Pam Webb

a writer's journey as a reader

Archive for the category “Writing”

ChromeCast Conclusions


Over the holidays, as I solicited advice on buying a new laptop, my tech progeny convinced me to buy a ChromeCast. I did. Since then I have come to the following concusions:

  • It’s a great value for the inexpensive purchase price.
  • It’s easy to set up and even easier to use.
  • It’s versatile in use, ranging from music to videos to film clips to entire movies.
  • It’s portable and travels well, meaning it has possibilities of being set up on other screens.

And the best part?

  • There are no additional costs involved.

The progeny originally used the argument of my movie passion to convince me to buy it. “No more running to the library or grocery store for a nightly flick!”
However, I did balk at the idea of re-upping with NetFlix. Not so much a bad experience, just one more monthly payment to keep track of. Instead, I signed up for the free monthly trial, did the trial period, and cancelled by the deadline. I won’t be signing up for NetFlix? Why? They don’t carry the movie selections I primarily enjoy–namely classics and the odd oldie. Netflix is fine for the current box office run, but I can live with my dollar specials available at the local grocers.
Instead of movies I’m primarily using ChromeCast for Pandora.
Right, I’m playing music on our TV. The sound system is better than my iPhone, it’s soothing to watch the little pictures float across my screen, it’s lovely background to reading, and it’s commercial free. No kidding. For some reason when Pandora is ChromeCasted no commercials pop up.
I have on occasion YouTubed with ChromeCast. It is possible to find full-length flicks on there, you just have to know what to look for and where to look.
All in all, it’s been the best present to myself that the whole family enjoys.
Anyone use ChromeCast beyond movies and music?

Trio of Tomboys


Is it just me or do the more popular female lit protagonists share this particular trait in common: they tend to step outside of the expected norms of behavior. Here is a quick lit list:

Katniss Everdeen: hunter
Elizabeth Bennett: outspoken
Antonia: ran the farm
Hattie Inez: homesteader; journalist
Pippi Longstocking: indefatigable personality
Thursday Next: amazing skills
Jo March: independent spirit (psst–a writer when it wasn’t in vogue)

Hmm, most of these ladies might be under the broad category of tomboy (I rather liked than unintentional pun, thank you)

Tomboy

image: kidzworld.com

Tomboy. Is it a label of distinction or derision? What is a tomboy? According to one source (TVTrope.org), it’s a derivative of tomcat, which is odd because a tomcat is all out male. I’m trying to catch on to the logic here–cats usually associated with female and by designating a girl as tomboy it’s saying she’s a boy cat instead of a girl cat? I’ll put a pause on that line of thought and jump right in the learned fact that there are different categories of tomboy. TVTropes.org lists over a dozen types of tomboys. I had no idea.

My favorite reads usually involve spunky heroines and among my childhood reads are a trio of tomboys. I think I appreciated them so much because we shared so many characteristics:

Scout: overalls are indeed comfortable, I have two sets in my closet
Laura Ingalls: playing ball at recess beats the snot out of gossiping with the girls at lunch
Caddie Woodlawn: running around outside having adventures is a much better way of growing up

I have settled down somewhat, although I would still be playing church softball league if I hadn’t messed up my shoulder, and I have a difficult time passing up a playground, let alone skipping rocks. and climbing trees. And yeah, I would prefer watching Red Dawn II instead of Legally Blonde II. The male progeny are realizing theirs is not a normal, or at least expected mum. Is that a problem? I can make brownies or meat loaf when needed, but I’d rather be up to bat.

Maybe that’s why my character, Rebecca, in my historical novel is a tomboy–often a little of “me” goes into the “who” I create on the pages in my stories.

What are your thoughts on tomboys? Who can I add to my lit list of fave tomboys in the annals of literary girls who just can conform to the expected norm?

Verse for Wear


1st edition

1st edition (Photo credit: Wikipedia)

First word purging and now onto verse wearing.

Throughout the year I also collected poems from my daily feeding from www.poets.org. Daily offerings are contemporary, while weekends focus on past classics. I began subscribing for a couple of reasons:

1. Poetry appreciation came into my life later than sooner and I’m making up for lost time.
2. Since becoming an AP teacher I figure it’s best practice to move beyond my basic knowledge of Frost–doctors must keep up on new practices, so as a practicing English literature teacher I should as well.

