Pam Webb

a writer's journey as a reader

Archive for the category “Poetry”

Adieu, Adieu Sweet Month of Muse


national-poetry-month

I agree with Juliet, “Parting is such sweet sorrow.” April is a busy, busy month with its heralding of spring, removal of snow tires, paying of taxes, celebrating Billy Bard’s birthday, prepping for AP exams, and musing upon poems. I started loading my April blog calendar back in December as I discovered poems and poets I would pre-schedule them and now the days are spent and I am a bit bereft as I head into May. Whatever shall I fill my May days with?  It is ever so nice to have a theme for a month, like poetry for April. May will probably become my mish-mash month. I have several posties that I’ve been saving that don’t relate to anything except that I like them–sorta serendipity finds.

As I bid adieu to April I shall reflect:

  • Gathering poets for most of the year is akin to Saturday yard sale mornings as I scout for treasures to stuff in my bag
  • I appreciate poetry more and more as I become more and more involved with the reading of it
  • Having Billy Bard’s 450th birthday in the middle of National Poetry Month was absolute icing on the loveliest of cakes
  • Passing out poems to my students on April 24 for National Poem in Your Pocket Day is a blast–reactions range from excited anticipation of reading their poem to leaving them on the floor–which is about par for poetry (love it or leave it)
  • My school superintendent emailed me that I encouraged him to read a sonnet in my postscript to enjoy Shakespeare’s birthday
  • I decorated my hallway in recognition of Shakespeare’s birthday and convinced the journalism department to put it in the school’s daily video. Well, it’s not everyday a person is 450 years old…

 

Displaying photo.JPG

 

I look forward to May. School is winding down, weather is heating up, and the countdown to summer break begins.  Here is to May and all its blooming good days

24112-teacher_at_desk

Waiting out the days of May to slip into June

Poetry Workshop: Sestina


I thought there has been enough recovery time since the last workshop, which focused on the villanelle.  So, let’s move on to the sestina.

 

 

The image above intimates that the sestina can be neatly labeled.  Hmm, perhaps not.  Below is a famous example by Elizabeth Bishop.  I do like her work, if I haven’t mentioned that before.  This offering is simply called, “Sestina.”

September rain falls on the house.
In the failing light, the old grandmother
sits in the kitchen with the child
beside the Little Marvel Stove,
reading the jokes from the almanac,
laughing and talking to hide her tears.

She thinks that her equinoctial tears
and the rain that beats on the roof of the house
were both foretold by the almanac,
but only known to a grandmother.
The iron kettle sings on the stove.
She cuts some bread and says to the child,

It’s time for tea now; but the child
is watching the teakettle’s small hard tears
dance like mad on the hot black stove,
the way the rain must dance on the house.
Tidying up, the old grandmother
hangs up the clever almanac

on its string. Birdlike, the almanac
hovers half open above the child,
hovers above the old grandmother
and her teacup full of dark brown tears.
She shivers and says she thinks the house
feels chilly, and puts more wood in the stove.

It was to be, says the Marvel Stove.
I know what I know, says the almanac.
With crayons the child draws a rigid house
and a winding pathway. Then the child
puts in a man with buttons like tears
and shows it proudly to the grandmother.

But secretly, while the grandmother
busies herself about the stove,
the little moons fall down like tears
from between the pages of the almanac
into the flower bed the child
has carefully placed in the front of the house.

Time to plant tears, says the almanac.
The grandmother sings to the marvelous stove
and the child draws another inscrutable house

Anything standout? Anything noticeable?  Yes, there are repeating words. Six of them. Nicely done. Sestina–six: yup, there is a definite connection.

A sestina according to the Bing dictionary:

  1. Definition of sestina (n)

    Bing Dictionary
    • ses·ti·na
    • [ se stéenə ]
    1. form of poem: a poem of six six-line stanzas and a three-line envoy or, with the last words of the first six lines repeated, in different order, at the ends of the other lines

Using Bishop’s model, let’s explore how that really works.

Oh, by the way–if you are one of those who groove on numbers more than poetry, you will really like sestinas, because it’s all about patterns.

Okay. Here we go:

The structure of a sestina, in this case, Bishop’s “Sestina,” is six stanzas of six lines with a three line envoy (the conclusion of the literary work). The pattern is: 123456; 615243; 364125; 532614; 451362; 246531 with the envoy as 531 or 135.  Return to the poem and decide which six words repeat throughout the poem.

