Pam Webb

a writer's journey as a reader

Archive for the category “Uncategorized”

Wrap Up or Fall Flat


After five years of stop and go writing on my historical novel I’m nearing the end chapters. It’s rather intimidating. The ending involves the reuniting of a homestead mother with her family. The way I have presented the conflict is that there is some ambiguity of whether the mother left the family due to the grind of daily life as a pioneer women or if she wandered away due to fever delirium.
Here’s what I need to figure out:
-Is the husband readily accepting her leaving the family and not returning once she was better? (He’s a good guy overall, but was left with six children ages 3-15 to raise in her absence)
-How will the daughter (her POV) feel about her mama at this point? Anger, relief? This girl took on the task of raising her three ornery brothers and packed up her petticoats and put on pants to do so in order up keep up with them.

The right grab really counts… image: bodyresults.com

 

Reaching the end chapters is a lot like rock climbing. A cadence is developed in both–the reach and pull up towards progress. Just when the top is in sight, flat is sometimes hit, meaning no handholds and no way to go up. Finding a new path is sometimes the only direction left. Then again a risky move can be tried and what a sensation of exhilaration when it leads to success and pulling over the top.

Write now? I’m at that looking for a move that will pull me over the top.

So, writers–what do you do when you hit flat when the top ledge is in sight? Do you press on or look for a new route?

Poem in Your Pocket?


Yes!

Pick a poem

from the offered bouquet

carry the fragrance

of words which refresh

and delight

Place a poem in your pocket

and travel

to new lands

make new friends

discover old memories

enliven the senses

and then

share it

Poet Appreciation #7: William Cullen Bryant


Are you a New Yorker? If so, then you know that William Bryant helped establish Central Park and the Metropolitan Museum of Art and that Bryant Park is named for him. He was also long time editor of the New York Evening Post. Of course you knew . More importantly, Bryant was part of the Romantics. While the Brits reveled in Wordsworth, Keats, and Shelley, America had its own Romanticist in the form of William Cullen Bryant.

William Cullen Bryant Cabinet Card by Mora-crop.jpg William Cullen Bryant: November 3, 1794 – June 12, 1878 (Wikipedia image)

November
by William Cullen Bryant

Yet one smile more, departing, distant sun!
One mellow smile through the soft vapoury air,
Ere, o’er the frozen earth, the loud winds ran,
Or snows are sifted o’er the meadows bare.
One smile on the brown hills and naked trees,
And the dark rocks whose summer wreaths are cast,
And the blue Gentian flower, that, in the breeze,
Nods lonely, of her beauteous race the last.
Yet a few sunny days, in which the bee
Shall murmur by the hedge that skim the way,
The cricket chirp upon the russet lea,
And man delight to linger in thy ray.
Yet one rich smile, and we will try to bear
The piercing winter frost, and winds, and darkened air.    

I do like fall. Each month has its own cadence. September has its drowsy warm days drifting into chilly nights, and then there is October with its brisk mornings rewarded with a gift of sun before rescinding into frost-quickened nights. Bryant has captured November with its bright, lingering colors mixed into the descending browns, graced with slights of snowfall. November is truly a mixture of seasons with its bits of summer mingling with the foreshadowing of winter. I added “gentian” to my imagery entries. Lovely word. Wonderful poem of images.

Poet Appreciation #6: Eliza Lee Follen


While it’s grand to dig away at meaning, symbolism, and theme, it can refreshing to simply enjoy a poem for its bouncy rhythm and rhyme and wit.  This is the case for Eliza Lee Follen’s “Lines on Nonsense.”

Edward Lear renders an appropriate complement for today’s poem.

Lines on Nonsense

Yes, nonsense is a treasure!
I love it from my heart;
The only earthly pleasure
That never will depart.

But, as for stupid reason,
That stalking, ten-foot rule,
She’s always out of season,
A tedious, testy fool.

She’s like a walking steeple,
With a clock for face and eyes,
Still bawling to all people,
Time bids us to be wise.

While nonsense on the spire
A weathercock you’ll find,
Than reason soaring higher,
And changing with the wind.

The clock too oft deceives,
Says what it cannot prove;
While every one believes
The vane that turns above.

Reason oft speaks unbidden,
And chides us to our face;
For which she should be chidden,
And taught to know her place.

While nonsense smiles and chatters,
And says such charming things,
Like youthful hope she flatters;
And like a syren sings.

Her charm’s from fancy borrowed,
For she is fancy’s pet;
Her name is on her forehead,
In rainbow colors set.

Then, nonsense let us cherish,
Far, far from reason’s light;
Lest in her light she perish,
And vanish from our sight.