After a year of daily dosing of poems I have found I’m still drawn more to the classic poets, yet still appreciate the “now” of poetry today and listen, for the most part, what is being said.
So, here are the poems that I keep in my “save” file. I plan to wear these verse offerings by pulling them out for discussion in class. And here, as well. Any comments? Are you more contemporary or classic in your poetry choices?

All poems and bio information are from poets.org

Edgar Guest:
Guest has been called “the poet of the people.” Most often his poems were fourteen lines long and presented a deeply sentimental view of everyday life. When his father died, Guest was forced to drop out of high school and work full time at the Detroit Free Press, eventually considering himself “a newspaper man who wrote verses.” Of his poetry he said, “I take simple everyday things that happen to me and I figure it happens to a lot of other people and I make simple rhymes out of them.” 

Only A Dad
Edgar Guest 

Only a dad with a tired face,
Coming home from the daily race,
Bringing little of gold or fame
To show how well he has played the game;
But glad in his heart that his own rejoice
To see him come and to hear his voice.

Only a dad with a brood of four,
One of ten million men or more
Plodding along in the daily strife,
Bearing the whips and the scorns of life,
With never a whimper of pain or hate,
For the sake of those who at home await.

Only a dad, neither rich nor proud,
Merely one of the surging crowd,
Toiling, striving from day to day,
Facing whatever may come his way,
Silent whenever the harsh condemn,
And bearing it all for the love of them.

Only a dad but he gives his all,
To smooth the way for his children small,
Doing with courage stern and grim
The deeds that his father did for him.
This is the line that for him I pen:
Only a dad, but the best of men.

From the book "A Heap o' Livin'" ©1916



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I appreciate this poem because it gets a shout out to dads. There are so many poems that exult moms (which I don’t mind) and I think fathers get shorted on all they do and how we feel about them.
Radar Data #12
by Lytton Smith
 
It was in the absence of light
as when near new moon and 
no moonlight; as when a part 
of a picture is in shadow (as 
opposed to a light); as when 
in the condition of being 
hidden from view, obscure, 
or unknown–in concealment, 
or else without knowledge 
as regards to some particular; 
and of the weather, season, 
air, sky, sea, etc., characterized 
by tempest; in times, events, 
circumstances etc. subject to 
tempers; inflamed, indicative, predictive, or symbolical of 
strife (harbinger of coming 
trouble)-a period of darkness 

occurring between one day & 
the next during which a place 
receives no light from the sun, 

and what if it is all behind us? 
I no longer fear the rain will 
never end, but doubt our ability 

to return to what lies passed. 
On the radar, a photopresent 
scraggle of interference, as if 

the data is trying to pretend 
something’s out there where 
everything is lost.

About This Poem   
“People are always curious where a name like ‘Lytton’ comes from–and it’s not from modernist biographer Lytton Strachey, but gothic novelist Edward Bulwer-Lytton. He famously came up with the opening phrase (in Paul Clifford) ‘It was a dark and stormy night.’ But I’ve begun to feel guilty mentioning that; his opening sentence is actually pretty good, so I’ve begun writing a whole series of poems that try to translate, rework, recuperate it.”  Lytton Smith

This is My Life
by William Stanley Braithwaite
 To feed my soul with beauty till I die;
To give my hands a pleasant task to do;
To keep my heart forever filled anew
With dreams and wonders which the days supply;
To love all conscious living, and thereby
Respect the brute who renders up its due,
And know the world as planned is good and true-
And thus -because there chanced to be an I!

This is my life since things are as they are:
One half akin to flowers and the grass:
The rest a law unto the changeless star.
And I believe when I shall come to pass
Within the Door His hand shall hold ajar
I’ll leave no echoing whisper of Alas!

Over the course of his career, Braithwaite founded a publishing company and taught creative writing at Atlanta University. His poetic style was influenced by English Romantic poets John Keats, Percy Bysshe Shelley, and William Wordsworth.
This poem smacks of resolution for the New Year. It stirs a resolve to become better than I am and to leave no regrets at the passing of the day. Yup, that’s what a poem should do–get some soul stirring going.
My hopes are that your New Year will be filled with verse, be it created or found, and that the words will resonate in your life into others!

