Pam Webb

a writer's journey as a reader

Archive for the tag “students”

Light and Eyrey


image:: pintrest.com Jane Eyre Silhouette Black and White Book Cover by Pendantmonium,

I am preparing myself early this year for when I announce we will be studying Jane Eyre.

“Do we have to?”

“Is that our only choice?”

“Isn’t that a chic lit selection?”

And that’s the question I shall endeavor to answer. Because the first two questions both can be answered with “no.” But we won’t go there for now.

So, is Charlotte Bronte’s famous classic novel of being true to oneself, of overcoming adversity, of embracing family over riches really a chic lit because it centers on a romance, intrigue, and a woman who is victimized more than once.

First off let’s look at a couple of definitions:

from http://www.chicklitbooks.com:

What is Chick Lit?

Chick lit is smart, fun fiction for and/or about women of all ages. Many of these books are written from a first-person viewpoint, making them a bit more personal and realistic. The plots can range from being very light and fast-paced to being extraordinarily deep, thought-provoking and/or moving.

Another perspective–from http://www.dictionaryreference.com:

chick lit

/lɪt/ Show Spelled [lit] Show IPA

noun

literature that appeals especially to women, usually having a romantic or sentimental theme.

At this point Jane Eyre could be considered smart, fun? probably not so much. First-person viewpoint–yes. Personal and realistic–maybe. The plot is not very light and could be considered deep, thought-provoking and moving. It does appeal to women and does contain a romantic theme. Perhaps it is chic lit. Then again, let’s explore “classic.”

Mark Twain’s definition is universally accepted: “A book which people praise and don’t read.” However, Jane Eyre is read evidenced by it still being in print, let alone being studied in AP courses. Plus, look at all the film versions of JE.

I put the question to the guy students in class and most said the novel held their interest. The language, the setting, the intrigue, the cousin plot, the bitter aunt, and of course that underplot of a possible vampire living upstairs–wait, that’s a different novel (or is it?)

The verdict? How about JE is a classy literary novel focusing on a woman who overcomes her unjust circumstances. Oh, yes, let’s not forget Mr. Rochester.

Any thoughts?

Did you dread reading Jane Eyre in high school and roll your eyes or embrace the story of a strong young woman who finds happiness after much travail? (yes, I am slanting the vote).

 

Labor Intensive Days


Well, those laid-back, lazy days of summer break get stowed away with my white shoes after September 2. (Yes, I know I’m showing my age by my stodgy self-imposed fashionista rule).

White shoes for summer

September whites still a no-no? image: theclothingmenu.com

 

What I don’t like about the first day of school:

  • Trying to get through the name rosters without totally slicing and dicing the pronunciation.
  • Going over classroom expectations because even though I need to, I doubt anyone is seriously listening to yet another teacher reeling off the rule spiel.
  • Fretting over what I’m wearing. Hair and wardrobe malfunctions do not create good first impressions.
  • Trying to reason with my stomach that grazing days are done for now, and to please hush it’s malcontent state. Especially since our hallway is slated for second lunch this year.
  • How tired I am at the end of the day. Remember the Barbie clip in Toy Story? Yep, that “it’s exhausting being that up and happy feeling” really does slam a person.
  •  My feet hurt. Stylish shoes still rule over sense. I doubt I will rock Reeboks to school.
  • Timing bathroom breaks. And no, my classroom is not even close to the staff rest rooms. I have line up with everyone else. On the other hand, I do get to hear some unexpected choice bits while stalled for time.
  • Dreading that stage fright feeling of “am I gonna bomb or be the bomb?” Really, it’s like running a three show routine with three different audiences. Are they going to get my jokes? Do they respond in the right places? I commiserate with ever Saturday Night Live host about this time of year.

But the cool thing about September is that I do get to go back to school.

