm.

The first poem is one that celebrates finding a new poet. Due to copyright permission details I will ask that you click on the approved link, enjoy, and return for chatty thoughts.

 

Finding a new poet. That is as special as discovering a new gelato flavor. Mmmm, I discovered lemon biscotti not too long ago. Tart and sweet and creamy. Never mind the calories. It’s worth the extra mile I’ll walk to burn them off.

poetry and gelato do seem to go together… image: pintrest.com

Hoping you’ll discover some new poets and renew your acquaintance with a few favorites.

Happy Poetry Month!

Adieu, Adieu Sweet Month of Muse


national-poetry-month

I agree with Juliet, “Parting is such sweet sorrow.” April is a busy, busy month with its heralding of spring, removal of snow tires, paying of taxes, celebrating Billy Bard’s birthday, prepping for AP exams, and musing upon poems. I started loading my April blog calendar back in December as I discovered poems and poets I would pre-schedule them and now the days are spent and I am a bit bereft as I head into May. Whatever shall I fill my May days with?  It is ever so nice to have a theme for a month, like poetry for April. May will probably become my mish-mash month. I have several posties that I’ve been saving that don’t relate to anything except that I like them–sorta serendipity finds.

As I bid adieu to April I shall reflect:

  • Gathering poets for most of the year is akin to Saturday yard sale mornings as I scout for treasures to stuff in my bag
  • I appreciate poetry more and more as I become more and more involved with the reading of it
  • Having Billy Bard’s 450th birthday in the middle of National Poetry Month was absolute icing on the loveliest of cakes
  • Passing out poems to my students on April 24 for National Poem in Your Pocket Day is a blast–reactions range from excited anticipation of reading their poem to leaving them on the floor–which is about par for poetry (love it or leave it)
  • My school superintendent emailed me that I encouraged him to read a sonnet in my postscript to enjoy Shakespeare’s birthday
  • I decorated my hallway in recognition of Shakespeare’s birthday and convinced the journalism department to put it in the school’s daily video. Well, it’s not everyday a person is 450 years old…

 

Displaying photo.JPG

 

I look forward to May. School is winding down, weather is heating up, and the countdown to summer break begins.  Here is to May and all its blooming good days

24112-teacher_at_desk

Waiting out the days of May to slip into June

Poetry Workshop: Sestina


I thought there has been enough recovery time since the last workshop, which focused on the villanelle.  So, let’s move on to the sestina.

 

 

The image above intimates that the sestina can be neatly labeled.  Hmm, perhaps not.  Below is a famous example by Elizabeth Bishop.  I do like her work, if I haven’t mentioned that before.  This offering is simply called, “Sestina.”

September rain falls on the house.
In the failing light, the old grandmother
sits in the kitchen with the child
beside the Little Marvel Stove,
reading the jokes from the almanac,
laughing and talking to hide her tears.

She thinks that her equinoctial tears
and the rain that beats on the roof of the house
were both foretold by the almanac,
but only known to a grandmother.
The iron kettle sings on the stove.
She cuts some bread and says to the child,

It’s time for tea now; but the child
is watching the teakettle’s small hard tears
dance like mad on the hot black stove,
the way the rain must dance on the house.
Tidying up, the old grandmother
hangs up the clever almanac

on its string. Birdlike, the almanac
hovers half open above the child,
hovers above the old grandmother
and her teacup full of dark brown tears.
She shivers and says she thinks the house
feels chilly, and puts more wood in the stove.

It was to be, says the Marvel Stove.
I know what I know, says the almanac.
With crayons the child draws a rigid house
and a winding pathway. Then the child
puts in a man with buttons like tears
and shows it proudly to the grandmother.

But secretly, while the grandmother
busies herself about the stove,
the little moons fall down like tears
from between the pages of the almanac
into the flower bed the child
has carefully placed in the front of the house.

Time to plant tears, says the almanac.
The grandmother sings to the marvelous stove
and the child draws another inscrutable house

Anything standout? Anything noticeable?  Yes, there are repeating words. Six of them. Nicely done. Sestina–six: yup, there is a definite connection.

A sestina according to the Bing dictionary:

  1. Definition of sestina (n)

    Bing Dictionary
    • ses·ti·na
    • [ se stéenə ]
    1. form of poem: a poem of six six-line stanzas and a three-line envoy or, with the last words of the first six lines repeated, in different order, at the ends of the other lines

Using Bishop’s model, let’s explore how that really works.

Oh, by the way–if you are one of those who groove on numbers more than poetry, you will really like sestinas, because it’s all about patterns.