Monkeying Around


I usually don’t follow the trend, yet those monkeys got me smiling with their extra effort this year. Plus I wanted to do some shout outs to the main commenters throughout the year: LazyCoffees, Literary Tiger, Stehothej, Letizia, and Eagle-Eyed Editor. Thanks guys!
A couple of reflections–I had no idea concrete poetry was such a popular search item! Perhaps it’s time to boost ratings with another round. Also, Sparky Sweets continues to get hits. Hmmm, respark another post?
So, the tts are a bit of a report card. I’m not much for checking my stats, although I do get a kick from how those little monkeys put together the end of the year prez.
Off to another year–gee it would be grand to get Freshly Pressed this year (wee hint).
Happy New Year, One and All!
m

The WordPress.com stats helper monkeys prepared a 2013 annual report for this blog.

Here’s an excerpt:

The concert hall at the Sydney Opera House holds 2,700 people. This blog was viewed about 8,200 times in 2013. If it were a concert at Sydney Opera House, it would take about 3 sold-out performances for that many people to see it.

Click here to see the complete report.

The Art of Avoidance


All week the in-progress novel beckons me. Fatigue, lesson plans, grading papers tend to get in the way of creativity, so Saturday tends to be ThE writing day. Typically when Saturday arrives the following dual decision-making occurs:

SATURDAY

SATURDAY (Photo credit: Stefan Sager)

-wake at usual time of 5am “much too dark to think; sleep in two more hours”
-is it 7 already? “I’ve got the whole day–lounge a bit”
-how did it get to be 9:30? “better put in some work out time since I didn’t this week”
-wow! it’s going on 11 already “after a shower and breakfast I’ll get right on the computer”
-cranking up the computer means it’s time to settle down to working “after I check my emails and notifications”
-enough procrastinating, open up the file and let’s get cracking on this new chapter “lunch would be a good idea”
Okay, you get the idea. Raise your hand if similar avoidance scenarios take place when preparing to work on your project.

Why is it I avoid something I look forward to working on? I do actually like the story and it’s going well. Yet, there remains a reluctance to jump right up and sit down and work.
Wait–that’s it! Writing is work and after a 40 plus work week putting in another 5 plus hours on the novel feels like a double-shift, even though it’s doing something I like.
Solution? Absolutely, I’m agreeing with you on this–suck it up, get focused, and get going. Good advice. After I go for a walk, clean out the refrigerator, and put away the laundry I’ll get right on my story.

The Autumn of My Discontent


The Idaho Territory in 1863. © 2004 Matthew Tr...

The Idaho Territory in 1863. © 2004 Matthew Trump Idaho territory in 1864 (Photo credit: Wikipedia)

The toughest part about writing a historical novel is research. I am discovering researching is becoming as addictive as dark chocolate Dove bites. I can’t seem to stop once I start.

For instance, having characters taking a walk in winter is not a simple undertaking. The month, year, and locale all become significant. There is also clothing considerations, appropriate interactions, and possible terrain aspects.
I ran into this when I decided the sisters would walk outside with two brothers after a neighborly get together. I scampered to my files to find if young people did indeed walk unchaperoned, if  the area had some snow–or too much. Which leads to clothing, which leads to age appropriate mannerisms, which leads to..

It’s If You Give a Mouse a Cookie syndrome–one aspect leads to another. I’m feeling a bit overwhelmed at this point.

Yet, here’s the problem–I’m too far into the novel to abandon it (again). I have this quirk about finishing projects. Especially when I get encouragement from agents, editors, friends, and critique circlers to finish it.

When I do feel bogged down in detail I turn to my inspirational muse, Hattie Big Sky by Kirby Larson. She won the Newberry Honor for her novel about a sixteen year old girl who inherits her uncle’s Montana homestead claim. It’s a dazzler for historical detail, characterization, and overall verisimilitude. It flows with imagery, sparkles with plot points, and it’s based on her great grandmother’s homesteading adventures. It’s becoming a favorite yearly read.

As inspiring as Larson’s Hattie is, I’ve unfortunately hit that dratted writing wall. Right now I’m stuck between seasons. What would my homesteaders be doing in autumn? Winter and Spring are covered. October and November? Hmmm…

I can see why fantasy novels are popular–creating worlds has got to be easier than traipsing backward to figure out what’s already taken place in ours.