  •  There’s that excited buzz of the new as everyone returns to the hive of learning.
  •  What about the opportunity of “clean slate”–never mind last year, this year is gonna be even better.
  •  New clothes! I took advantage of Coldwater Creek closeouts this year.
  • Renewing and forming friendships among staff. “Old and new faces sharing spaces.”
  • Trying out new ideas on old curriculum. “I can’t wait to release this new perspective of Beowulf.”
  •  Schedule–I like a well-ordered life and getting back into a routine makes me humm like a happy llama.

What are your back-to-school thoughts? What side of the desk are you on?

Committed to Poetry or Was that Commentary of Poetry?


English: Former United States Poet<br /><br /> Laureate (2... Admit it–we like poetry
because for the most part it’s a quick commitment. Two to five
minutes we get our emotions stirred, we open up our imagery files,
and we tuck away a line to ruminate on.  This is not cynicism,
merely observation. We love, love, love poetry more than we love,
love, love short stories. At least, this is what I am beginning to
surmise as I dole out literary experiences to high school students.
Since I’ve been English literature teachering for the past
decade, I have discovered poetry is amazingly versatile in its
ability to stir up passion in students.  Students  run
the Richter scale of response of “Just hand me a dull spoon so I
can dig out my eyeball” (LOL–actual quote from a senior) to
“Poetry! I love poetry! Can we write our own poems!” (yet, another
true quote). There doesn’t seem to be much of the middle roading
when it comes to reading or writing poetry. Why is that, I wonder?
My students aren’t sure either.  Somewhere between Shel Silverstein and Shakespeare
sonnets the love of verse becomes irrevocably squashed.
I think Billy Collins presented oh so well:

Introduction To Poetry

I ask them to take a poem and hold it up to the light
like a color slide

or press an ear against its
hive.

I say drop a mouse into a poem

and watch him probe his way out,

or walk inside the poem’s
room

and feel the walls for a light
switch.

I want them to
waterski

across the surface of a

poem

waving at the author’s name on the

shore.

But all they
want to do

is tie the poem to a chair with
rope

and torture a confession out of
it.

They begin beating it with a
hose

to find out what it really
means.

Thank you,
Billy. I am trying to convert my rubber hose approach into one of
ski rope handles.
One of my goals as a teacher is to inject the love of
words into my students.  I want them to turn to poems like
they do to their tunes.  After all, song lyrics are mostly
poetry with infused music.  Once students realize that if they
actually unplugged their buds long enough to actually read
their play list lyrics out loud they will see all those
literary terms of assonance, imagery, rhythm, rhyme, simile,
allusion floating around.
I try not to have them beat the stuffing out of
poems.  I much prefer them waterski and wave in
acknowledgement as we launch out on poetry’s
waters.  Grooving on poetry is, I hope contagious. My
excitement at reading a really marvelous poem out loud causes me to
have physical reactions.  The other day I read Seamus Heaney‘s “Digging.”

English: Picture of the Irish poet and Nobel P...

English: Picture of the Irish poet and Nobel Prize winner Seamus Heaney at the University College Dublin, February 11, 2009. (Photo credit: Wikipedia)

 Between my finger and my thumb
The squat pen rests; snug as a gun.

Under my window, a clean rasping sound

When the spade sinks into gravelly ground:
My father, digging. I look down

Till his straining rump among the flowerbeds
Bends low, comes up twenty years away
Stooping in rhythm through potato drills
Where he was digging.

 

The coarse boot nestled on the lug, the shaft
Against the inside knee was levered firmly.
He rooted out tall tops, buried the bright edge deep
To scatter new potatoes that we picked,
Loving their cool hardness in our hands.
By God, the old man could handle a spade.
Just like his old man.
My grandfather cut more turf in a day
Than any other man on Toner’s bog.
Once I carried him milk in a bottle
Corked sloppily with paper. He straightened up
To drink it, then fell to right away
Nicking and slicing neatly, heaving sods
Over his shoulder, going down and down
For the good turf. Digging.
The cold smell of potato mould, the squelch and slap
Of soggy peat, the curt cuts of an edge
Through living roots awaken in my head.
But I’ve no spade to follow men like them.

