Pam Webb

a writer's journey as a reader

Archive for the category “national poetry month”

POM: April 21


Just what are the uses for poetry? I was hoping a sage, classic poet master like William Carlos Williams has the answer. After reading his poem I have more questions than answers.

 

The Uses of Poetry

William Carlos Williams, 18831963

I’ve fond anticipation of a day
O’erfilled with pure diversion presently,
For I must read a lady poesy
The while we glide by many a leafy bay,

Hid deep in rushes, where at random play
The glossy black winged May-flies, or whence flee
Hush-throated nestlings in alarm,
Whom we have idly frighted with our boat’s long sway.

For, lest o’ersaddened by such woes as spring
To rural peace from our meek onward trend,
What else more fit? We’ll draw the latch-string

And close the door of sense; then satiate wend,
On poesy’s transforming giant wing,
To worlds afar whose fruits all anguish mend.

Definitely a spot for posey Mayflies

image: morguefile/mzacha

POM: April 20


Carl Sandburg captures well how language is as fluid as a river. Rivers can shrivel up over time, and so can language. Poetry keep the languages of times, people, ideas, and civilizations from drying up.

Languages

Carl Sandburg (18781967)

There are no handles upon a language 
Whereby men take hold of it 
And mark it with signs for its remembrance. 
It is a river, this language, 
Once in a thousand years 
Breaking a new course 
Changing its way to the ocean. 
It is mountain effluvia 
Moving to valleys 
And from nation to nation 
Crossing borders and mixing. 
Languages die like rivers. 
Words wrapped round your tongue today 
And broken to shape of thought 
Between your teeth and lips speaking 
Now and today 
Shall be faded hieroglyphics 
Ten thousand years from now. 
Sing—and singing—remember 
Your song dies and changes 
And is not here to-morrow 
Any more than the wind 
Blowing ten thousand years ago.

POM: April 19


Walt Whitman. I now associate him with Robin Williams’ Dead Poets Society when he is coaxing Ethan Hawks’ character to create a poem about “Uncle Walt.” A “sweaty-toothed madman” is the description that rolled out. Walt Whitman is a bit of a madman. He wrote and rewrote Leaves of Grass throughout his career–sadly his new approach to poetry wasn’t readily embraced which is reflected in this poem.

I can relate to Walt and his statement about being open-minded to new ways of thinking. While his writing was not fully embraced in his time, Whitman is now considered one of America’s greatest poets.

 

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Shut Not Your Doors to Me Proud Libraries

by Walt Whitman

 

Shut not your doors to me, proud libraries,
For that which was lacking among you all, yet needed most, I bring;
A book I have made for your dear sake, O soldiers,
And for you, O soul of man, and you, love of comrades;
The words of my book nothing, the life of it everything;
A book separate, not link’d with the rest, nor felt by the intellect;
But you will feel every word, O Libertad! arm’d Libertad!
It shall pass by the intellect to swim the sea, the air,
With joy with you, O soul of man.

POM: April 18


The Brownings provided one the most moving romances in literature. Robert writes to Elizabeth first as a fan, then as an admirer, and finally as confident and husband. Although older and ill, Elizabeth escapes the oppression of her father’s household and elopes with Robert to Italy, living out the remainder of her days in the bliss of her husband’s love. Okay, it probably wasn’t that perfect, but I do get a bit sentimental when I read poetry. I didn’t want to investigate this particular poem. I didn’t want to pop the bubble of how enduring love  remains through time by discovering he wasn’t looking for Elizabeth. I also wanted to believe she was perhaps just visiting friends, or had popped out for a gelato and would return. It would be too sad to think that she had passed away and he kept looking for her throughout their house. *sniff* Now and then mushy stuff is good to feast on.  Hope you appreciate R.B.’s poem as much I do.

 

Love in a Life

Robert Browning, 18121889

Room after room,
I hunt the house through
We inhabit together.
Heart, fear nothing, for, heart, thou shalt find her,
Next time, herself!—not the trouble behind her
Left in the curtain, the couch’s perfume!
As she brushed it, the cornice-wreath blossomed anew,—
Yon looking-glass gleamed at the wave of her feather.