Okay. Here we go:

The structure of a sestina, in this case, Bishop’s “Sestina,” is six stanzas of six lines with a three line envoy (the conclusion of the literary work). The pattern is: 123456; 615243; 364125; 532614; 451362; 246531 with the envoy as 531 or 135.  Return to the poem and decide which six words repeat throughout the poem.

If you really want to see how a sestina works without all the extra word wading go check out “Six Words” by Lloyd Schwartz. Very, very clever.

 

Well, that wraps up another National Poetry Month. Thanks for stopping by. I hope you learned a bit along the way, and appreciated new-to-you poets and their poetry.

 

Poet Appreciation #10: Abraham Lincoln


We associate Abraham Lincoln with the Civil War, tall silk hats, a famous speech, a humble man with a distinctive beard, a day off in February, and the sadness that comes when great people are struck down too soon. Connecting our sixteenth president to poetry doesn’t usually pop up in the usual sixty-second classroom brainstorm activity.  And yet, here is proof Honest Abe had so much more to him than we give him credit for.

image: history.com

My Childhood Home I See Again
by Abraham Lincoln

My childhood home I see again,

And sadden with the view;

And still, as memory crowds my brain,

There’s pleasure in it too.

O Memory! thou midway world

‘Twixt earth and paradise,

Where things decayed and loved ones lost

In dreamy shadows rise, 

 

And, freed from all that’s earthly vile, 

Seem hallowed, pure, and bright, 

Like scenes in some enchanted isle 

All bathed in liquid light. 

 

As dusky mountains please the eye 

When twilight chases day; 

As bugle-notes that, passing by, 

In distance die away; 

 

As leaving some grand waterfall, 

We, lingering, list its roar– 

So memory will hallow all 

We’ve known, but know no more. 

 

Near twenty years have passed away 

Since here I bid farewell 

To woods and fields, and scenes of play, 

And playmates loved so well. 

 

Where many were, but few remain 

Of old familiar things; 

But seeing them, to mind again 

The lost and absent brings. 

 

The friends I left that parting day, 

How changed, as time has sped! 

Young childhood grown, strong manhood gray, 

And half of all are dead. 

 

I hear the loved survivors tell 

How nought from death could save, 

Poem in Your Pocket?


Yes!

Pick a poem

from the offered bouquet

carry the fragrance

of words which refresh

and delight

Place a poem in your pocket

and travel

to new lands

make new friends

discover old memories

enliven the senses

and then

share it

Get Your Poems and Pockets Ready…


Get your poems and pocket ready. April 24th is National Poem in Your Pocket Day!

From Poets.org:

On Poem in Your Pocket Day, people throughout the United States select a poem, carry it with them, and share it with others throughout the day.

You can also share your poem selection on Twitter by using the hashtag #pocketpoem.

Poems from pockets are unfolded throughout the day with events in parks, libraries, schools, workplaces, and bookstores.

Create your own Poem in Your Pocket Day event using ideas below or share your creative ideas with us by emailing npm@poets.org.

 

Last year I downloaded the poems selected especially for PYPD and printed them out on colored paper and rolled them up and handed them out to students from a special canister.  They unrolled them and smiled and shared them. Yes, some ended up on the floor, but mostly my freshmen and AP seniors thought it pretty cool to have their own poem to carry around for the day.  I enjoyed watching them excitedly ask one another, “Which one did you get?”

So–you’ve got the website link, now get on it!  Get those poems ready for those pockets!

 

 

Poet Appreciation #6: Eliza Lee Follen


While it’s grand to dig away at meaning, symbolism, and theme, it can refreshing to simply enjoy a poem for its bouncy rhythm and rhyme and wit.  This is the case for Eliza Lee Follen’s “Lines on Nonsense.”

Edward Lear renders an appropriate complement for today’s poem.

Lines on Nonsense

Yes, nonsense is a treasure!
I love it from my heart;
The only earthly pleasure
That never will depart.

But, as for stupid reason,
That stalking, ten-foot rule,
She’s always out of season,
A tedious, testy fool.

She’s like a walking steeple,
With a clock for face and eyes,
Still bawling to all people,
Time bids us to be wise.

While nonsense on the spire
A weathercock you’ll find,
Than reason soaring higher,
And changing with the wind.

The clock too oft deceives,
Says what it cannot prove;
While every one believes
The vane that turns above.

Reason oft speaks unbidden,
And chides us to our face;
For which she should be chidden,
And taught to know her place.

While nonsense smiles and chatters,
And says such charming things,
Like youthful hope she flatters;
And like a syren sings.

Her charm’s from fancy borrowed,
For she is fancy’s pet;
Her name is on her forehead,
In rainbow colors set.

Then, nonsense let us cherish,
Far, far from reason’s light;
Lest in her light she perish,
And vanish from our sight.