Between my finger and my thumb
The squat pen rests.
I’ll dig with it.

 

When I finished reading the poem
out loud I sucked in my breath and danced a bit in
place, so moved was I with Heaney’s wordsmithing.  My AP
students benignly tolerate my antics. I’m hoping my
unfettered appreciation will one day stir them  into
showing me their unabashed admiration.
Considering I had minimal
exposure to poetry during my own K-12 school days, and didn’t
really discover its merits until college, I am continually amazed
at its power to stir my emotions.  I valiantly want to pass on
this joy to my students and even before the Common Core required a
unit on poetry, I taught it anyway.
My commitment to poetry is my
commentary on how words artfully placed meaningfully lend a
dimension to our lives that makes us linger to inhale the
fragrance of as Coleridges states, “the best words in the best
order.”
Do you have
any poems that cause you to dance a bit in place when you read
them? Oh, do share.

There is no rhyme nor reason to poetry…


at least according to some of my freshmen.  I can understand their point. Who wants to study grammatically incorrect phrasings and try to make sense of what they are talking about when you are doing all you can at trying to get a handle on whether it’s “A” day or “B” day and what lunch you have (“ummm, first lunch on “A” day or was that “B” day?). But we’ve made a commitment to Common Core and it’s full speed ahead.

Cover of "Dead Poets Society"

Cover of Dead Poets Society

Actually, I’ve always been a proponent of poetry.  I’ve brought cowboy poets into the classroom, Beatle songs, clips of Robin Williams doing his crazy wonderful teacher in Dead Poets Society, and provided recipes for poems.  I had football players writing love poems and entering contests, mud boggers writing sonnets about their trucks. We’ve explored performance poetry through Taylor Mali’s incredible YouTube videos and we’ve participated in a packed-out community program of youth performing their own poetry.

Common Core though, I’ve noticed, has dented my zing. I’ve been having students prepare for their SBAC (I should know what that means) by writing up reaction paragraphs to each poem as a means of them practicing their critical thinking skills. There is nothing wrong with understanding and recognizing how, or what, or why the poem works, yet poetry is so different from prose. It should encourage the soul to sing. I’m afraid in my zeal for my students to do well on their tests by getting their writing skills up to stuff I’ve lost my way towards my original goal of greeting me with “What’s the poem today?” with that anticipation of a new flavor to relish.

Hmm, some Walt  Whitman and Song of Myself might do it…

Cover of "Song of Myself (Shambhala Centa...

Cover via Amazon

From SparkNotes to Sparky Sweet, PhD


Read the Sparknotes

Read the Sparknotes (Photo credit: kevin dooley)

There are two basic reasons for reading classics:
1. Pressure
2. Enjoyment

Reason One:

Pressure comes from teachers assigning novels that no one wants to read, but students must read in order to complete the course. Mark Twain hit that one spot on:

Classic–a book which people praise and don’t read- Pudd’nhead Wilson’s New
Calendar

I am THAT teacher who literally pressures students into reading. Granted, I get my own pressure from the curriculum powers that be. Certain novels must be taught, which means I must find ways to entice students to read them. Over the years I have gathered up sources I point out to students so that they may better understand the stories, poems, and novels I toss out to them. Some teachers promote the erroneous idea that to utilize a resource like Sparknotes is cheating. Huh? That’s like me handing out To Kill a Mockingbird to my ninth graders, instructing them to sit down in a closet, and I shut the door. They might as well read in the dark if they don’t understand what they are reading. I know some students who never read assigned books and only Sparknote them (an AP student admitted this to his teacher, tsk 2 honesty 1). My thoughts on this are: a)it’s not like Sparknotes are contraband or are damaging to young minds b)at least he is familiar with the novel now. Some reading, even if it’s through summary, is better than no reading.