Eliza Lee Follen (1787-1860), was ten in a family of thirteen children. Born into an affluent Boston family she became a poet, children’s author, editor, and abolitionist. Her children’s verse offerings posed light and nonsensical images in contrast to the more serious ones of her time. She and her husband, Charles Follen had one son.

Last Call for YA Writer Hopefuls…


 

Tomorrow is the deadline for the Writer’s Digest 15th Free Lucky Agent Contest.

Free definitely caught my attention.  The fact that the contest is focusing on Young Adult helped motivate me to enter.  Who could resist the prize:

Three  winners  will be awarded the following:

1) A critique of the first 10 double-spaced pages of their work, by the agent judge

2) A free one-year subscription to WritersMarket.com

The critique will be given by agent  Andrea Somberg, a literary agent who represents various fiction and non-fiction projects including those aimed at young adult and middle grade audiences.

I selected one of my YA manuscripts, spent some time polishing it, and submitted it.  It’s not too late! If you are a YA writer  go to this link for my details.

  Hoping to have good news about my submission.

 

Now–back to poetry and National Poetry Month.

Poet Appreciation #3: Robert Penn Warren


Better known as a novelist, and perhaps as a scholar, Robert Penn Warren did provide some formidable poetry to ponder. You might be more familiar with his All the King’s Men, which garnered him the Pulitzer Prize in 1947, then his Pulitzer Prize collection Now and Then: Poems, 1976-1978. In all, he was awarded three Pulitzer Prizes, two being for poetry.  His southern background influenced his writing, particularly leaning towards the agrarian appreciation of the land. Receiving accolades and honors throughout his career, Warren left a rich legacy of both prose and poetry.

Image of U.S. Poet Laureate Robert Penn Warren

Image of U.S. Poet Laureate Robert Penn Warren (Photo credit: Wikipedia)

Vision
by Robert Penn Warren

I shall build me a house shall build me a house where the larkspur blooms
In a narrow glade in an alder wood,

Where the sunset shadows make violet glooms,
And a whip-poor-will calls in eerie mood.

 
I shall lie on a bed of river sedge,
And listen to the glassy dark,
With a guttered light on my window ledge,
While an owl stares in at me white and stark.
I shall burn my house with the rising dawn,
And leave but the ashes and smoke behind,
And again give the glade to the owl and the fawn,
When the grey wood smoke drifts away with the wind.

Like Cather’s poetry about the prairie, Warren provides a strong connection to nature. His diction is amazing the way it influences the imagery: “violet glooms,” “guttered light,” “glassy dark”. I don’t even notice the rhyme, it’s so fluid. Whether they poem is taken for its metaphorical meaning or literal, it doesn’t matter to me–I simply want to savor it, rather than analyze it. Good writing is like a good sunset in that words aren’t always sufficient to explain why the beauty is so moving.

Poet Appreciation #2: Edwin Arlington Robinson


English: Portrait of Edwin Arlington Robinson

Portrait of Edwin Arlington Robinson (Photo credit: Wikipedia)

I vaguely recall reading one or two of Edwin Arlington Robinson’s poetry as I dug through my AP selections. Needless to say, he is not a poet that I am familiar with; however, this gem dropped in my box as a my daily poem offering and it immediately reverberated within me: don’t we all wonder about that abandoned house?

Robinson took his poetry seriously, despite being unable to make a living from it, he persevered. Twice awarded the Pulitzer Prize he still remains relatively unknown, at least I can’t place him in the category of tip-of-the-tongue knowns, like Frost, Dickinson, and Whitman.  Have you heard of him or am I showing my poetry illiteracy once again?

The House on the Hill
by Edwin Arlington Robinson

They are all gone away,      
The House is shut and still,    
There is nothing more to say.

Through broken walls and gray      
The winds blow bleak and shrill:    
They are all gone away.

Nor is there one to-day      
To speak them good or ill:    
There is nothing more to say.

Why is it then we stray      
Around that sunken sill?    
They are all gone away.

And our poor fancy-play      
For them is wasted skill:    
There is nothing more to say.

There is ruin and decay      
In the House on the Hill:    
They are all gone away,
There is nothing more to say.

For a broader perspective of the poem follow this link

I personally am always curious about abandoned houses, or those that seem empty. Yet, there  isn’t a true emptiness, is there as long as houses remain standing, so do the memories. I like how Robinson intimates that though there may be memories, without the people inhabiting the house, there can be no conversations. An empty house is a voiceless house and a house without words is indeed empty.