Any Idaho historians out there?

Committed to Poetry or Was that Commentary of Poetry?


English: Former United States Poet<br /><br /> Laureate (2... Admit it–we like poetry
because for the most part it’s a quick commitment. Two to five
minutes we get our emotions stirred, we open up our imagery files,
and we tuck away a line to ruminate on.  This is not cynicism,
merely observation. We love, love, love poetry more than we love,
love, love short stories. At least, this is what I am beginning to
surmise as I dole out literary experiences to high school students.
Since I’ve been English literature teachering for the past
decade, I have discovered poetry is amazingly versatile in its
ability to stir up passion in students.  Students  run
the Richter scale of response of “Just hand me a dull spoon so I
can dig out my eyeball” (LOL–actual quote from a senior) to
“Poetry! I love poetry! Can we write our own poems!” (yet, another
true quote). There doesn’t seem to be much of the middle roading
when it comes to reading or writing poetry. Why is that, I wonder?
My students aren’t sure either.  Somewhere between Shel Silverstein and Shakespeare
sonnets the love of verse becomes irrevocably squashed.
I think Billy Collins presented oh so well:

Introduction To Poetry

I ask them to take a poem and hold it up to the light
like a color slide

or press an ear against its
hive.

I say drop a mouse into a poem

and watch him probe his way out,

or walk inside the poem’s
room

and feel the walls for a light
switch.

I want them to
waterski

across the surface of a

poem

waving at the author’s name on the

shore.

But all they
want to do

is tie the poem to a chair with
rope

and torture a confession out of
it.

They begin beating it with a
hose

to find out what it really
means.

Thank you,
Billy. I am trying to convert my rubber hose approach into one of
ski rope handles.
One of my goals as a teacher is to inject the love of
words into my students.  I want them to turn to poems like
they do to their tunes.  After all, song lyrics are mostly
poetry with infused music.  Once students realize that if they
actually unplugged their buds long enough to actually read
their play list lyrics out loud they will see all those
literary terms of assonance, imagery, rhythm, rhyme, simile,
allusion floating around.
I try not to have them beat the stuffing out of
poems.  I much prefer them waterski and wave in
acknowledgement as we launch out on poetry’s
waters.  Grooving on poetry is, I hope contagious. My
excitement at reading a really marvelous poem out loud causes me to
have physical reactions.  The other day I read Seamus Heaney‘s “Digging.”

English: Picture of the Irish poet and Nobel P...

English: Picture of the Irish poet and Nobel Prize winner Seamus Heaney at the University College Dublin, February 11, 2009. (Photo credit: Wikipedia)

 Between my finger and my thumb
The squat pen rests; snug as a gun.

Under my window, a clean rasping sound

When the spade sinks into gravelly ground:
My father, digging. I look down

Till his straining rump among the flowerbeds
Bends low, comes up twenty years away
Stooping in rhythm through potato drills
Where he was digging.

 

The coarse boot nestled on the lug, the shaft
Against the inside knee was levered firmly.
He rooted out tall tops, buried the bright edge deep
To scatter new potatoes that we picked,
Loving their cool hardness in our hands.
By God, the old man could handle a spade.
Just like his old man.
My grandfather cut more turf in a day
Than any other man on Toner’s bog.
Once I carried him milk in a bottle
Corked sloppily with paper. He straightened up
To drink it, then fell to right away
Nicking and slicing neatly, heaving sods
Over his shoulder, going down and down
For the good turf. Digging.
The cold smell of potato mould, the squelch and slap
Of soggy peat, the curt cuts of an edge
Through living roots awaken in my head.
But I’ve no spade to follow men like them.

Between my finger and my thumb
The squat pen rests.
I’ll dig with it.

 

When I finished reading the poem
out loud I sucked in my breath and danced a bit in
place, so moved was I with Heaney’s wordsmithing.  My AP
students benignly tolerate my antics. I’m hoping my
unfettered appreciation will one day stir them  into
showing me their unabashed admiration.
Considering I had minimal
exposure to poetry during my own K-12 school days, and didn’t
really discover its merits until college, I am continually amazed
at its power to stir my emotions.  I valiantly want to pass on
this joy to my students and even before the Common Core required a
unit on poetry, I taught it anyway.
My commitment to poetry is my
commentary on how words artfully placed meaningfully lend a
dimension to our lives that makes us linger to inhale the
fragrance of as Coleridges states, “the best words in the best
order.”
Do you have
any poems that cause you to dance a bit in place when you read
them? Oh, do share.

