Pam Webb

a writer's journey as a reader

Archive for the category “Poetry”

NPM: #21–wind of change


There is that time of year when the snows have lingered much too long and spring is ready to arrive, yet winter stubbornly refuses its hold. Then comes that zephyr breeze, the Chinook, that warming wind that hints the good times of summer are ever nearer. The warm wind teases the remaining snowdrifts to melt and feed the hiding narcissus. Robert Frost knew exactly that moment when the warm winds bring the change oh so needed.

To the Thawing Wind

Robert Frost, 18741963

Come with rain, O loud Southwester!
Bring the singer, bring the nester;
Give the buried flower a dream;
Make the settled snowbank steam;
Find the brown beneath the white;
But whate’er you do tonight,
Bathe my window, make it flow,
Melt it as the ice will go;
Melt the glass and leave the sticks
Like a hermit’s crucifix;
Burst into my narrow stall;
Swing the picture on the wall;
Run the rattling pages o’er;
Scatter poems on the floor;
Turn the poet out of door.

NPM: #20–disorder and distraction


Delight in Disorder

Robert Herrick, 15911674

A sweet disorder in the dresse
Kindles in cloathes a wantonnesse:
A Lawne about the shoulders thrown
Into a fine distraction:
An erring Lace, which here and there
Enthralls the Crimson Stomacher:
A Cuffe neglectfull, and thereby
Ribbands to flow confusedly:
A winning wave (deserving Note)
In the tempestuous petticote:
A careless shooe-string, in whose tye I see a wilde civility:
Doe more bewitch me, then when
Art Is too precise in every part.

Robert HerrickThis illustration of Robert Herrick promotes a rather conservative attitude, but if you really read the poem, I think you will read between the lines, that Mr. Herrick possessed a bit of naughtiness about him. He has a few other poems that hint at his true thoughts about women and his intentions. Poets of yesteryear didn’t always write about flowers and trees, eh, Bobby? 

NPM: #19–morning splendor


A Gift

Leonora Speyer (1872-1956)

I Woke: —
Night, lingering, poured upon the world
Of drowsy hill and wood and lake
Her moon-song,
And the breeze accompanied with hushed fingers
On the birches.

Gently the dawn held out to me
A golden handful of bird’s-notes.

 

There are so many lovely images resounding throughout. I envision summer–standing on a hill overlooking a grassy meadow, the sun slowly cresting the horizon and in that crystalline moment a trill of robin song adds to the joy of another morning, another day of promise.

NPM: #18–the rhythm of sports


The beauty of poetry is that it embraces a diversity of interests and subjects. I found a elegance of movement in the rhythm of this particular poem as it captures the game.

 

Fast Break” by Edward Hirsch

 

 

image: Morguefile.com

 

 

 

 

NPM: #17–Willow tree


Willow Poem

William Carlos Williams, 18831963

It is a willow when summer is over,
a willow by the river
from which no leaf has fallen nor
bitten by the sun
turned orange or crimson.
The leaves cling and grow paler,
swing and grow paler
over the swirling waters of the river
as if loath to let go,
they are so cool, so drunk with
the swirl of the wind and of the river—
oblivious to winter,
the last to let go and fall
into the water and on the ground.

I grew up with a willow tree in our backyard. I always seemed a sad tree to me, weeping its leaves into our fish pond. I hadn’t thought about that tree until coming across Williams’ poem. Odd. Those willow leaves, as I recall, didn’t succumb to the “kiss of the sun” and fade away into autumn and winter as our maple did so stoically.

a sad dipping into the water–is this what inspired Williams? image: MorgueFile/LoneAngel

 

NPM: #16 Window Watcher


Athe Window

D.H. Lawrence,1885- 1930

The pine-trees bend to listen to the autumn wind as it mutters
Something which sets the black poplars ashake with hysterical laughter;
While slowly the house of day is closing its eastern shutters.

Further down the valley the clustered tombstones recede,
Winding about their dimness the mist’s grey cerements, after
The street lamps in the darkness have suddenly started to bleed.

The leaves fly over the window and utter a word as they pass
To the face that leans from the darkness, intent, with two dark-filled eyes
That watch for ever earnestly from behind the window glass.

 

I like how Lawrence personifies nature, how the trees and wind and leaves talk to each other with mutterings and laughter while inside, a person watches unaware. It’s lovely and a bit creepy all the same. It stirs my imagination to thinking of fairy tales.

