Pam Webb

a writer's journey as a reader

Archive for the category “Nature”

NPM: #22–bumbershoots and such


L’Avenir est Quelque Chose (The future is something)

by Dobby Gibson

 

All day for too long 
everything I’ve thought to say
has been about umbrellas…

the rest of the poem

I own a passel of umbrellas. Some I have adopted, since they get left in my classroom. A few I inherited from my mother-in-law who actually had an impressive collection of them, ranging from the impressive wooden-handled proper British brelly to the cheapy insurance company giveaways. I have bought my own umbrellas when the mood strikes. I carry an extra one or two in the car. Once, I stopped and gave one to a child shivering in the rain while she waited for her school bus. In fact, I toy with the idea of becoming an umbrella aficionado and giving them away as I see fit. I will wait for white hair and the Social Security checks for that to transpire. A crazy old lady is considered harmless–at least I hope my umbrellaling will be considered benign, if not quaintly amusing.

 

image: Morguefile/garbofromhungary

NPM: #21–wind of change


There is that time of year when the snows have lingered much too long and spring is ready to arrive, yet winter stubbornly refuses its hold. Then comes that zephyr breeze, the Chinook, that warming wind that hints the good times of summer are ever nearer. The warm wind teases the remaining snowdrifts to melt and feed the hiding narcissus. Robert Frost knew exactly that moment when the warm winds bring the change oh so needed.

To the Thawing Wind

Robert Frost, 18741963

Come with rain, O loud Southwester!
Bring the singer, bring the nester;
Give the buried flower a dream;
Make the settled snowbank steam;
Find the brown beneath the white;
But whate’er you do tonight,
Bathe my window, make it flow,
Melt it as the ice will go;
Melt the glass and leave the sticks
Like a hermit’s crucifix;
Burst into my narrow stall;
Swing the picture on the wall;
Run the rattling pages o’er;
Scatter poems on the floor;
Turn the poet out of door.

NPM: #19–morning splendor


A Gift

Leonora Speyer (1872-1956)

I Woke: —
Night, lingering, poured upon the world
Of drowsy hill and wood and lake
Her moon-song,
And the breeze accompanied with hushed fingers
On the birches.

Gently the dawn held out to me
A golden handful of bird’s-notes.

 

There are so many lovely images resounding throughout. I envision summer–standing on a hill overlooking a grassy meadow, the sun slowly cresting the horizon and in that crystalline moment a trill of robin song adds to the joy of another morning, another day of promise.

NPM: #17–Willow tree


Willow Poem

William Carlos Williams, 18831963

It is a willow when summer is over,
a willow by the river
from which no leaf has fallen nor
bitten by the sun
turned orange or crimson.
The leaves cling and grow paler,
swing and grow paler
over the swirling waters of the river
as if loath to let go,
they are so cool, so drunk with
the swirl of the wind and of the river—
oblivious to winter,
the last to let go and fall
into the water and on the ground.

I grew up with a willow tree in our backyard. I always seemed a sad tree to me, weeping its leaves into our fish pond. I hadn’t thought about that tree until coming across Williams’ poem. Odd. Those willow leaves, as I recall, didn’t succumb to the “kiss of the sun” and fade away into autumn and winter as our maple did so stoically.

a sad dipping into the water–is this what inspired Williams? image: MorgueFile/LoneAngel

 

NPM: #16 Window Watcher


Athe Window

D.H. Lawrence,1885- 1930

The pine-trees bend to listen to the autumn wind as it mutters
Something which sets the black poplars ashake with hysterical laughter;
While slowly the house of day is closing its eastern shutters.

Further down the valley the clustered tombstones recede,
Winding about their dimness the mist’s grey cerements, after
The street lamps in the darkness have suddenly started to bleed.

The leaves fly over the window and utter a word as they pass
To the face that leans from the darkness, intent, with two dark-filled eyes
That watch for ever earnestly from behind the window glass.

 

I like how Lawrence personifies nature, how the trees and wind and leaves talk to each other with mutterings and laughter while inside, a person watches unaware. It’s lovely and a bit creepy all the same. It stirs my imagination to thinking of fairy tales.

 

Is the wind laughing outside these windows? image: Pintrest

 

NPM: #9–Wordsworth praises snow drops


On Seeing a Tuft of Snowdrops in a Storm

William Wordsworth, 17701850

When haughty expectations prostrate lie,
And grandeur crouches like a guilty thing,
Oft shall the lowly weak, till nature bring
Mature release, in fair society
Survive, and Fortune’s utmost anger try;
Like these frail snow-drops that together cling,
And nod their helmets smitten by the wing
Of many a furious whirlblast sweeping by.
Observe the faithful flowers! if small to great
May lead the thoughts, thus struggling used to stand
The Emathian phalanx, nobly obstinate;
And so the bright immortal Theban band,
Whom onset, fiercely urged at Jove’s command,
Might overwhelm, but could not separate!