High Praise for Low Tech


Cover of "Six-Figure Freelancing"

Cover of Six-Figure Freelancing

Last month I had the pleasure of a lunch excursion of write-minded people with at least three different local writing groups being represented. Some of those at the table I knew and others I was glad to make acquaintance.  I hope we bump into each other while attending local and regional writer to-dos.

While it’s always a delight to mingle with other writers (because that gosh-it’s-lonely-in-the-garret thing does get tiresome after a time), it’s even more of a delight when the writerly get together involves eating and gnoshing with a known writer. In our case our writer-in-the-dining was Kelly James-Enger.

Kelly owns an impressive vita. A former lawyer, she’s also served a term as a contributing editor for Writer magazine, and has racked up some amazing credits such as:

  • written and published hundreds of articles appearing in over fifty national magazines
  • authored/coauthored/ghosted 12 books.
  • speaker at national writing conferences
  • blogger focusing on making money as a freelancer
  •  being a dedicated mother of two busy kids!

As much as I learned about the business side of writing from Kelly, my biggest take away was her lo tech savvy.

She and I share this nerdy joy of NEO. Not Matrix Neo, but the odd little wants-to-be-computer someday NEO. At first glance it resembles an overgrown calculator. At second glance it makes you wonder why a person would want to use it. At all.

Take a look at its amazing features:

  • no internet
  • no printer capability
  • no word processing
  • no large screen
  • no thumb drive save

I know–it’s a list of no nos. Why bother with such a low tech device?  That’s the beauty of it–it’s so low tech that it produces high results.  You know how easy it easy to fire up the laptop, iPad, MAC, whatever and go in with great intentions. Before long it’s rabbit trail time as social media is checked, updated, and read, meaningless research extranvagas commence, and general time wasting occurs.  The WWW really stands WhattaWastedWorktime. NEO won’t allow you to go there.  It can’t.

I first learned about NEO a few years ago when I offered to teach Creative Writing one semester. However,  computer labs at the school were not that readily available at that time.  I decided to get creative (desperation does this at times) so we could really get some writing done. By means of a grant I earned the use of a classroom set of NEOs. This proved to be a better solution than I initially thought. My students would practically squeal with delight when I announced “Grab your NEO.” Everyone had a dedicated NEO and they would merrily plunk away their stories and download them into my designated school folder on my laptop and I would print them later. I miss my NEO days. My former NEO students fondly reminisce about those days of low tech.

Unlike iPads and computer labs, there are no worries of diligently watching and waiting to sneak up on students sneaking in email messages, games, shopping, and stupid stuff.  NEO is happy to be low tech enough to simply take in words, m’am, just the words. It’s too humble to try and be pretentious.

So, after lunch I waited around by the fireplace lounge while I waited for the MEPA to arrive and whisk me away for some shopping. I happened upon Kelly who had also decided to take advantage of the quiet fireside setting and was diligently working on one of her many projects. She graciously allowed me to hang out with her and we had a great chat session about writing, being moms, and being busier than we know is better for us.  That’s when I noticed her NEO.  Expecting an iPad, or MAC, or even something really nifty because Kelly is after all, a writer who has made the magic six figure income, and would naturally use the best tech in her craft. Sha-zam was I shocked when I found a NEO propped up on her lap.  Even more amazing was her confession on how she  prefers her NEO for those times of serious writing. There is a lesson in this, I know there is.

Before you rush out to purchase your own NEO, I have to deliver the sad news that they are no longer going to be produced. Perhaps this is a rumor.  Perhaps I should check out Snopes and make sure.

At any rate, I recommend finding a NEO for those times when you need to just get the words down, when you simply need to focus. High tech has its place.  DO NOT even think about taking away my iPhone at this point. iPad maybe–but that’s another blog.

For now I’m all about  giving a High Five for the Low Tech NEO. I wonder if Kenau ever tried one out.