Eliza Lee Follen (1787-1860), was ten in a family of thirteen children. Born into an affluent Boston family she became a poet, children’s author, editor, and abolitionist. Her children’s verse offerings posed light and nonsensical images in contrast to the more serious ones of her time. She and her husband, Charles Follen had one son.

Poet Appreciation: #5 Guest Poet


How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of everyday’s
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for Right;
I love thee purely, as they turn from Praise.
I love thee with the passion put to use
In my old griefs, and with my childhood’s faith.
I love thee with a love I seemed to lose
With my lost saints – I love thee with the breath,
Smiles, tears, of all my life! – and, if God choose,
I shall but love thee better after death.

Three guess on today’s most appropriate poem:

  • Nope, not Shakespeare–although it is Sonnet 43, it’s not his.
  • Nada–Dickinson has dashes, but not so much mush
  • Yup, Elizabeth Barrett Browning. And I know it’s almost cliché to have her famous Sonnet 43 as today’s poem (yes, though February was a couple of months ago, the 14th can still be a factor in choice), her love story is soooo romantic that it bears repeating–especially if you don’t know it.

ONCE upon a time, long ago, a young girl by the name of Elizabeth Barrett grew up with a very possessive and controlling father who had strange ideas about his children going off and getting married–like in “Not by the hair of my chinny chin chin!” Even though the young Elizabeth was pretty much imprisoned in her house by her father (shades of princess needing a prince) she became a famous poet.

One day a dashing younger man by the name of Robert Browning read one of Miss Barrett’s books of poetry and wrote her a letter. She wrote back. He wrote back. Well, before you know it they became pen pals with a serious romance brewing.

Big, bad, Dad Barrett would not let Elizabeth and Robert marry, at least he did not give his consent. So, of course Robert, a prince of a fellow, rescues the lovely princess of poetry, and they elope off to Italy. And yes, they DID live happily ever after. Big, bad, Dad Barrett never forgave them, but the Brownings remained blissfully happy in their famous marriage of pen and passion.

Now, that’s a great literary romance tale. So let’s celebrate with some good old Peanuts:

Poetry Workshop: The Villanelle


The villanelle is one of those poem forms that when rendered well looks so effortless it’s surprising to learn how difficult they really are to write.

 

What is a villanelle?

This is a rather strenuous poem in that it contains nineteen lines, which amounts to five stanzas of three lines and one stanza of four lines containing four lines with two rhymes and two refrains.

Now if that isn’t complicated enough, keep this in mind: the first, and then the third lines alternate as the last lines of stanzas 2, 3, and 4, with stanza 5 ending in a couplet.  Oh, yes–the villanelle is usually written in a tetrameter, which is four feet or perhaps a pentameter, constituting of five feet

It’s best to see how a villanelle is wired together. If curious, or willing to try a villanelle with the example by Edward Arlington Robinson found at WikiHow

If you’re thinking, “Well, bosh and bother, I think I’ll pass on the villanelle,” I will leave you some well-known villanelles to contemplate.  Look for those repeating lines.  Like I mentioned earlier, a well-rendered villanelle won’t even appear to be trying so hard.  These poets make it seem rather effortless, don’t they?

Dylan Thomas’ “Do Not Go Gentle into That Good Night”  is one of the most famous villanelles. To demonstrate how the villanelle works the repetition is boldface and italics. A deeper discussion can be found at this link

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night,

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night,

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night,
Rage, rage against the dying of the light.

 

Another villanelle example:

When I saw you last, Rose,
You were only so high;—
How fast the time goes!

Like a bud ere it blows,
You just peeped at the sky,
When I saw you last, Rose!

Now your petals unclose,
Now your May-time is nigh;—
How fast the time goes!

And a life,—how it grows!
You were scarcely so shy
When I saw you last, Rose!

In your bosom it shows
There’s a guest on the sly;
How fast the time goes!

Is it Cupid? Who knows!
Yet you used not to sigh,
When I saw you last, Rose;—
How fast the time goes!

                            –Austin Dobson

You probably found those repeating lines all on your own, didn’t you?

Here’s a more contemporary villanelle.  Do check out more of Elizabeth Bishop’s poetry. She’s amazing.

One Art
Elizabeth Bishop (1911-1979)

The art of losing isn’t hard to master;
 so many things seem filled with the intent
to be lost that their loss is no disaster.Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother’s watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn’t hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn’t a disaster.

–Even losing you (the joking voice, a gesture
I love) I shan’t have lied. It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster

If you haven’t filled up on villanelles yet, I suggest clicking here and reading on a rather nice collection.

Thanks for stopping in for the workshop.  I do hope you will give the villanelle a try, and even if you don’t, I hope you’ve gain an appreciation for a fascinating poem form.

 

 

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