 

Is the wind laughing outside these windows? image: Pintrest

 

NPM: #15–Longfellow’s Children


“The Children’s Hour” was first published in the September 1860 edition of The Atlantic Monthly.

Henry Wadsworth Longfellow was probably one of the first poets encountered as a child. Who hasn’t encountered his “Song of Hiawatha?” He is well known for many poems, and one of my favorites is his tribute to his children. I can imagine his little “banditti” sneaking up on him and him gathering them up all shrieks and giggles.

The Children’s Hour

Henry Wadsworth Longfellow, 18071882
Between the dark and the daylight,
   When the night is beginning to lower,
Comes a pause in the day’s occupations,
   That is known as the Children’s Hour.

I hear in the chamber above me
   The patter of little feet,
The sound of a door that is opened,
   And voices soft and sweet.

From my study I see in the lamplight,
   Descending the broad hall stair,
Grave Alice, and laughing Allegra,
   And Edith with golden hair.

A whisper, and then a silence:
   Yet I know by their merry eyes
They are plotting and planning together
   To take me by surprise.

A sudden rush from the stairway,
   A sudden raid from the hall!
By three doors left unguarded
   They enter my castle wall!

They climb up into my turret
   O’er the arms and back of my chair;
If I try to escape, they surround me;
   They seem to be everywhere.

They almost devour me with kisses,
   Their arms about me entwine,
Till I think of the Bishop of Bingen
   In his Mouse-Tower on the Rhine!

Do you think, O blue-eyed banditti,
   Because you have scaled the wall,
Such an old mustache as I am
   Is not a match for you all!

I have you fast in my fortress,
   And will not let you depart,
But put you down into the dungeon
   In the round-tower of my heart.

And there will I keep you forever,
   Yes, forever and a day,
Till the walls shall crumble to ruin,
   And moulder in dust away!

NPM: #14–Fishy thoughts


What I most like about poetry is how it nudges me towards new perspectives. For instance, in Nancy Willards’ “A Wreath to the Fish”  I’m thinking thoughts about fish I hadn’t considered before. How they never leave their suit of mail, how they possess an abundance of silver, yet never spend it. How the destiny of a fish is one of thoughtful consideration–dinner? trophy? food for a bear?

Here is a fishy consideration as you contemplate today’s poem.

Nike

trotting out trout toed cleats image: USAToday.com

 

NPM: #13–how history does not sit still


I think I missed an opportunity. Had I known I would be teaching English, especially British literature, I would have minored in history. One cannot properly elucidate on the fineries of poems, prose, and short storis without dipping into the times of the work. There is a definite “why” as to “why” something is written. A mathematical equation of History times People to the greater value of Events–something like that. Which is why I didn’t get on so while in Mathematics.

Howard Altmann explains history’s restless nature. I almost imagine it as a cat that tiptoes around the room, exploring its way about. Or as that sunbeam or shaft of light that panders its way from the chair to the floor to the wall. Here’s the poem and here’s what he said about it:

About This Poem

“This short poem was conceived in Lisbon, where the light never rests on its laurels. It was put to bed a few years later in New York City, where the light crowds out the stars.”
—Howard Altmann (www.poets.org)

 

image: paulabflat/morguefile

NPM: #12–a love poem


Love

William Carlos Williams, 18831963

Love is twain, it is not single,
Gold and silver mixed to one,
Passion ‘tis and pain which mingle
Glist’ring then for aye undone.

Pain it is not; wondering pity
Dies or e’er the pang is fled;
Passion ‘tis not, foul and gritty,
Born one instant, instant dead.

Love is twain, it is not single,
Gold and silver mixed to one,
Passion ‘tis and pain which mingle
Glist’ring then for aye undone.

I first met William Carlos Williams whilst learning how ill-equipped I was to be in the Masters in the Teaching of writing program at Humboldt. I was quite illiterate when it came to poetry and the classics. My writing wasn’t up to snuff either. I even had a professor tersely whisper in my ear how I got in the program. The moment of crisis eventually passed once I gained understanding that poems weren’t really some mysterious language dropped out of the sky for mortals to puzzle over. Dr. Williams lent his red wheelbarrow to me one day, and I began to relax and realize that poetry was simply another way of listening to the heart.

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