If you really want to see how a sestina works without all the extra word wading go check out “Six Words” by Lloyd Schwartz. Very, very clever.

 

Well, that wraps up another National Poetry Month. Thanks for stopping by. I hope you learned a bit along the way, and appreciated new-to-you poets and their poetry.

 

Poet Appreciation #10: Abraham Lincoln


We associate Abraham Lincoln with the Civil War, tall silk hats, a famous speech, a humble man with a distinctive beard, a day off in February, and the sadness that comes when great people are struck down too soon. Connecting our sixteenth president to poetry doesn’t usually pop up in the usual sixty-second classroom brainstorm activity.  And yet, here is proof Honest Abe had so much more to him than we give him credit for.

image: history.com

My Childhood Home I See Again
by Abraham Lincoln

My childhood home I see again,

And sadden with the view;

And still, as memory crowds my brain,

There’s pleasure in it too.

O Memory! thou midway world

‘Twixt earth and paradise,

Where things decayed and loved ones lost

In dreamy shadows rise, 

 

And, freed from all that’s earthly vile, 

Seem hallowed, pure, and bright, 

Like scenes in some enchanted isle 

All bathed in liquid light. 

 

As dusky mountains please the eye 

When twilight chases day; 

As bugle-notes that, passing by, 

In distance die away; 

 

As leaving some grand waterfall, 

We, lingering, list its roar– 

So memory will hallow all 

We’ve known, but know no more. 

 

Near twenty years have passed away 

Since here I bid farewell 

To woods and fields, and scenes of play, 

And playmates loved so well. 

 

Where many were, but few remain 

Of old familiar things; 

But seeing them, to mind again 

The lost and absent brings. 

 

The friends I left that parting day, 

How changed, as time has sped! 

Young childhood grown, strong manhood gray, 

And half of all are dead. 

 

I hear the loved survivors tell 

How nought from death could save, 

Poet Appreciation #9: Wallace Stevens


World War I affected the world in a way that changed forever our outlook on life. Losing 50,000 young men in one day alone, is a travesty of waste. Lost lives, lost dreams, lost generations have a profound impact. One section of the world culture which was touched was that of the artist in all forms. In poetry, the Modernist movement began with its focus on looking at how this brave new world affects us. T.S. Eliot is most frequented with modernist poetry with his offerings such as The Wasteland and The Lovesong ofJ. AlfredPrufrock.

Wallace Stevens

Another poet of that time, Wallace Stevens, is as important as Eliot in his contributions to Modernist poetry, although Eliot seems to pop up first in Modernist contribution conversations. Bio facts of note for Wallace:

  • didn’t get published until he 44
  • attended Harvard, but had to leave due to lack of funds
  • Editor for both of Harvard’s publications
  • His wife the model for the Liberty dime and half-dollar
  • Career primarily as an insurance lawyer
  • Won the Pulitzer Prize and National Book Award
  • His poetry collection, Harmonium, ignored by critics when first published, is now highly regarded
  • His home town of Hartford, Connecticut has a walk devoted to his blackbird poem with signs of each section along the way
  • Connoisseur of Asian art

Disillusionment of Ten O’Clock

The houses are haunted
By white night-gowns.
None are green,
Or purple with green rings,
Or green with yellow rings,
Or yellow with blue rings.
None of them are strange,
With socks of lace
And beaded ceintures.
People are not going
To dream of baboons and periwinkles.
Only, here and there, an old sailor,
Drunk and asleep in his boots,
Catches Tigers
In red weather.

Poem in Your Pocket?


Yes!

Pick a poem

from the offered bouquet

carry the fragrance

of words which refresh

and delight

Place a poem in your pocket

and travel

to new lands

make new friends

discover old memories

enliven the senses

and then

share it

Poet Appreciation #8: William Shakespeare


*Gasp* Billy Bard is celebrating his 450th birthday on the 23rd. I advise those attending the birthday party to stick to the crumpets and steer clear of the kippers, as they didn’t do ol’ William any good at his own birthday din celeb.

Would William be surprised to know how many Bardinators there are coasting about due to his most marvelous ability with words, wit, and retrofitting old tales into something more appealing?  Probably.  Ben Jonson knew his contemporary, and somewhat rival was “a man for all time.”