Yet the day wears,
And door succeeds door;
I try the fresh fortune—
Range the wide house from the wing to the centre.
Still the same chance! she goes out as I enter.
Spend my whole day in the quest,—who cares?
But ‘tis twilight, you see,—with such suits to explore,
Such closets to search, such alcoves to importune!

image: pintrest

POM: April 17


Moon moths. Couldn’t resist. Or is that the moon looks like a moth?

image:indigoluna.typepad.com

 

Moth Moon by Florence Ripley Mastin

Moth Moon, a-flutter in the lilac tree,

With pollen of the white stars on thy wings,

Oh! would I shared thy flight, thy fantasy,

The aimless beauty of thy brightenings!

A worker, wed to Purpose and Things,

Earth-worn I turn from Day’s sufficiency.

One lethéd hour that duty never brings,

Oh! one dim hour to drift, Moth Moon, with thee!

POM: April 16


Dunbar was one of the first African Americans recognized for his talent in poetry. This is almost magical in its lyric imagery. I can’t even think of trying to find a photograph that could possibly capture its radiance. Perhaps a Monet?

les Coquelicots

 

 

Invitation to Love

Paul Laurence Dunbar, 18721906

Come when the nights are bright with stars
Or come when the moon is mellow;
Come when the sun his golden bars
Drops on the hay-field yellow.
Come in the twilight soft and gray,
Come in the night or come in the day,
Come, O love, whene’er you may,
And you are welcome, welcome.

You are sweet, O Love, dear Love,
You are soft as the nesting dove.
Come to my heart and bring it to rest
As the bird flies home to its welcome nest.

Come when my heart is full of grief
Or when my heart is merry;
Come with the falling of the leaf
Or with the redd’ning cherry.
Come when the year’s first blossom blows,
Come when the summer gleams and glows,
Come with the winter’s drifting snows,
And you are welcome, welcome

POM: April 15


This is a new poet for me and I’m not sure why I’ve not come across her works before. She apparently was influential in the Modernist movement so I’m curious as to why when I read up on Pound and Elliot, Djuna Barnes doesn’t chime in. Lovely name and lived nearly a century. Somehow this poem seemed appropriate for the date.

Call of the Night

Djuna Barnes, 1892 – 1982
Dark, and the wind-blurred pines,

With a glimmer of light between.

Then I, entombed for an hourless night

With the world of things unseen.
Mist, the dust of flowers,

Leagues, heavy with promise of snow,

And a beckoning road ‘twixt vale and hill,

With the lure that all must know.
A light, my window’s gleam,

Soft, flaring its squares of red—

I loose the ache of the wilderness

And long for the fire instead.
You too know, old fellow?

Then, lift your head and bark.

It’s just the call of the lonesome place,

The winds and the housing dark.

 

POM: April 14


I still adore Bugs Bunny cartoons. The physics of cartoon logic is so irrationally funny. Why does Wile E. Coyote never manage to figure out ACME products are designed to harm, not help him in his goal to catch the Roadrunner?

Today’s poem by Nick Flynn addresses that very issue:

 "At ten we are still learning

the rules of cartoon animation,

that if a man draws a door on a rock
only he can pass through it.
Anyone else who tries

will crash into the rock." 

POM: April 13


There are natural and learned talents I secretly long to master. Juggling–well, I’m still working on that one. Playing the harmonica–got my harp and my CD ready to go (for the last six years), and hand shadows. Nothing much needed beyond a light and the flexing of one’s hands.

Today’s poem by Mary Cornish harkens to the magic and craft of hand shadows. And it goes well with one of my favorite vids.

POM: April 12


As a teen I used to complain about having to dragged off every weekend to our family’s cabin. Silly me. How many sixteen old girls would have loved having a community pool to hang out once we were done waterskiing? No wonder my parents were a tad irked with my complaints at times. Aah–sixteen year old girls with a pool to themselves (mostly) and hoping a cute boy or two (we actually needed three) would chance by and liven up our weekend. This poem is so about our baby oil tan days.

The Summer I Was Sixteen

—Geraldine Connolly

"The turquoise pool rose up to meet us,
its slide a silver afterthought down which
we plunged, screaming, into a mirage of bubbles.
We did not exist beyond the gaze of a boy..."

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