English: abandoned house

abandoned house (Photo credit: Wikipedia)

A Brief Interruption to Our Scheduled Poetry Programming


One of my goals for Spring Break is to knuckle down and really get productive on my own writing.  I have been more reader than writer of late and I need to reverse that status. However, here it is Friday and school starts again Monday. Never fear, I still have great hopes of revising and sending out more manuscripts. I have to remind myself to keep working, even though that little voice  in the background keeps sniveling: “But I’m on vacation!”

Fortunately I found some needed motivation in Writing Like Crazy’s post for the day.

Writer’s Digest, who always has the best writer’s advice, also runs fabulous contests.  Currently offered is their 15th Free Lucky Agent Contest.

Three  winners  will be awarded the following:

1) A critique of the first 10 double-spaced pages of their work, by the agent judge

2) A free one-year subscription to WritersMarket.com

The focus of this particular agent contest is Young Adult.  The agent is Andrea Somberg, a literary agent with close to fifteen years experience, and represents various fiction and non-fiction projects including those aimed at young adult and middle grade audiences.

I plan to spend the next couple of days fine-tuning my YA manuscripts and submitting them before the deadline which is  Wednesday, April 9th. For more details on the contest go to this link

Poet Appreciate #1: Willa Cather


English: grass at , located on west side of ju...

Nebraska-Kansas prairie (Photo credit: Wikipedia)

Most recognize Willa Cather as a writer of prairie prose; however, before O Pioneers! came out in 1913, she had published a book of poems entitled April Twilights in 1903. The following poem from that book of poetry served as the prologue to O Pioneers!

Prairie Spring
by Willa Cather

Evening and the flat land,
Rich and sombre and always silent;
The miles of fresh-plowed soil,
Heavy and black, full of strength and harshness;
The growing wheat, the growing weeds,
The toiling horses, the tired men;
The long empty roads,
Sullen fires of sunset, fading,
The eternal, unresponsive sky.
Against all this, Youth,
Flaming like the wild roses,
Singing like the larks over the plowed fields,
Flashing like a star out of the twilight;
Youth with its insupportable sweetness,
Its fierce necessity,
Its sharp desire,
Singing and singing,
Out of the lips of silence,
Out of the earthy dusk.

Cather announces the coming of spring through abounding sensory imagery and metaphors. This poem encapsulates her mastery of description and exemplifies her love of the prairie. Where she found poetry in a land, many only found hardship and heartaches as they tried to subdue tangled, tawny grasses under their plow.

Portrait of Willa Cather

Portrait of Willa Cather (Photo credit: Wikipedia)

Dash It All


I have come upon the realization I lean towards dashes instead of semi-colons–really, I do. My students upon the first introduction to Emily Dickinson notice her use of those extra big hyphens. Hey–if it’s good enough for Em–dash it all, it can’t be all wrong.

On reflection, perhaps I overindulge in my penchant for dashes–or maybe not? In my desire to correctly use them, I turned to the Internet and found my favorite grammar guru–Ben Yagoda. A writer for The New York Times, professor, teacher, and I would say humorist, he provided everything I needed to know about the dash–and then some. Check out his fabulous writing guide How Not to Write Bad (really–that’s the title).

cartoon by Peter Arkle

An excerpt from his column points out how effective the dash can be:

To get a sense of some of the things a dash can do, take a look at these pairs of quotes.

F. Scott Fitzgerald’s “The Great Gatsby”:

Thirty: the promise of a decade of loneliness, a thinning list of single men to know, a thinning briefcase of enthusiasm, thinning hair.

Thirty—the promise of a decade of loneliness, a thinning list of single men to know, a thinning briefcase of enthusiasm, thinning hair.

Henry James, referring to Henry David Thoreau:

He was worse than a provincial, he was parochial.

He was worse than a provincial—he was parochial.

Mark Twain in “Autobiography”:

…life does not consist mainly (or even largely) of facts and happenings. It consists mainly of the storm of thoughts that is forever blowing through one’s head.

…life does not consist mainly—or even largely—of facts and happenings. It consists mainly of the storm of thoughts that is forever blowing through one’s head.

Twain’s “Pudd’nhead Wilson’s New Calendar”:

Each person is born to one possession which outvalues all his others: his last breath.

Each person is born to one possession which outvalues all his others—his last breath.

In all cases, both versions make sense and are grammatically correct. But the ones with the dash (the ones the authors actually wrote) seem to live and breathe, while the others just lie there on the page. Like hitting the right combination of buttons in a computer game, typing two hyphens on the keyboard — and thereby making a dash — can give your prose a burst of energy, as if by magic. 

Emily, Twain, F. Scott, and Henry J.–I’m in good company.

Post Navigation