What better way to say “Happy Birthday, Bill!” than with a couple of his sonnets.

First, the Mona Lisa of his career:

SONNET 18

Shall I compare thee to a summer’s day? 
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date: 
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm’d; 
And every fair from fair sometime declines,
By chance, or nature’s changing course, untrimm’d;
But thy eternal summer shall not fade
Nor lose possession of that fair thou ow’st;
Nor shall Death brag thou wander’st in his shade,
When in eternal lines to time thou grow’st; 
So long as men can breathe or eyes can see,
So long lives this, and this gives life to thee

 

Who hasn’t heard this lovely tribute of admiration? No matter how many years I’ve taught it to high school students they still “get it” and appreciate the trick ending of the couplet.  That’s what I like about Wm’s wit: it’s subtle and winking.  I think he’s winking right now as it’s being read. I’ll let Michael York recite it for you.  He gets it for sure, this is a loving tribute (don’t get shook up about it being for a man, like my freshmen do–this was supposedly to William S.’s patron, the guy who paid the bills so Wm could keep writing. Is that any different from dedicating a song or book to an agent, sibling, parent, or editor?)

Another tribute sonnet is perhaps not as complimentary, yet I think it showcases Shakespeare’s ability to take the accepted medium and poke fun at how poets tended to extol too vigorously the glories of a person, thus rendering him or her to be removed from humanity–it’s difficult to climb down off a pedestal that’s built too high. This particular sonnet at first sounds like a bash session; however, after a step back moment, it’s clear to see Shakespeare extols the real beauty of his love.  He loves this woman, warts–that is, frizzy hair, and all.

SONNET 130

My mistress’ eyes are nothing like the sun;
Coral is far more red than her lips’ red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damask’d, red and white,
But no such roses see I in her cheeks; 
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground:
   And yet, by heaven, I think my love as rare
   As any she belied with false compare.

This video captures the satire of those mushy sonnets while intones the general attitude of love.  Alan Rickman and typography mash up at its best.  Wouldn’t you want Alan Rickman reciting a sonnet to you?  Check yes.

 

 

These are only a drop in the sonnet bucket.  Wills wrote 150 sonnets, far more than the 38 plays we know to be roaming about.  So why do we mostly associate him with being a playwright than a poet?  According to many historical sources, he considered himself to be more of a poet than a playwriter. Hmm, it’s easier to turn a play into a film than a sonnet, I suppose.

Once again, Happy Birthday, William!

image: facebook.com

 

Poet Appreciation #7: William Cullen Bryant


Are you a New Yorker? If so, then you know that William Bryant helped establish Central Park and the Metropolitan Museum of Art and that Bryant Park is named for him. He was also long time editor of the New York Evening Post. Of course you knew . More importantly, Bryant was part of the Romantics. While the Brits reveled in Wordsworth, Keats, and Shelley, America had its own Romanticist in the form of William Cullen Bryant.

William Cullen Bryant Cabinet Card by Mora-crop.jpg William Cullen Bryant: November 3, 1794 – June 12, 1878 (Wikipedia image)

November
by William Cullen Bryant

Yet one smile more, departing, distant sun!
One mellow smile through the soft vapoury air,
Ere, o’er the frozen earth, the loud winds ran,
Or snows are sifted o’er the meadows bare.
One smile on the brown hills and naked trees,
And the dark rocks whose summer wreaths are cast,
And the blue Gentian flower, that, in the breeze,
Nods lonely, of her beauteous race the last.
Yet a few sunny days, in which the bee
Shall murmur by the hedge that skim the way,
The cricket chirp upon the russet lea,
And man delight to linger in thy ray.
Yet one rich smile, and we will try to bear
The piercing winter frost, and winds, and darkened air.    

I do like fall. Each month has its own cadence. September has its drowsy warm days drifting into chilly nights, and then there is October with its brisk mornings rewarded with a gift of sun before rescinding into frost-quickened nights. Bryant has captured November with its bright, lingering colors mixed into the descending browns, graced with slights of snowfall. November is truly a mixture of seasons with its bits of summer mingling with the foreshadowing of winter. I added “gentian” to my imagery entries. Lovely word. Wonderful poem of images.

Get Your Poems and Pockets Ready…


Get your poems and pocket ready. April 24th is National Poem in Your Pocket Day!