The other kind of pressure comes after we have left school and feel the need to fill in the holes of our education by reading all those classics we weren’t assigned or assigned and didn’t read. The Picture of Dorian Gray, Crime and Punishment, Robinson Crusoe, the list goes on. Just because we are in college or are college graduated, older, smarter, more aware, yada yada, that doesn’t mean we understand Virginia Woolf, James Joyce, Ernest Hemingway, William Faulkner, any better. We can also get by with a little help from our friends, those marvelous lit aide sites:

Sparknotes.com–the go-to site for understanding a novel. It covers content, facts, chapter summary, characters, theme, major quotes, all the biggies. There are even quizzes to test comprehension plus videos (major spoilers though).

PinkMonkey.com–never mind the name, it delivers the same sort of information in a somewhat different style.

Cliffnotes.com–if you are as old as me then you remember those wonderful little yellow and black booklets (anyone else think they resembled bees?–and if a teacher caught you with them you got stung?) that helped shed light on Hamlet, Huckleberry Finn, etc. They are now adding videos to their venue. Mmm, I’d say the videos are at about middle school level in approach, although most of my ninth graders liked the silly humor.

Novelguide.com–I used to rely on this site for my insights when preparing a unit, but then I discovered…

Shmoop.com–a most excellent and diverse site for pulling in understanding for both contemporary (mainly prevalent bestsellers) and classics. Prepared by smartypants PhD students (so they say) there is a break down of overview, analysis, theme, essay questions, characters, and a roundup of the best of the net. Videos are often a part of the lineup which are designed to evoke discussion (great for Socratic seminars) and are crafted with cunning.

Cummingsstudyguide.net–another site when needing deeper analysis needs. While basic, it nevertheless provides great insights.

Thugnotes.com–new to the scene, it’s difficult to know what to do with this venue. Sparky Sweets, PhD, is an erudite street talking armchair lit critic. The paradox of foul-mouthed summary offset with finely constructed analysis makes this video series a conundrum. I know the students would appreciate how he brings literature to an understandable level, yet there is need for more beeps or I would be answering to the admin. For a bit of entertainment and enlightenment I present as a choice with caution to those who prefer to not have their classics fouled.

There are more sites out there, and I would appreciate hearing your faves.

Reason Two

If you read the classics for pleasure then you will still appreciate the above-mentioned sites as they add to the reading experience.

Read the classics, no matter if you have to or want to, for they are the foundation of all we read today!

"To be successful at reading comprehensio...

“To be successful at reading comprehension, students need to …” (Photo credit: Ken Whytock)

 

The Wanders of Spillchick


Various flavours of gelato

Various flavours of gelato (Photo credit: Wikipedia)

Second Friday of the new school new year.  And I’m  heading downtown for a gelato–not because I need the endorphin boost, it’s cause for celebration.  It’s basically two weeks into the new year and I’ve decided I still like teaching, even though I have five sections of freshmen instead of the usually two or three.

One thing that does amaze me is the first batch of papers I receive from my freshies.  I encourage them to type because 1) it’s easier to read and 2) they can plug in spell-check and grammar-check.  But do they?  Mmmm, not really.

Here are some true-life examples.

* Names have been withheld in case my students have figured out this is my blog and I end up as a Yahoo News item blurb.

Some of the activities I like do out side of school are skiing, golf, and lacrosse.

My biggest influence would be my dad. He has Ben that for years!

So I would have to say my favorite subject is Band or Jazz Band, it in cooperates gratis faction and challenges.

Shakespeare influenced me because of this plays, it helps me know that even people who started out as regular people can make history.

I don’t want to pick on them too much because I know they are still learning. And I know I make mistakes as well.  My AP students caught this doozy the other day.

Typing is NOT an option. Times Standard or Ariel, 12 font.

Okay, I meant “is not optional”–they gave me the sidewise eye on that one. (“You mean you don’t want the essays typed?”)

Here is the revision: “Typing is NOT an optional.”

Yes, it’s Friday. I need a gelato.

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