NaNo oh oh


November is such an incredibly packed month:

  • post first quarter grades
  • plan second quarter lessons
  • parent teacher conferences
  • vote when applicable
  • Thanksgiving
  • No Shave November

oh oh somewhere in there is NaNoWriMo

If I were truly a dedicated NaNoian this should have been my first NaNo post. Well, not wanting to be too crazy this year, I’ve decided not to NaNo in 2013. I have previously NaNoed and have the completion certificate hanging on the wall. I even have bounced the manuscript out to a couple of editors and agents.

This year, however, instead of something new I shall continue with my vow of completion commitment. No more new starts until finishing half-started projects–umm, those of merit.  Some projects should keep on hibernating for both our sakes.

Yes, I am intent on finishing the middle grade historical novel I’ve been working on for the last ten years. I know, that’s an awfully long time, especially when in just a month’s time I cranked out a YA novel a couple of years. Contemporary fiction , I’ve discovered, is so much easier than writing  middle reader historical fiction. researching for a historical novel is one big onion of peel and write. As soon as I peel back one layer of information another layer is revealed.  Yes, peeling historical onions do make me cry. Getting facts straight, setting up proper verisimilitude, along with creating catchy characters, scintillating setting, and convincing complications, conflict, and climax is tough stuff. At least for me. I’m determined to finish this odyssey of a pioneer tale I started, especially when I’ve had an agent express interest.

Sooo, Na No not now, but thanks for the invite. This year my RSVP box is checked “next year, perhaps.”

Oh Willa–Your Pioneers!


''The Song of the Lark ''Oil on canvas, 1884

”The Song of the Lark ”Oil on canvas, 1884 (Photo credit: Wikipedia)

As I continually research my own pioneer novel-in-progress, I return to favorites for inspiration.  Having reread most of Laura Ingalls Wilder’s Little House of the Prairie series, I am moving on to more grown-up fare such as Willa Cather’s Midwest trilogy of My Antonia, Song of the Lark, and O Pioneers!

Cather’s writing continually surprises me with its subtle acuity. She follows the nineteenth century omniscient style of narration that is no longer in vogue, yet as I read her seamless insights into each character, I realize I am easily visiting each character’s thoughts while still in the scene. That’s art.  It adds so much more dimension to the reading  that I find myself slipping from third person limited into omni in my own writing. *Sigh* Maybe I shouldn’t be reading Willa Cather–at least until I get my manuscript’s revisions tidied back up.

In that regard, unless you have your own concerns about being overly influenced while writing your own pioneer epic, I suggest rereading or experiencing Willa Cather’s O Pioneer!

Cover of "O Pioneers!"

Cover of O Pioneers!

Why?

It’s good stuff.  Really good stuff. Setting, for instance.  Turn to page 97 of your Random House Vintage Classic version and feast:

(Part III: Winter Memories: I)

Winter has settled down over the Divide again; the season in which Nature recuperates, in which she sinks to sleep between the fruitfulness of autumn and the passion of spring. The birds have gone. The teeming life that goes on down in the long grass is exterminated. The prairie-dog keeps his hole. The rabbits run shivering from one frozen garden patch to another and are hard put to it to find frost-bitten cabbage-stalks. At night the coyotes roam the wintery waste, howling for food. The variegated fields are all one color now; the pastures, the stubble, the roads, the sky are the same leaden gray. The hedgerows and trees are scarcely perceptible against the bare earth, whose slaty hue they have taken on. The ground is frozen so hard that it bruises the foot to walk in the roads or in the ploughed fields. It is like an iron country, and the spirit is oppressed by its rigor and melancholy. One could easily believe that in that dead landscape the germs of life and fruitfulness were extinct forever.

Personification, alliteration, imagery galore, tone, diction–it’s a banquet of literary delight.  Cather dedicates this full exposition to set up how this coldest of seasons affects the characters.  Steinbeck did much the same in Grapes of Wrath. Remember the turtle scene?

Sometimes I think we forget the importance of slowly revealing the story in our pressing need to “let’s get on with it” plot modernity mentality. Yet, there is an absolute pleasure in immersing oneself in the cadence of well-placed and balanced words.

Oh Willa–your pioneers keep singing to me of your prairie love through your song of fields, seasonal cadence, and your indelible tribute to those who left their mark upon the land.

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