From Poets.org:

On Poem in Your Pocket Day, people throughout the United States select a poem, carry it with them, and share it with others throughout the day.

You can also share your poem selection on Twitter by using the hashtag #pocketpoem.

Poems from pockets are unfolded throughout the day with events in parks, libraries, schools, workplaces, and bookstores.

Create your own Poem in Your Pocket Day event using ideas below or share your creative ideas with us by emailing npm@poets.org.

 

Last year I downloaded the poems selected especially for PYPD and printed them out on colored paper and rolled them up and handed them out to students from a special canister.  They unrolled them and smiled and shared them. Yes, some ended up on the floor, but mostly my freshmen and AP seniors thought it pretty cool to have their own poem to carry around for the day.  I enjoyed watching them excitedly ask one another, “Which one did you get?”

So–you’ve got the website link, now get on it!  Get those poems ready for those pockets!

 

 

Poet Appreciation #6: Eliza Lee Follen


While it’s grand to dig away at meaning, symbolism, and theme, it can refreshing to simply enjoy a poem for its bouncy rhythm and rhyme and wit.  This is the case for Eliza Lee Follen’s “Lines on Nonsense.”

Edward Lear renders an appropriate complement for today’s poem.

Lines on Nonsense

Yes, nonsense is a treasure!
I love it from my heart;
The only earthly pleasure
That never will depart.

But, as for stupid reason,
That stalking, ten-foot rule,
She’s always out of season,
A tedious, testy fool.

She’s like a walking steeple,
With a clock for face and eyes,
Still bawling to all people,
Time bids us to be wise.

While nonsense on the spire
A weathercock you’ll find,
Than reason soaring higher,
And changing with the wind.

The clock too oft deceives,
Says what it cannot prove;
While every one believes
The vane that turns above.

Reason oft speaks unbidden,
And chides us to our face;
For which she should be chidden,
And taught to know her place.

While nonsense smiles and chatters,
And says such charming things,
Like youthful hope she flatters;
And like a syren sings.

Her charm’s from fancy borrowed,
For she is fancy’s pet;
Her name is on her forehead,
In rainbow colors set.

Then, nonsense let us cherish,
Far, far from reason’s light;
Lest in her light she perish,
And vanish from our sight.

Eliza Lee Follen (1787-1860), was ten in a family of thirteen children. Born into an affluent Boston family she became a poet, children’s author, editor, and abolitionist. Her children’s verse offerings posed light and nonsensical images in contrast to the more serious ones of her time. She and her husband, Charles Follen had one son.

Poet Appreciation: #5 Guest Poet


How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of everyday’s
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for Right;
I love thee purely, as they turn from Praise.
I love thee with the passion put to use
In my old griefs, and with my childhood’s faith.
I love thee with a love I seemed to lose
With my lost saints – I love thee with the breath,
Smiles, tears, of all my life! – and, if God choose,
I shall but love thee better after death.

Three guess on today’s most appropriate poem:

  • Nope, not Shakespeare–although it is Sonnet 43, it’s not his.
  • Nada–Dickinson has dashes, but not so much mush
  • Yup, Elizabeth Barrett Browning. And I know it’s almost cliché to have her famous Sonnet 43 as today’s poem (yes, though February was a couple of months ago, the 14th can still be a factor in choice), her love story is soooo romantic that it bears repeating–especially if you don’t know it.

ONCE upon a time, long ago, a young girl by the name of Elizabeth Barrett grew up with a very possessive and controlling father who had strange ideas about his children going off and getting married–like in “Not by the hair of my chinny chin chin!” Even though the young Elizabeth was pretty much imprisoned in her house by her father (shades of princess needing a prince) she became a famous poet.

One day a dashing younger man by the name of Robert Browning read one of Miss Barrett’s books of poetry and wrote her a letter. She wrote back. He wrote back. Well, before you know it they became pen pals with a serious romance brewing.

Big, bad, Dad Barrett would not let Elizabeth and Robert marry, at least he did not give his consent. So, of course Robert, a prince of a fellow, rescues the lovely princess of poetry, and they elope off to Italy. And yes, they DID live happily ever after. Big, bad, Dad Barrett never forgave them, but the Brownings remained blissfully happy in their famous marriage of pen and passion.

Now, that’s a great literary romance tale. So let’s celebrate with some good old Peanuts:

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