We all know Wordsworth penchant for daffodils. They are the poster child for spring in my book. Then again, this poem of his extolling the strength of snow-drops has me thinking of how fragile something can appear, yet have a rooted strength unseen. I will have to pay more attention to my snow-drops. I also need to scamper to my allusions dictionary and look up Emathian and Jove. That Wordsworth–he tends to keep me on my toes.

image: OldGreySeaWolf/MorgueFile

NPM: #8–the kind moon


The Night Is Still

Edith Matilda Thomas (1854-1925)

The night is still, the moon looks kind,
    The dew hangs jewels in the heath,
An ivy climbs across thy blind,
    And throws a light and misty wreath.

The dew hangs jewels in the heath,
    Buds bloom for which the bee has pined;
I haste along, I quicker breathe,
    The night is still, the moon looks kind.

Buds bloom for which the bee has pined,
    The primrose slips its jealous sheath,
As up the flower-watched path I wind
    And come thy window-ledge beneath.

The primrose slips its jealous sheath,—
    Then open wide that churlish blind,
And kiss me through the ivy wreath!
    The night is still, the moon looks kind.

 

Beyond the rich imagery, there is somthing else noticable about this poem. The lines repeat themselves ever so subtly. This is not a mistake. No, this is art and Thomas reveals her ability to render a lovely villanelle where the first and third lines repeat themselves. Villanelles are tricky, since the poet must repeat the lines to meet the form’s requirements; however, the artist must weave in these lines so they are not obvious.

image: Maryhere/Morguefil

NPM: #6–of Hardy’s leaves


Where They Lived

Thomas Hardy, 1840 – 1928

Dishevelled leaves creep down
       Upon that bank to-day,
Some green, some yellow, and some pale brown;
       The wet bents bob and sway;
The once warm slippery turf is sodden
        Where we laughingly sat or lay.

The summerhouse is gone,
        Leaving a weedy space;
The bushes that veiled it once have grown.
        Gaunt trees that interlace,
Through whose lank limbs I see too clearly
         The nakedness of the place.

And where were hills of blue,
Blind drifts of vapour blow,
And the names of former dwellers few,
If any, people know,
And instead of a voice that called, “Come in, Dears,”
Time calls, “Pass below!”

As I get older, I realize autumn is replacing my favorite season of summer. The warmth is still there, the greens fading into muted colors–there is a peace, a tranquility to fall versus the frantic heat and activity summer requires. I think Hardy realized this as well.

image: RevWarheart/Morguefile

NPM: #3–Serenity found in brooks…


Serenity

Edward Rowland Sill (1841-1887)

Brook,
Be still,—be still!
Midnight’s arch is broken
In thy ceaseless ripples.
Dark and cold below them                 
Runs the troubled water,—
Only on its bosom,
Shimmering and trembling,
Doth the glinted star-shine
                  Sparkle and cease.

                  Life,
Be still,—be still!
Boundless truth is shattered
On thy hurrying current.
Rest, with face uplifted,
Calm, serenely quiet;
Drink the deathless beauty—
Thrills of love and wonder
Sinking, shining, star-like;
Till the mirrored heaven
Hollow down within thee
Holy deeps unfathomed,
Where far thoughts go floating,
And low voices wander
              Whispering peace.

 

Although I am drawn to the ocean, I think I favor the quiet charm of a brook ensconced in the cradle of the woods. What is it about archaic language that makes reflections so much more profound?

 

image: Natureworks/Morguefile

NPM: #2–Wonder and Joy


image: flickr.com

Wonder and Joy

Robinson Jeffers, 18871962

The things that one grows tired of—O, be sure
They are only foolish artificial things!
Can a bird ever tire of having wings?
And I, so long as life and sense endure,
(Or brief be they!) shall nevermore inure
My heart to the recurrence of the springs,
Of gray dawns, the gracious evenings,
The infinite wheeling stars. A wonder pure
Must ever well within me to behold
Venus decline; or great Orion, whose belt
Is studded with three nails of burning gold,
Ascend the winter heaven. Who never felt
This wondering joy may yet be good or great:
But envy him not: he is not fortunate.

 

This particular poet focused his poetry around the Big Sur area. It would be easy to be inspired living in that region!

My fave stand out lines: “Of gray dawns, the gracious evenings…”

I do so appreciate the balance of these two images and the art of alliteration.

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